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      <image:title>BLOG - Exhibition Special Newsletter - Make it stand out</image:title>
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      <image:title>BLOG - Exhibition Special Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - Exhibition Special Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - Exhibition Special Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.prismtextiles.co.uk/blog/whats-on-march-2026-members-news-ths39</loc>
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    <lastmod>2026-03-29</lastmod>
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      <image:title>BLOG - What’s On April 2026: Members’ News</image:title>
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      <image:title>BLOG - What’s On April 2026: Members’ News</image:title>
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      <image:title>BLOG - What’s On April 2026: Members’ News</image:title>
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      <image:title>BLOG - What’s On April 2026: Members’ News</image:title>
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    <loc>https://www.prismtextiles.co.uk/blog/march-newsletter</loc>
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    <lastmod>2026-02-27</lastmod>
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      <image:title>BLOG - March 2026 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - March 2026 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - March 2026 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - March 2026 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - March 2026 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - March 2026 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - March 2026 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - March 2026 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - March 2026 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - March 2026 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.prismtextiles.co.uk/blog/whats-on-march-2026-members-news</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-23</lastmod>
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      <image:title>BLOG - What’s On March 2026: Members’ News</image:title>
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      <image:title>BLOG - What’s On March 2026: Members’ News</image:title>
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      <image:title>BLOG - What’s On March 2026: Members’ News</image:title>
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      <image:title>BLOG - What’s On March 2026: Members’ News</image:title>
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  <url>
    <loc>https://www.prismtextiles.co.uk/blog/annie-by-meg-tonkin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1771606814840-70JC8EVETUYBIV2NUT7R/IMG_8812.jpeg</image:loc>
      <image:title>BLOG - Meg Tonkin chats to Annie Taylor - Glass fragment layered forms</image:title>
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      <image:title>BLOG - Meg Tonkin chats to Annie Taylor - Self portrait inside the house</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1771607051384-2P8DHDAMXB1WFT8IHI1A/IMG_8819.jpeg</image:loc>
      <image:title>BLOG - Meg Tonkin chats to Annie Taylor - 'Alice in the Bell Jar’</image:title>
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      <image:title>BLOG - Meg Tonkin chats to Annie Taylor - Art dolls at Kathinka’s</image:title>
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      <image:title>BLOG - Meg Tonkin chats to Annie Taylor - Fuck the World cartoon, Rina Piccolo</image:title>
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      <image:title>BLOG - Meg Tonkin chats to Annie Taylor - Duster dressed Cinderella doll</image:title>
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      <image:title>BLOG - Meg Tonkin chats to Annie Taylor - Christmas UnDoll</image:title>
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  <url>
    <loc>https://www.prismtextiles.co.uk/blog/febuary-newsletter-26</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/e9e3efce-2703-498e-a66f-36068aa1dd20/BeltonR_StillLife_2021.jpg</image:loc>
      <image:title>BLOG - February 2026 Newsletter - WELCOME FROM OUR CHAIRS</image:title>
      <image:caption>Welcome to February We hope you’ve had a creative and productive start to the year. Here at PRISM, we certainly have. All member submissions for the upcoming DICTIONARY exhibition are now in, and our selection team has completed the process of choosing the works for the show. The breadth of submissions was truly impressive. Alongside beautifully resolved finished pieces, there was also a fascinating number of proposals and works still in progress. It seems some of our members will be stitching, making, and refining right up to the very last moment and we love that commitment. What stood out most was the fresh energy and ambition running through the submissions. Members have embraced this year’s title with imagination and confidence, pushing ideas, materials, and skills to their limits. It’s exciting to see such momentum at the start of the year, and we can’t wait to see how these works develop as the exhibition approaches. We’re also delighted to share that Meg Tonkin, who joined us this year as part of the PRISM mentoring programme, has written a blog reflecting on her first five months and her adventures with PRISM so far. She is very much enjoying her time with the group and is already looking ahead to the next five months. You can read all about her experience by clicking the link below. Meg Tonkin’s Blog Post All the best Wolfgang Woerner, Chair Jane Riley, Vice Chair</image:caption>
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      <image:title>BLOG - February 2026 Newsletter - MORFYDD RANSOM- HALL</image:title>
      <image:caption>‘It turned out nice today’ is a much-used conversational statement relating to weather of the British Isles. Climate, weather, and the Anthropocene are a constant research field within Morfydd’s multidisciplinary practice. Morfydd has been working within this research area for the past 15 years. One ongoing data collection is the recording of her local daily weather and rainfall.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/3d4a9489-c9d1-4bf5-b733-f7e276067175/Ester%2BWard%2BInfant%252BMortality%252BAfghanistan%252B2022.jpg</image:loc>
      <image:title>BLOG - February 2026 Newsletter - ESTER WARD</image:title>
      <image:caption>Esther Ward describes her artistic practice as drawing together the threads of research of place, peoples, materials, and the making process. She is particularly interested in the curation of archives and the voices heard and absent within them, and how she can present her own work within the format of a living archive. Often site or event specific, she considers her work an invitation for others to find space to connect with their own life stories. She has worked in diverse locations from derelict buildings, landscapes of historic interest, a shipping container and within museums. Her lifelong interest in the connective threads of place, people and materials is currently exploring the paradox of powerlessness and resilience in the narratives of place.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/4bf3460c-8663-40de-908f-aebda97aafc2/HillC_Summer%252B%252776_Work%252Bin%252Bprogress.jpg</image:loc>
      <image:title>BLOG - February 2026 Newsletter - CATHERINE HILL</image:title>
      <image:caption>Catherine’s creative practice harnesses the use of text and narrative to bring to life memories of her childhood, her adult life, and Lancashire's social history. She first composes the narrative in the form of short sentences, snippets of speech or an essence of a meaning, and then shapes these into a final design. Catherine integrates everyday objects into certain pieces, while other works follow her 'Red Square' format. This signature approach combines red thread—an homage to the Lancashire Rose—with vintage or repurposed fabrics, creating embroidered narratives contained within meticulously crafted squares. Her work is in the Victoria &amp; Albert Museum, Textiles and Fashion Collection. She has a YouTube Channel called ‘Arnold’s Attic’ where she shares the work of fellow textile artists.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/ed30bdb9-8a7c-49f7-8411-31f791bea7d1/Granberg%2C%2BA%2B%C2%A8Signe%27s%2Bstory%C2%A82022.jpeg</image:loc>
      <image:title>BLOG - February 2026 Newsletter - ANNA GRANBERG</image:title>
      <image:caption>For Anna Granberg, textiles are the ultimate way of utilising materials for her expressive art. Her works pose questions around what is happening in the world today and how it influences life. She directly interacts with people, encouraging them to consider their own life and choices. The world is constantly changing, and Anna thinks that it is important to be aware of what changes you want to have in society. She explores this by employing old and sometimes unexpected materials in different ways to express colour and form, using family history and textiles as her sources. Anna is a Swedish artist, educated at Opus School of Textile Art.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/d83dcd8d-cbe9-476b-aea3-6b1d15c28404/Paulene%2BCattle_Splat_25.png</image:loc>
      <image:title>BLOG - February 2026 Newsletter - PAULENE CATTLE</image:title>
      <image:caption>Paulene’s overriding interest is in the built environment, especially aspects that are generally overlooked - in effect, the background noise of society. She explores man’s effect on urban landscapes which are then further altered by others, either consciously (graffiti/litter) or inadvertently (pollution/overuse). Recent work also encompasses the impact of global warming on the natural world. These works are realized in a variety of media, utilizing whatever suits the subject but principally constructed felt, and frequently incorporating site specific found objects and sound. An acute awareness of the need to lessen our environmental footprint is reflected in making work that comprises entirely of found or recycled objects and accumulated studio materials, also revisiting, reassessing, and combining media used in previous projects.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/2c954fba-8651-4bfa-ab76-ad2fc14ea5cb/Taylor_Annie_1b.jpg</image:loc>
      <image:title>BLOG - February 2026 Newsletter - ANNIE TAYLOR</image:title>
      <image:caption>Taylor’s creativity thrives in the twilight world of carnival sideshows: those borderlands where mermaids and fairy folk mingle with carnies and Kahlos. Drawn by childhood nostalgia and the escapism of storytelling, her work often hints at a darker meaning. Most of her materials are preloved, showing their age with worn and frayed edges, which often dictate how they’ll be used. When people mistook her hand embroidery for free-motion stitching, she taught herself to use her sewing machine like a pencil, embracing the quirks and imperfections that come with this technique. Her illustrated figures have featured in a stop motion animated story, and she dreams of building automata. Annie  co-founded and curates the Profanity Embroidery Group.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/8f7574e9-0dec-4b06-9918-d09002629282/unnamed%289%29.png</image:loc>
      <image:title>BLOG - February 2026 Newsletter - PRISM DICTIONARY EXHIBITION</image:title>
      <image:caption>This year’s exhibition explores the hidden meanings embedded in words: their origins, their shifting forms across centuries, their misunderstandings, transformations, and cultural echoes. Through the magic of stitch and the limitless possibilities of textile materials, they investigate new ways of expressing ideas, developing fresh interpretations and unexpected constructs using everything from cloth to stone, silk to steel.</image:caption>
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      <image:title>BLOG - February 2026 Newsletter - THE STITCH FESTIVAL LONDON</image:title>
      <image:caption>Business Design Centre, London, from 19-22 March 2026 The Stitch Festival will showcase over 150 top brands and indie businesses, exclusive features from leading designers, along with talks, demos, Q&amp;As. Plus, there will be hundreds of hands-on workshops to enjoy!  Enter code PRISM26 at checkout to save £2* on tickets! * T&amp;Cs: £2 off standard adult / concession tickets only. Offer not valid on Afternoon tickets, VIP, Child or group tickets, or on Sunday 22nd March. Offer expires 11th March 2026. Booking fee applies.</image:caption>
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    <lastmod>2026-01-31</lastmod>
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      <image:title>BLOG - Life as a Prism Mentee - Meg Tonkin - Mathilde and I viewing some work at Thames-Side Studios</image:title>
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      <image:title>BLOG - Life as a Prism Mentee - Meg Tonkin - Map we made of all Prism members</image:title>
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      <image:title>BLOG - Life as a Prism Mentee - Meg Tonkin - Making shapes with Wolfgang</image:title>
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      <image:title>BLOG - Life as a Prism Mentee - Meg Tonkin - Ross Belton and I on a rainy day in Islington</image:title>
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      <image:title>BLOG - Life as a Prism Mentee - Meg Tonkin - Annie Taylor, Wolfgang Woerner, Mathilde and I exploring Annie’s</image:title>
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      <image:title>BLOG - Life as a Prism Mentee - Meg Tonkin - Sharon Kearley’s colourful wall</image:title>
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      <image:title>BLOG - Life as a Prism Mentee - Meg Tonkin - Julia van den Bosch’s perfume bottles</image:title>
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      <image:title>BLOG - Life as a Prism Mentee - Meg Tonkin - Ross Belton’s collection</image:title>
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      <image:title>BLOG - Life as a Prism Mentee - Meg Tonkin - Kim Winter’s bones</image:title>
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    <lastmod>2026-02-16</lastmod>
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      <image:title>BLOG - What’s On February 2026: Members’ News</image:title>
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      <image:title>BLOG - What’s On February 2026: Members’ News</image:title>
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      <image:title>BLOG - What’s On February 2026: Members’ News</image:title>
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  <url>
    <loc>https://www.prismtextiles.co.uk/blog/january-newsletter</loc>
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    <lastmod>2026-02-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1767605693026-AAU08QEBJ691YT4PIKHS/unnamed%281%29.jpg</image:loc>
      <image:title>BLOG - January 2026 Newsletter - WELCOME FROM OUR CHAIRS</image:title>
      <image:caption>Welcome to 2026 To celebrate the New Year we are delighted to unveil our newly redesigned website. The new homepage offers a vibrant introduction to who we are, with direct access to our blog and a growing archive of past exhibitions. www.prismtextiles.co.uk On the About page, you’ll discover our history, what inspires us, how we began, and our vision for the future. Our Members’ page introduces all our artists, with examples of their work and artist statements. The Blog page which will be updated monthly, shows you what members are up to and where to find them. January is an especially exciting time for PRISM, as we prepare submissions for our upcoming exhibition at the Art Pavilion Mile End in London this April. Artists may submit either finished works or works in progress, to be reviewed later in the month by a selection panel. From this, the final works for the exhibition will be chosen. This year’s exhibition entitled ‘Dictionary’ explores the hidden meanings embedded in words: their origins, their shifting forms across centuries, their misunderstandings, transformations, and cultural echoes. Through the magic of stitch and the limitless possibilities of textile materials, members will investigate new ways of expressing ideas, developing fresh interpretations and unexpected constructs using everything from cloth to stone, silk to steel. To finish off here is something for your March cultural diary, ‘The Stitch Festival’ 19 – 22 March, at the Business Design Centre, London. PRISM newsletter subscribers will be eligible for a discount on tickets, using the code: PRISM26 www.thestitchfestival.co.uk T&amp;Cs: £2 off standard adult / concession tickets only. Offer not valid on Afternoon tickets, VIP, Child or group tickets, or on Sunday 22nd March. Offer expires 11th March 2026. Booking fee applies. Wishing you an inspiring and creative year. Thank you very much Wolfgang Woerner, Chair Jane Riley, Vice Chair</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/54049bb8-4076-4d3c-be42-3b0c59e800cc/Mudlarking%2BCath%2BGriffiths%2B2024%2B%28Exhibited%2BChristchurch%2B2024%29.png</image:loc>
      <image:title>BLOG - January 2026 Newsletter - CATH GRIFFITHS</image:title>
      <image:caption>During Covid, Cath started walking alone and focused on her surroundings. Engaging with the present through a steady rhythm, she rooted her work in capturing the mood of wandering and examining her ‘findings’. Her practice includes working directly with her hands manipulating commonplace fabrics which are portable, soft, and comforting. She seeks to evoke a quiet and reflective calm, making connections with the minimum of tools. Labour intensive and time-consuming, it grants space for rhythm, repetition, listening and reflection. Each new environment is a fresh encounter. Beginning with numerous rapid, small sketches to document her experiences she takes time to reflect and gather inspiration. Transforming fleeting moments into a personal story assembled from the fragments. This process brings her a sense of comfort, both physically and emotionally.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/5784dc3c-1920-4e20-ba7b-525311cfb2ff/TaylorP_Liminal_2024.png</image:loc>
      <image:title>BLOG - January 2026 Newsletter - PATTI TAYLOR</image:title>
      <image:caption>Patti Taylor is a textile artist, printmaker, and bookbinder. She began her artistic studies on retirement after a career in IT, studying textiles, fine art, printmaking, and bookbinding at City Lit and the London Print Studio. Her work is in the Printmakers’ Council collection at Scarborough Museum, and the V&amp;A’s textile collection (collaborative artwork: Sewn Antidote 2020), and frequently exhibits in group exhibitions throughout Great Britain. Emotional attachment drives Patti’s work. She records her personal narrative and research in notebooks, often focusing on Spurn Point's landscape and history. After her daughter suffered brain injury and became blind from meningitis, Patti found poetry and stitching helpful in processing the trauma. She works across media—wall hangings, textile and mixed media books, 3D structures, always seeking a correspondence between the subject matter, its underpinning philosophy, and the form of the material.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/805dab11-6a94-4410-b4a4-028c2504db92/SimpsonC_Nexus_2021.jpg</image:loc>
      <image:title>BLOG - January 2026 Newsletter - CONSUELO SIMPSON</image:title>
      <image:caption>Consuelo approaches making as an engaged process between maker and material. She combines traditional techniques—such as netting, printmaking, bookbinding, and gilding—with materials like string, paper, twigs, bones, plaster, and found objects. Using handmade cordage and nets, Consuelo assembles sculptures and wall-mounted works that celebrate the history and memories held by objects displaced from their original context. Alongside these, prints and works on paper, often presented in book form, reflect an ongoing fascination with human ingenuity and the ubiquitous presence of string throughout history. Artworks are always evolving. She views form as temporary and open to change, adapting concepts through hands-on engagement with each medium. Her process uncovers surprises and captures moments of enchantment, encouraging viewers to see the world anew and connect deeply with it.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/67a57b4f-830f-4a1a-a0bf-415674a61dce/BloomA.%2BParadoxes.%2B2023.png</image:loc>
      <image:title>BLOG - January 2026 Newsletter - AMANDA BLOOM</image:title>
      <image:caption>Texture and colour are an important part of Amanda’s textile work, and she is fascinated by the juxtaposition of opposing materials; hard versus soft, sensual versus austere. Often including visceral, disturbing arrangements alongside beautiful textures and colours, which attract the viewer in, and at the same time repel or shock. Her pieces explore vulnerability, exposure, and transformation. Her ‘Reliquaries’ series transforms unsettling objects into delicate relics, prompting reflection on memory and what we hold sacred. The ‘Paradoxes’ book pieces, inspired by illuminated texts, reveal complexity in religious history, while ‘Spilling Her Guts’ and ‘Thinking Out Loud’ uncover internal experiences through visceral arrangements. Amanda’s organic process lets materials shape each piece, inviting viewers to consider their own lives and relationships.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/390dbd62-823c-4e3d-8d85-c8185055df85/irena-wilmot.jpg</image:loc>
      <image:title>BLOG - January 2026 Newsletter - IRENA WILLMOTT</image:title>
      <image:caption>Irena is interested in the possibilities of the material felt, to convey and reflect on, the nature of ‘how we feel’ through ‘how we felt’, often metaphorically. She integrates felt with a range of materials—from iron and wood to gold, fabric, metal waste, aluminium cans, hair, and recently blister packs to explore themes of entanglement, waste, protection, comfort, and repair. Through this diverse material exchange, her work highlights transitional spaces that invite reflection on emotion and connection. She poses questions such as ‘What are the possibilities for connectivity and repair’? ‘Is this a straight line’? ‘Is there a way out’? considering how deeply we are entangled, much like felt itself.</image:caption>
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      <image:title>BLOG - January 2026 Newsletter - BARBARA PHELPS</image:title>
      <image:caption>Barbara’s work is conceptual and mostly three dimensional, reflecting her background in theatre. She mainly focuses on themes of personal identity, memory, space, and loss and usually begins with an emotional response to something seen or read, an object, a quote or a written article that resonates with her in some way. More recently she has focused on the fragility of relationships and the fluctuating emotions of grief. Her techniques depend upon the requirements of the concept and may include stitch, fabric manipulation, printing, and text, while the materials range from vintage linens and cottons to plastics, wire, and plaster, each specifically chosen to express the concept. The process can be quite physical, emotional, repetitive, and therapeutic.</image:caption>
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      <image:title>BLOG - January 2026 Newsletter</image:title>
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    <lastmod>2026-01-17</lastmod>
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      <image:title>BLOG - What’s On January 2026: Members’ News</image:title>
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      <image:title>BLOG - What’s On January 2026: Members’ News</image:title>
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    <lastmod>2026-01-05</lastmod>
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      <image:title>BLOG - December 2025 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - December 2025 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2026-01-05</lastmod>
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      <image:title>BLOG - What’s On December 2025: Members’ News</image:title>
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      <image:title>BLOG - What’s On December 2025: Members’ News</image:title>
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      <image:title>BLOG - What’s On December 2025: Members’ News</image:title>
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  <url>
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    <lastmod>2026-01-05</lastmod>
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      <image:title>BLOG - November 2025 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - November 2025 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - November 2025 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - November 2025 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - November 2025 Newsletter - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>BLOG - Natural Dyeing Workshop - Ross Belton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1724858717511-9YHERKVFH2980R6PZ3IJ/IMG_3423.jpg</image:loc>
      <image:title>BLOG - Natural Dyeing Workshop - Ross Belton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1724858727334-P4MBP9SOMY5LM9VT6L6N/IMG_3433.jpg</image:loc>
      <image:title>BLOG - Natural Dyeing Workshop - Ross Belton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1724858755109-M51TYOPW7E99KN247E0Y/IMG_3441.jpg</image:loc>
      <image:title>BLOG - Natural Dyeing Workshop - Ross Belton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1724858743907-RIP6CWTIAP8GZLN1911I/IMG_3452.jpg</image:loc>
      <image:title>BLOG - Natural Dyeing Workshop - Ross Belton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1724858770603-IGRCGFYOYCHJYDPNUC6Q/Yarn+Comp.jpg</image:loc>
      <image:title>BLOG - Natural Dyeing Workshop - Ross Belton</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/through-the-eye-of-a-needle-julia-van-den-bosch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1715771644126-XD64EPC9DO8VH42ZVTD1/julia+photo+1.jpg</image:loc>
      <image:title>BLOG - Through the Eye of a Needle - Julia van den Bosch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1715771644357-JTJSKP0JD81VHN65JP1S/julia+photo+2.jpg</image:loc>
      <image:title>BLOG - Through the Eye of a Needle - Julia van den Bosch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1715771646887-XFMIWZXYAE8BCD4JP9YR/julia+photo+3.jpg</image:loc>
      <image:title>BLOG - Through the Eye of a Needle - Julia van den Bosch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1715771647172-2GPTBX10P4YB75BLHIRE/julia+photo+4.jpg</image:loc>
      <image:title>BLOG - Through the Eye of a Needle - Julia van den Bosch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1715771648634-N0XLVZ113X8WSG81GOM9/julia+photo+5.jpg</image:loc>
      <image:title>BLOG - Through the Eye of a Needle - Julia van den Bosch</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/nerissa-cargill-thompson-interviewed-by-meta-heemskirk-waste-not-want-not</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1711551908693-3SC9RZIPEWR1VHZXSJHY/nerissa+photo+1.jpg</image:loc>
      <image:title>BLOG - Waste not, Want Not - Nerissa Cargill Thompson Interviewed by Meta Heemskirk - Waste Not, Want Not</image:title>
      <image:caption>This is the first article in a new series on Prism members who make textile art using non-textile materials. For both economical reasons and environmental sustainability, Nerissa uses old clothes and scrap materials to make her artwork. Reusing is better for the environment than recycling, as less energy is needed and so why use new, when there is such a wealth of materials available to re-use already, often on its way to landfill?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699355966553-HCUBY9EBGUS151RP5C8W/nerissa+photo+2.jpg</image:loc>
      <image:title>BLOG - Waste not, Want Not - Nerissa Cargill Thompson Interviewed by Meta Heemskirk</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699355969858-UVXFUHE3A3ST9641UIW3/nerissa+photo+3.jpg</image:loc>
      <image:title>BLOG - Waste not, Want Not - Nerissa Cargill Thompson Interviewed by Meta Heemskirk</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699355973974-HLJ8Z26COA8DB17KVM3R/nerissa+photo+4.jpg</image:loc>
      <image:title>BLOG - Waste not, Want Not - Nerissa Cargill Thompson Interviewed by Meta Heemskirk</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699355976481-NJ0LWDHVTIDIE2H25R5D/nerissa+photo+5.jpg</image:loc>
      <image:title>BLOG - Waste not, Want Not - Nerissa Cargill Thompson Interviewed by Meta Heemskirk</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699355979821-QYFSDRJTT6DN8MVFG0KS/nerissa+photo+6.jpg</image:loc>
      <image:title>BLOG - Waste not, Want Not - Nerissa Cargill Thompson Interviewed by Meta Heemskirk</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699355981662-MVOV6U341D09QDHESPAO/nerissa+photo+7.jpg</image:loc>
      <image:title>BLOG - Waste not, Want Not - Nerissa Cargill Thompson Interviewed by Meta Heemskirk</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/a-warm-welcome-in-the-land-of-wool-amp-ice-niki-chandler</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699353967708-JIBZXORGOKTCP3O5XB6U/image00001.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699353989767-M6OBHPQBTZZCSVZDTN5I/image00002.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354041883-47ZNS19V9X015R2BRF6S/image00003.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354052369-ULF9SVYO5IRANCDRAT7D/image00004.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354145544-08OD632YQUTX5LOMYYGP/image00005.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354085254-46T9OBVEDC1RT6E0JV4O/image00006.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354109574-MOMPD11PK1ALW5F6KNZT/image00007.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354197389-5A3QG78UOSBL0J01WZA7/image00009.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354220374-MBSYX75T6V9LG1V6572V/image00010.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354304651-5UECBC6NF12671UXCJ1S/image00010.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354326061-G2G2EDLS94YP0KGC4RWU/image00011.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354327127-FCZRW2GACWW9ONFVO4NJ/image00012.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354254103-C5N41FTRAMF1M1OILLWK/image00011.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1699354279523-H7ZGASJBDWKU55GMY725/image00012.jpeg</image:loc>
      <image:title>BLOG - A Warm Welcome in the Land of Wool &amp;amp; Ice: Niki Chandler</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/ross-belton-handmade-experimental-brushes-and-botanical-inks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1679845374330-VVCNT0WR89FX43IW4YWF/Ross+1.jpg</image:loc>
      <image:title>BLOG - Ross Belton - Handmade Experimental Brushes and Botanical Inks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1679845374618-3V5PHI7Z4D775370IKB0/Ross+2.jpg</image:loc>
      <image:title>BLOG - Ross Belton - Handmade Experimental Brushes and Botanical Inks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1679845375274-14W6K1X6VPHHDATLQRN9/Ross+3.jpg</image:loc>
      <image:title>BLOG - Ross Belton - Handmade Experimental Brushes and Botanical Inks</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/miniature-art-maria-walker-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1675161289756-0FRHF3FA73FO4P9ZWYHF/Dolor.jpg</image:loc>
      <image:title>BLOG - Miniature Art - Maria Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1675161279116-CLX1WO6RKB55TZPEXLGM/Blood+Moon+in+situ.jpg</image:loc>
      <image:title>BLOG - Miniature Art - Maria Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1675161297698-VBTB8BZNFB89Z7G5U3QZ/Veritas+_+Vanitas.jpg</image:loc>
      <image:title>BLOG - Miniature Art - Maria Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1675161301762-8I38UG2ICJO7RKIS8A6E/legally+high.jpg</image:loc>
      <image:title>BLOG - Miniature Art - Maria Walker</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/community-workshops-julieanne-long</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1655626532729-CBOEUESTVBQYFBAA52ZM/WhatsApp+Image+2022-06-19+at+8.57.04+AM+%281%29.jpeg</image:loc>
      <image:title>BLOG - Community Workshops - Julieanne Long</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1655626532802-Y0SM8E27MQNZTYND4VJS/WhatsApp+Image+2022-06-19+at+8.57.04+AM+%282%29.jpeg</image:loc>
      <image:title>BLOG - Community Workshops - Julieanne Long</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1655626533295-G6ILYEQZXGYZIB9DYZWO/WhatsApp+Image+2022-06-19+at+8.57.04+AM.jpeg</image:loc>
      <image:title>BLOG - Community Workshops - Julieanne Long</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/category/2020+EXHIBITION</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/category/2021+EXHIBITION</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/category/2019+EXHIBITION</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/category/PRISM+VIRTUAL+FESTIVAL</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/tag/HannahHeys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/blog/tag/AnitaBruce</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/jacqui-adkins</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/40b5141d-1932-4cd9-8d6c-62c9eff240c6/IMG_0049.jpg</image:loc>
      <image:title>Jacqui Adkins - Jacqueline Adkins</image:title>
      <image:caption>Hever, Kent, UK Jacqueline works mainly with machine embroidery making both 2D and 3D pieces. She likes to make people smile when seeing her work, so her pieces are often humorous. She considers herself a 'maker of things' as well as textile artist and often recycles materials into pieces that they were not originally intended for. Jacqi's work can be found in both private collections at home and abroad as well as in public spaces.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/40b5141d-1932-4cd9-8d6c-62c9eff240c6/IMG_0049.jpg</image:loc>
      <image:title>Jacqui Adkins - Jacqueline Adkins</image:title>
      <image:caption>Hever, Kent, UK Jacqueline works mainly with machine embroidery making both 2D and 3D pieces. She likes to make people smile when seeing her work, so her pieces are often humorous. She considers herself a 'maker of things' as well as textile artist and often recycles materials into pieces that they were not originally intended for. Jacqi's work can be found in both private collections at home and abroad as well as in public spaces.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754410382371-LE8A7GRS6B942VA5Z0TF/IMG_0077.jpg</image:loc>
      <image:title>Jacqui Adkins</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754410384150-GYEUFXWL58P1BBBYA41R/IMG_20240318_151517.jpg</image:loc>
      <image:title>Jacqui Adkins</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754410571369-OVPAYOVYLLGIKTTGFG53/IMG_0052.jpg</image:loc>
      <image:title>Jacqui Adkins</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/a5796a7f-3fb8-4821-ab1c-04ed6c2da92a/BloomA.+Thinking+Out+Loud.+2021.jpg</image:loc>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2011-exhibition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582763176944-D1RIYMCJUWKP84QKXBHD/2011+Anita+Bruce+-+Constructed+Stitch.jpeg</image:loc>
      <image:title>2011 EXHIBITION - artist - Anita Bruce</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583505885092-79FA03SSIKIMYAFWQRXD/2011+catalogue.jpg</image:loc>
      <image:title>2011 EXHIBITION - artist - Catherine Dormor</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442233905-H0EMXWIKR7LNHE2Q3BRZ/2011+-+Paulene+Cattle.jpeg</image:loc>
      <image:title>2011 EXHIBITION - Paulene Cattle</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442234534-CD7G7C71PMHN47KOI85J/2011+Celia+Stanley+-+Remains%2C+Lost+Luggage.jpeg</image:loc>
      <image:title>2011 EXHIBITION - Celia Stanley - Remains, Lost Luggage</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442246351-Q16XKFJD0GKJB1OWIHZX/2011+Rachel+Gornall.jpeg</image:loc>
      <image:title>2011 EXHIBITION - Rachel Gornall</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442251740-X447OQP4XJZBK1TDJLLH/2011+-+Mall+Galleries%2C+Bea+Sewell.jpeg</image:loc>
      <image:title>2011 EXHIBITION - Bea Sewell</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442258468-DZIDVYONXRD9FX91PG4E/2011+Yumiko+Reynolds+-+Hiroshima+Tryptch.jpeg</image:loc>
      <image:title>2011 EXHIBITION - Yumiko Reynolds - Hiroshima Tryptch</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2012-exhibition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583507014027-7VUQ9LY0VZGOOFMOUOXM/2012+Hidden+places+hidden+spaces.jpg</image:loc>
      <image:title>2012 EXHIBITION - artist - Fiona Rainford</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442640880-CCBYNAXT7BVY7NRI4G3V/2012+-+Susie+Vickery+Organogram.jpeg</image:loc>
      <image:title>2012 EXHIBITION - Susie Vickery Organogram</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442641531-9PAJKOUUYZWAVS6ZS1VL/2012+-+Helen+O%27Leary%2C+Collisions+of+Conciousness.jpeg</image:loc>
      <image:title>2012 EXHIBITION - Helen O'Leary, Collisions of Consciousness</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442653694-J79BWKFDGALRTUGGKDOH/2012+-+Sheila+Cahn%2C+Jetty.jpeg</image:loc>
      <image:title>2012 EXHIBITION - Sheila Cahn, Jetty</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442651945-H3MFKRGZ0DU5EEHYC1Z7/2012+-+Janet+Wain%2C+Molly+Williams.jpeg</image:loc>
      <image:title>2012 EXHIBITION - Janet Wain, Molly Williams</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442662978-X5D6UXJDHVN5O6XJKS1Y/2012+-+Julieanne+Long%2C+Labyrinth.jpeg</image:loc>
      <image:title>2012 EXHIBITION - Julieanne Long, Labyrinth</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442662973-DY5YN00M0WVHC3RLCQT0/2012+-+Jackie+Langfeld+and+Ali+Brown.jpeg</image:loc>
      <image:title>2012 EXHIBITION - Jackie Langfeld and Ali Brown</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/barbara-phelps</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/8e3dcb11-62db-469b-a68d-4ec566d351d2/Phelps+B+the+night+is+long+that+never+find+day+B+2023.jpeg</image:loc>
      <image:title>Barbara Phelps - Barbara Phelps</image:title>
      <image:caption>London, UK Barbara’s work is conceptual and mostly three dimensional in structure, reflecting her background in theatre. She has mainly focused on themes of personal identity, memory, space and loss and usually begins with an emotional response to something seen or read, an object, a quote or a written article that resonates with her in some way.  More recently she has been focusing on the fragility of relationships and the fluctuating emotions of grief. The techniques used depend upon the requirements of the concept and may include stitch, fabric manipulation, printing and text, while the materials range from vintage linens and cottons to plastics, wire and plaster, each specifically chosen to express the concept. The process can be quite physical, emotional, repetitive and therapeutic. Recent research into the unconsecrated burial ground, Cross Bones, and The Foundling Hospital resulted in the exhibit: ‘…the night is long that never finds the day…..’ (Shakespeare’s Macbeth) Merino wool was used to produce good felting, and Herdwick, Masham and Swaledale gave the character. The colours reflect age, blood, pallor and exhaustion in the struggle to survive another day. The wide open mouths reference the mother’s unspeakable pain, loss and shock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/8e3dcb11-62db-469b-a68d-4ec566d351d2/Phelps+B+the+night+is+long+that+never+find+day+B+2023.jpeg</image:loc>
      <image:title>Barbara Phelps - Barbara Phelps</image:title>
      <image:caption>London, UK Barbara’s work is conceptual and mostly three dimensional in structure, reflecting her background in theatre. She has mainly focused on themes of personal identity, memory, space and loss and usually begins with an emotional response to something seen or read, an object, a quote or a written article that resonates with her in some way.  More recently she has been focusing on the fragility of relationships and the fluctuating emotions of grief. The techniques used depend upon the requirements of the concept and may include stitch, fabric manipulation, printing and text, while the materials range from vintage linens and cottons to plastics, wire and plaster, each specifically chosen to express the concept. The process can be quite physical, emotional, repetitive and therapeutic. Recent research into the unconsecrated burial ground, Cross Bones, and The Foundling Hospital resulted in the exhibit: ‘…the night is long that never finds the day…..’ (Shakespeare’s Macbeth) Merino wool was used to produce good felting, and Herdwick, Masham and Swaledale gave the character. The colours reflect age, blood, pallor and exhaustion in the struggle to survive another day. The wide open mouths reference the mother’s unspeakable pain, loss and shock.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754499691944-XRUYZJ7XASQBGTMWNZCQ/Phelps+B+THE+NIGHT+IS+LONG+THAT+NEVER+FINDS+DAY+A+2023.jpeg</image:loc>
      <image:title>Barbara Phelps</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754499692519-JUHWAZ7LOCEY0QGQ9UKH/Phelps+B+the+night+is+long+that+never+finds+day+C+2023.jpeg</image:loc>
      <image:title>Barbara Phelps</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754499696049-GK9ZXJK2BOUXKCV0LP9E/Phelps+B+the+night+is+long+that+never+finds+day+D+2023.jpeg</image:loc>
      <image:title>Barbara Phelps</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754499697433-35IENLPFWDZEF1R0FE9Y/Phelps+B+the+night+is+long+that+never+finds+day+E+2023.jpeg</image:loc>
      <image:title>Barbara Phelps</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754499697568-U4UPHEJGQRV1B2YS5TU3/PHELPS+B+the+night+is+long+that+never+finds+the+day++1+2023.jpg</image:loc>
      <image:title>Barbara Phelps</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581444965520-WLZIFJ09HSLEMRI3L9RN/Bphelps+lead+bed.jpg</image:loc>
      <image:title>Barbara Phelps</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/anneamosford</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/bdbcb27d-7a83-4cbb-880f-0880aaa73b2c/AmosfordA+Playing+with+money+3+2025.JPG</image:loc>
      <image:title>Anne Amosford - Anne Amosford</image:title>
      <image:caption>Exeter, Devon, UK Anne is an artist whose work is influenced by a wide range of sources, including objects, conversations, or exhibition titles. Her projects can develop in various directions once she establishes a point of interest, with common themes such as forgotten histories, hidden narratives, and overlooked elements. Research and planning are central to Anne’s process. She has a particular focus on the historical aspects of textile construction and skills that are no longer commonly practised, drawing on her background as a textile conservator. Anne uses both traditional techniques and new methods to achieve specific results. While she works with materials related to her current interests, she frequently uses paper, metal, graphite, and found objects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/bdbcb27d-7a83-4cbb-880f-0880aaa73b2c/AmosfordA+Playing+with+money+3+2025.JPG</image:loc>
      <image:title>Anne Amosford - Anne Amosford</image:title>
      <image:caption>Exeter, Devon, UK Anne is an artist whose work is influenced by a wide range of sources, including objects, conversations, or exhibition titles. Her projects can develop in various directions once she establishes a point of interest, with common themes such as forgotten histories, hidden narratives, and overlooked elements. Research and planning are central to Anne’s process. She has a particular focus on the historical aspects of textile construction and skills that are no longer commonly practised, drawing on her background as a textile conservator. Anne uses both traditional techniques and new methods to achieve specific results. While she works with materials related to her current interests, she frequently uses paper, metal, graphite, and found objects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754411485248-24561DTT3BY3JZBJP7JD/AmosfordA%2BOnce%2Bwere%2Bmoney%2B2%2B2024.jpg</image:loc>
      <image:title>Anne Amosford</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754411386416-B0MOOMWNMQZDE4XGHZ83/AmosfordA+Once+were+sheep+1+2024.jpg</image:loc>
      <image:title>Anne Amosford</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754411390031-KV7OB23EAUWVE1DUVG4V/AmosfordA+Playing+with+money+1+2025.JPG</image:loc>
      <image:title>Anne Amosford</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754411391852-0AVSCQBYBKF56GJS49L0/AmosfordA+Playing+with+money+2+2025.JPG</image:loc>
      <image:title>Anne Amosford</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754411392409-R7HIY4HYNUK11BNAM1Y3/AmosfordA+September+to+December+22+1+2024.JPG</image:loc>
      <image:title>Anne Amosford - September to December</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754411398127-4MPTVEWMJHWOKLT8KDQ9/AmosfordA+September+to+December+22+2+2024.JPG</image:loc>
      <image:title>Anne Amosford - September to December</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2010-exhibition-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583505384618-7ASKJI2NOHO88V2WYGIU/2010+evoke+evolve+expand+catalogue.jpg</image:loc>
      <image:title>2010 EXHIBITION - artist - Jackie Langfeld</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583505392999-UR4CMMPY5KKH581WEUG2/2010+Postcard.jpg</image:loc>
      <image:title>2010 EXHIBITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442414339-94SS2MC38ST0J43FBVAH/2010+Mall+Galleries.jpeg</image:loc>
      <image:title>2010 EXHIBITION - Mall Galleries 2010</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442419244-HZG9HS07XSG9SMID8Q1K/2010+Jackie+Langfeld+-+Fools+Gold.jpeg</image:loc>
      <image:title>2010 EXHIBITION - Jackie Langfeld - Fools Gold</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442404308-CXUDOC713LG698AIQ763/2010+Charlotte+Sewell+-+Once+upon+a+time.jpeg</image:loc>
      <image:title>2010 EXHIBITION - Charlotte Sewell - Once upon a time</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442406534-SOK7NOTH3IAC31A8AVS2/2010+Heather+Hunter+-+Thames+Barrier+Park.jpeg</image:loc>
      <image:title>2010 EXHIBITION - Heather Hunter - Thames Barrier Park</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442418635-L1UYDCINTNXY0NUWAB01/2010+Valerie+Huggins+-+Links.JPG.jpeg</image:loc>
      <image:title>2010 EXHIBITION - Valerie Huggins - Links</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442415678-RZV96P0UQK3RDW7X1E2C/2010+Susie+Vickery+-+Crow+City.jpeg</image:loc>
      <image:title>2010 EXHIBITION - Susie Vickery - Crow City</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581442410377-C90IZTX795E3HP7TPQMH/2010+Mall+Galleries+%281%29.jpeg</image:loc>
      <image:title>2010 EXHIBITION - Mall Galleries 2010</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/members-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754487041631-V7O6HDDNLJ84M7VPU6MR/jacqui+adkins.webp</image:loc>
      <image:title>OUR MEMBERS - Jacqui Adkins</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754487191006-2RUV3H5E7XVAERU0XSLV/amosford.webp</image:loc>
      <image:title>OUR MEMBERS - Anne Amosford</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754487308361-D82UFVKLC80O5EWCZB8R/ash.webp</image:loc>
      <image:title>OUR MEMBERS - Barbara Ash</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697133558961-T62Y9H50PGPKDE7LDR5P/Pricked+Awake+2022.jpeg</image:loc>
      <image:title>OUR MEMBERS - Vivienne Beaumont</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754487426414-F8WLJLVLO1YGNA0SPA3J/belton.webp</image:loc>
      <image:title>OUR MEMBERS - Ross Belton</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754487634016-D5Q28P3DFJ2FOM23J0C2/tansy.webp</image:loc>
      <image:title>OUR MEMBERS - Tansy Blaik-Kelly</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754487770811-RXUB2EEB4993GINT62PD/bloom.webp</image:loc>
      <image:title>OUR MEMBERS - Amanda Bloom</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754487958306-W271N5XBEDHW3Z67XM4H/burley.webp</image:loc>
      <image:title>OUR MEMBERS - Sue Burley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754489967940-83TU94UNSY7ZBCDF1O6M/cargill.webp</image:loc>
      <image:title>OUR MEMBERS - Nerissa Cargill Thompson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307369328-XJSESOSMR22F2LTW185N/CattlePWeb1.jpg</image:loc>
      <image:title>OUR MEMBERS - Paulene Cattle</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754490080158-YSHKRKFMD44AJHSSQQH2/chandler.webp</image:loc>
      <image:title>OUR MEMBERS - Niki Chandler</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754490260507-FYM0YY67BXM766PQS3GB/chapman.webp</image:loc>
      <image:title>OUR MEMBERS - Lynne Chapman</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754490352514-2MTDLKSGPRIVYJGNCRKZ/church.webp</image:loc>
      <image:title>OUR MEMBERS - Jeryl Church</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754490450837-UCKCXCVPR8YIYH0MBMS6/coombes.webp</image:loc>
      <image:title>OUR MEMBERS - Jo Coombes</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754490545407-XR5Y94URZXPSDJRXCTSF/duncan.webp</image:loc>
      <image:title>OUR MEMBERS - Alex Duncan</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755850801938-Q0LB890K1IVVQEY9NVV5/EdwardJ_image6_Untitled_2020.jpg.webp</image:loc>
      <image:title>OUR MEMBERS - Josephine Edwards</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754490691780-JUMSCZ7QGXDXVV64PFX9/everiss.webp</image:loc>
      <image:title>OUR MEMBERS - Jayne Everiss</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754490799455-ZVJG1VYM5P1JGHMLG61E/festenstein.webp</image:loc>
      <image:title>OUR MEMBERS - Geraldine Festenstein</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754640929458-NQ3VIQSZNUODM9NNQEXP/Granberg%2C+A+%C2%A8Anna%27s+wild+animals%C2%A8+2023.jpg</image:loc>
      <image:title>OUR MEMBERS - Anna Granberg</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754491621138-BNJG4OBCRXW4SEPXABE4/gray.webp</image:loc>
      <image:title>OUR MEMBERS - Mary Gray</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755010226728-7LU00K2LKN9DIKHOMR97/GreeneW%2BAFlashOfBlue%2B2025.jpg</image:loc>
      <image:title>OUR MEMBERS - Wendy Greene</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754670401264-EI825UIVRTDKLTKLKY62/Mudlarking+Cath+Griffiths+2024+%28Exhibited+Christchurch+2024%29.jpg</image:loc>
      <image:title>OUR MEMBERS - Cath Griffiths</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754491747564-1Y59DW57CQNRUOH6K1LM/hall.webp</image:loc>
      <image:title>OUR MEMBERS - Marilyn Hall</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754491839045-9VF3CTS5YP4EF7RIZN9V/hill.webp</image:loc>
      <image:title>OUR MEMBERS - Catherine Hill</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755850149148-G56ZP1HGT53KNDA3MGFT/Jackie%2BHodsgon%2BMighty%2BOak.jpg</image:loc>
      <image:title>OUR MEMBERS - Jackie Hodgson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754491957075-SX9HCW5B83842LI4RFHL/illingworth.webp</image:loc>
      <image:title>OUR MEMBERS - Aran Illingworth</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754492046398-HSO8D0RSOZ3SC82R7WUG/isaac+lewis.webp</image:loc>
      <image:title>OUR MEMBERS - Judith Isaac-Lewis</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754492212759-TBP28A3Z0XINE8R8C7CV/izan.webp</image:loc>
      <image:title>OUR MEMBERS - Linda Pearl Izan</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754492293408-ZJALE8TQFIR7RH0WBM0K/jazmik.webp</image:loc>
      <image:title>OUR MEMBERS - Marian Jazmik</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754492379201-9BQM6W2NF7JFRNKL6LFK/kaner.webp</image:loc>
      <image:title>OUR MEMBERS - Sabine Kaner</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583768862090-NOLNBI241P3S1WTNIL2V/KardaM5.JPG</image:loc>
      <image:title>OUR MEMBERS - Masha Karda</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754492484684-4ZOMMIZM3RMLC2E3Q5X7/kearley.webp</image:loc>
      <image:title>OUR MEMBERS - Sharon Kearley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581962766565-PZW8OB9PHGLG78QMD1V0/IMG_4371.jpg</image:loc>
      <image:title>OUR MEMBERS - Caroline Kirton</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493193006-1H98KKVXEUNPCO5NS7Q4/klaassen.webp</image:loc>
      <image:title>OUR MEMBERS - Willeke Klaassen</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493277482-Z1HESXIS5AZ8M4IRZVCY/langfeld.webp</image:loc>
      <image:title>OUR MEMBERS - Jackie Langfeld</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493366038-W0Y8II5LU9QQVF86ZU3Y/laughlin.webp</image:loc>
      <image:title>OUR MEMBERS - Maria Laughlin</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754495443775-Z0MTZICN393PTGQVN2OS/long.webp</image:loc>
      <image:title>OUR MEMBERS - Julieanne Long</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754495528798-8A09BI78065CAA4Y8NEX/macritchie.webp</image:loc>
      <image:title>OUR MEMBERS - Helen MacRitchie</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733306657422-7HYL7MER0E445T3D7R60/MaltbyPweb2.JPEG</image:loc>
      <image:title>OUR MEMBERS - Penny Maltby</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754496552702-PD2TJ4T0D8V6OLWIWKY0/mccormack.webp</image:loc>
      <image:title>OUR MEMBERS - Kim McCormack</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498832519-6RJ9WJAPUEW91BBR6OY7/murphy.webp</image:loc>
      <image:title>OUR MEMBERS - Marian Murphy</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498949104-4ALJQMC2G71QE6KVMQJL/OLearyH-Wire-Gloves-detail-.jpg</image:loc>
      <image:title>OUR MEMBERS - Helen O'Leary</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754499031826-4QXJ98K2T6QDMN070LH0/PatonKingK2b_TheGodOfFieldFences_2024.jpg</image:loc>
      <image:title>OUR MEMBERS - Katharine Paton-King</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754500759518-WRLKLVFKEZX7YUIEP0GI/Phelps+B+THE+NIGHT+IS+LONG+THAT+NEVER+FINDS+DAY+A+2023.jpeg</image:loc>
      <image:title>OUR MEMBERS - Barbara Phelps</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643373208623-SCD3D4UK9W9ZIXF33C1Q/Morfydd%2Bwork%2B3.jpg</image:loc>
      <image:title>OUR MEMBERS - Morfydd Ransom-Hall</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697133386426-8WFVK2Z32YIDNNEOF7SA/image00004.jpeg</image:loc>
      <image:title>OUR MEMBERS - Sue Reddish</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697132545674-XL07GOUOXLEC8A3FRQ8X/IMG_7456.jpg</image:loc>
      <image:title>OUR MEMBERS - Jane Riley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582213664949-PU94M7RZQCCU24VB5Q1C/1.+Textile...+Wildflower+Meadow.jpg</image:loc>
      <image:title>OUR MEMBERS - Judith Rowley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754502044309-Z5I3GCSU3D0EH1TD4R72/SimpsonC_Nothing+is+lost_2025.jpg</image:loc>
      <image:title>OUR MEMBERS - Consuelo Simpson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755849974540-P4QN8IEPELHL5145EOHJ/image+10.JPG</image:loc>
      <image:title>OUR MEMBERS - Jo Smith</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754558671842-HI5IQC49O2F5VSDR7QHM/SSpinks_Construct_2024.jpeg</image:loc>
      <image:title>OUR MEMBERS - Sally Spinks</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754558599178-B5TLX6BV6I7HE2TI2PVP/TaylorA_BunnyGirls_2025.jpeg</image:loc>
      <image:title>OUR MEMBERS - Annie Taylor</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559878509-GP4UUHZQYEIJVZCZ3Q58/TaylorP_After_Santiago_Ramon_y_Cajal_2025.jpg</image:loc>
      <image:title>OUR MEMBERS - Patti Taylor</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559794518-L1V9SUW3NZXYH5UACUPN/TurnerJ_+Sanctuary.jpeg</image:loc>
      <image:title>OUR MEMBERS - Julie Turner</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581595836809-67ZCF32F66FX3CFZYQAK/Julia+van+den+Bosch+-+magic+mushrooms.JPG</image:loc>
      <image:title>OUR MEMBERS - Julia van den Bosch</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582215571701-CDPENT1985H5YRE5UWI6/vonisenburgC1b.jpg</image:loc>
      <image:title>OUR MEMBERS - Catherina von Isenburg</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561089948-OBUX4DEO0DY2YPF7XTV8/WalkerJ+acorn+bank+%28detail%29+2025.JPEG</image:loc>
      <image:title>OUR MEMBERS - Jill Walker</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561015599-SF1WHZQNAU081N3J4POE/WalkerM%2Bweb1.jpg</image:loc>
      <image:title>OUR MEMBERS - Maria Walker</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1676577497284-I14Y8DJPVBLJLRP05TJB/Bloodlines%2B2019.jpg</image:loc>
      <image:title>OUR MEMBERS - Esther Ward</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1676577328330-7E83YGPDSSAE21VTW9EB/WestBJ%2B1cfinal%2Bcopy.jpg</image:loc>
      <image:title>OUR MEMBERS - Barbara West</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1764351007397-R0582FGQAWRRV3W6GP5C/molly+williams.webp</image:loc>
      <image:title>OUR MEMBERS - Molly Williams</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754563131297-FC2HIDK5W5GA39FRN62H/WillmottIFocus2025.JPG</image:loc>
      <image:title>OUR MEMBERS - Irena Willmott</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754563327141-9NQM2J13WRPFBVLQDCTX/square+crop.jpg</image:loc>
      <image:title>OUR MEMBERS - Kim Winter</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754563048760-E7OJKNKDY2QM51A9RYE2/WoernerW_The+Puppet+Master+02_2025.jpg</image:loc>
      <image:title>OUR MEMBERS - Wolfgang Woerner</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/sabine-kaner</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/3f2c9051-e741-4a55-900c-4d791d86be62/Sabine+Kaner_When+the+boat+comes+in_+2021.jpg</image:loc>
      <image:title>Sabine Kaner - Sabine Kaner</image:title>
      <image:caption>Stroud, Gloucestershire, UK I am a mixed media artist working with hand stitch, colour, print, and repurposed fabrics. My stitched illustrations explore stories of migration, identity, memory, and the human condition. Each piece is layered with metaphors, symbols, and narrative intention, offering a space where personal and collective histories intersect. Drawing on the tactile language of cloth, I use embroidery, appliqué, and collage to construct abstract compositions that echo both traditional textile practices and contemporary storytelling. The contrast between textured, raised surfaces and the flatter, graphic qualities of print and stitch allows me to play with visual tension—inviting the viewer to look closely and reflect on what is revealed and what remains hidden. Recurring motifs, fragmented forms, and stitched lines become acts of resistance and recovery. In my smaller pieces, I use colour and mark-making to create standalone patterns that resonate with emotional tone and symbolic meaning. No pattern is ever innocent: each carries the imprint of a place, a person, or a story. My work is rooted in the belief that fabric can hold memory, and that through stitch, we can connect, question, and remember. It is both personal and political—a quiet protest sewn into the seams.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/3f2c9051-e741-4a55-900c-4d791d86be62/Sabine+Kaner_When+the+boat+comes+in_+2021.jpg</image:loc>
      <image:title>Sabine Kaner - Sabine Kaner</image:title>
      <image:caption>Stroud, Gloucestershire, UK I am a mixed media artist working with hand stitch, colour, print, and repurposed fabrics. My stitched illustrations explore stories of migration, identity, memory, and the human condition. Each piece is layered with metaphors, symbols, and narrative intention, offering a space where personal and collective histories intersect. Drawing on the tactile language of cloth, I use embroidery, appliqué, and collage to construct abstract compositions that echo both traditional textile practices and contemporary storytelling. The contrast between textured, raised surfaces and the flatter, graphic qualities of print and stitch allows me to play with visual tension—inviting the viewer to look closely and reflect on what is revealed and what remains hidden. Recurring motifs, fragmented forms, and stitched lines become acts of resistance and recovery. In my smaller pieces, I use colour and mark-making to create standalone patterns that resonate with emotional tone and symbolic meaning. No pattern is ever innocent: each carries the imprint of a place, a person, or a story. My work is rooted in the belief that fabric can hold memory, and that through stitch, we can connect, question, and remember. It is both personal and political—a quiet protest sewn into the seams.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581443546254-F62GLM8NHXEBLIGL4A19/KanerS_Decorating+the+cuts.jpg</image:loc>
      <image:title>Sabine Kaner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485341593-QXC3EWJLUV5MSEIGV0O0/Sabine+Kaner_Hand+in+nature_2022.jpg</image:loc>
      <image:title>Sabine Kaner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485344703-YRA4PMWVLISIB2OVQF6K/Sabine+Kaner_Going+round+in+circles_2024+year.JPG</image:loc>
      <image:title>Sabine Kaner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485343961-7SIIN8G29F03K39Y6VS9/Sabine+Kaner_Lost+in+the+forest_2023.jpg</image:loc>
      <image:title>Sabine Kaner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485345377-T6AFHPOOI46S03OILBCB/Sabine+Kaner_Memories_2022.jpg</image:loc>
      <image:title>Sabine Kaner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485349098-KB0ERYF9OZYAI7L53V07/Sabine+Kaner_Pattern+is+never+innocent_2025.JPG</image:loc>
      <image:title>Sabine Kaner</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/jill-walker</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/54beb15b-e823-400e-8ef6-4767ea01da9b/WalkerJ+TOAST+window+installation+2024.JPEG</image:loc>
      <image:title>Jill Walker - Jill Walker</image:title>
      <image:caption>Chester, Cheshire, UK Jill’s interest lies in giving form to a memory of place, whether in reference to the land or a personal understanding of home. Her work draws on the museum as a way of bringing together objects and works on paper—acts of collation and display that evoke a sense of wonder through material presence and hidden meaning. Influenced by folklore, nature, and rural traditions, Jill works intuitively, handling materials with a slow, repetitive rhythm. She takes time to notice connections—physical, emotional, or social—that surface through simple acts of making. Over time, the accumulation of assemblages, marks, and objects reveals its own quiet presence. Her pieces invite a contemplative, sensorial experience—one that encourages stillness, attentiveness, and a deepened engagement with the overlooked.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/54beb15b-e823-400e-8ef6-4767ea01da9b/WalkerJ+TOAST+window+installation+2024.JPEG</image:loc>
      <image:title>Jill Walker - Jill Walker</image:title>
      <image:caption>Chester, Cheshire, UK Jill’s interest lies in giving form to a memory of place, whether in reference to the land or a personal understanding of home. Her work draws on the museum as a way of bringing together objects and works on paper—acts of collation and display that evoke a sense of wonder through material presence and hidden meaning. Influenced by folklore, nature, and rural traditions, Jill works intuitively, handling materials with a slow, repetitive rhythm. She takes time to notice connections—physical, emotional, or social—that surface through simple acts of making. Over time, the accumulation of assemblages, marks, and objects reveals its own quiet presence. Her pieces invite a contemplative, sensorial experience—one that encourages stillness, attentiveness, and a deepened engagement with the overlooked.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754560403263-K383MVVLTO275KCLY82X/WalkerJ+acorn+bank+%28detail%29+2025.JPEG</image:loc>
      <image:title>Jill Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754560403175-A4EYUT48FD8FQPMN4ATO/WalkerJ+Daffodils+and+Meadow+Grass+2023.JPEG</image:loc>
      <image:title>Jill Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754560405155-CAAELBNYTRL7WMRE43O8/WalkerJ+Lighting+my+Path+2024.JPEG</image:loc>
      <image:title>Jill Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754560405944-LBXCSY0SAU5T8EJ4RHY5/WalkerJ+Salt+of+the+Earth+2024.JPEG</image:loc>
      <image:title>Jill Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754560406757-NXYP5W9DFYZCSZL6SUM6/WalkerJ+Scattered+2024.JPEG</image:loc>
      <image:title>Jill Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754560433759-PFQMY1FR57KFLIQ7T4Q6/WalkerJ+Acorn+Bank+2025.JPEG</image:loc>
      <image:title>Jill Walker</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/maria-wigley</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/744e5b42-4741-4132-82c6-97abf17692cb/Untitled.jpg</image:loc>
      <image:title>Maria Wigley - Maria Wigley</image:title>
      <image:caption>Walsall, West Midlands, UK Maria’s artistic exploration revolves around the interplay of words and visual dynamics, particularly through the lens of asemic writing. Asemic writing, with its ability to both reveal and conceal words, serves as a central concept in her work. She finds intrigue in contrasting embroidery with other artistic disciplines. Fabric holds a special place in Maria’s work, capturing her attention through its surface qualities and structural aspects. She is drawn not only to the material itself but also to its transparency, seeing it as layers of conversations and stories. Through her art, she manipulates fabric to create layers of stitch that, when combined, evoke a sense of visual depth and the idea of lost words—a poetic metaphor woven into her artistic narrative. Metaphorical landscapes, rich in symbolism and meaning, are also a source of inspiration for Maria. She sees landscapes as more than just physical spaces; they are canvases of emotions, memories, and whispered tales. Through her art, she seeks to capture and express these stories, translating them into visual narratives that evoke a sense of wonder and curiosity about the hidden depths of the world around us.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/744e5b42-4741-4132-82c6-97abf17692cb/Untitled.jpg</image:loc>
      <image:title>Maria Wigley - Maria Wigley</image:title>
      <image:caption>Walsall, West Midlands, UK Maria’s artistic exploration revolves around the interplay of words and visual dynamics, particularly through the lens of asemic writing. Asemic writing, with its ability to both reveal and conceal words, serves as a central concept in her work. She finds intrigue in contrasting embroidery with other artistic disciplines. Fabric holds a special place in Maria’s work, capturing her attention through its surface qualities and structural aspects. She is drawn not only to the material itself but also to its transparency, seeing it as layers of conversations and stories. Through her art, she manipulates fabric to create layers of stitch that, when combined, evoke a sense of visual depth and the idea of lost words—a poetic metaphor woven into her artistic narrative. Metaphorical landscapes, rich in symbolism and meaning, are also a source of inspiration for Maria. She sees landscapes as more than just physical spaces; they are canvases of emotions, memories, and whispered tales. Through her art, she seeks to capture and express these stories, translating them into visual narratives that evoke a sense of wonder and curiosity about the hidden depths of the world around us.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561529780-T4JB87SGQ8FJYFA4EW8F/Remote.jpg</image:loc>
      <image:title>Maria Wigley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561530049-XFGZVDDXWIRNSSDRBHEP/Untitled+1.jpg</image:loc>
      <image:title>Maria Wigley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561530997-XQ38YAG46IE0CVJT2LPS/Untitled+2.jpg</image:loc>
      <image:title>Maria Wigley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561528859-9T7AFYMS1EB4HTQL3N8F/Obscure.jpg</image:loc>
      <image:title>Maria Wigley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561528567-IRZSXSSRMY1CRHFGMIMA/Entropy.jpg</image:loc>
      <image:title>Maria Wigley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1589070961885-GTGLAD4Z6MBH84342X59/3.2+WigleyMFESTIVAL_detail.jpg</image:loc>
      <image:title>Maria Wigley</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/hannah-heys</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378349417-I6MKPF3I1T6TXM1RPLPE/Hannah+Heys.jpg</image:loc>
      <image:title>Hannah Heys - Hannah Heys</image:title>
      <image:caption>Leighton Buzzard, Bedfordshire, UK Hannah is a contemporary Textiles Artist who has been honing her practice for over 15 years. Actively exhibiting her works across the UK, Hannah uses a wide range of Textiles techniques to translate her designs, creating exhibition specific pieces as well as self led works.  Combining bright colours with bold and uplifting designs, Hannah’s contemporary Textiles Art is all about positivity, no matter what techniques are used to translate her designs and ideas. Most recently Hannah has been using the art of rug tufting, latch hook and locker hook to create big bold and eye catching pieces with added elements of texture to translate her designs. A stark contrast to her previous traditional embroidery work, this exciting use technique within Hannah’s artwork is leading to interesting and eye catching pieces created as both wall hangings and floor coverings.  Hannah is passionate about using her art for good and endeavours to use environmentally friendly materials where possible. Works are available on Hannah’s website and through retailers inclusive of a range of greetings cards featuring embroidered work, cut paper patterned pieces and digital art as well as framed art prints of embroidered and digital work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378349417-I6MKPF3I1T6TXM1RPLPE/Hannah+Heys.jpg</image:loc>
      <image:title>Hannah Heys - Hannah Heys</image:title>
      <image:caption>Leighton Buzzard, Bedfordshire, UK Hannah is a contemporary Textiles Artist who has been honing her practice for over 15 years. Actively exhibiting her works across the UK, Hannah uses a wide range of Textiles techniques to translate her designs, creating exhibition specific pieces as well as self led works.  Combining bright colours with bold and uplifting designs, Hannah’s contemporary Textiles Art is all about positivity, no matter what techniques are used to translate her designs and ideas. Most recently Hannah has been using the art of rug tufting, latch hook and locker hook to create big bold and eye catching pieces with added elements of texture to translate her designs. A stark contrast to her previous traditional embroidery work, this exciting use technique within Hannah’s artwork is leading to interesting and eye catching pieces created as both wall hangings and floor coverings.  Hannah is passionate about using her art for good and endeavours to use environmentally friendly materials where possible. Works are available on Hannah’s website and through retailers inclusive of a range of greetings cards featuring embroidered work, cut paper patterned pieces and digital art as well as framed art prints of embroidered and digital work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581447337508-2U5NXBH31DV45Y7MR9BT/Hannah+Heys+-+YES+UP+CLOSE+APPROX+52CM+BY+85CM+%C2%A3350.jpg</image:loc>
      <image:title>Hannah Heys</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581447407297-HQOY04GHKN236KV38ENA/HeysHannah3.jpg</image:loc>
      <image:title>Hannah Heys</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581447407819-Z7Z91U9JBA3QVPSTO1L7/HeysHannah1.jpg</image:loc>
      <image:title>Hannah Heys</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581447370008-UY3AK7293TKNHNRFXGM0/HHEYS+LIGHTS+WALL+HANGING.jpg</image:loc>
      <image:title>Hannah Heys</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581447337776-2J2MKTPN9WRY7LVOEGN1/SOLD+-+Hannah+Heys+SMALL+WALL+HANGING+SUNSET+SOLDAPPROX+21CM+BY+21CM+%C2%A345.jpg</image:loc>
      <image:title>Hannah Heys</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581447330122-WAEH4VBUXSAQW6TPYGH9/Hannah+Heys+-+FLUID+GEO+APPROX+21CM+BY+85CM+%C2%A3290.jpg</image:loc>
      <image:title>Hannah Heys</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/nerissa-cargill-thompson</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/c776ace5-b883-49be-a4ad-db645255fd78/CargillThompsonNerissa_mind+the+gap_2024_main.jpeg</image:loc>
      <image:title>Nerissa Cargill Thompson - Nerissa Cargill Thompson</image:title>
      <image:caption>Manchester, UK Nerissa Cargill Thompson explores environmental issues like climate crisis, plastic pollution and waste through textile art using recycled materials, particularly old clothing, and mixed-media sculptures of textiles and concrete cast in the plastic packaging that we use and discard on a daily basis. She aims to make people consider the world around them and their responsibility to the environment. Her work explores juxtapositions of structure, texture and colour, particularly where nature meets man. She creates her signature textiles using a combination of embellishing and embroidery. The embellisher blends the fabrics together to create subtle variations in texture and tone. The concrete captures the embossed patterns of the plastics representing manmade structures giving a weight and presence more in-line with its legacy. The naturally inspired textiles emphasise the way our waste becomes subsumed into the environment but also how nature fights back. Nerissa originally trained in Theatre Design but returned to college after having children to study MA Textile Practice. She regularly exhibits in open calls, member exhibitions and as an invited artist. Also a member of Immaterial Collective and Design Nation. Nerissa runs workshops using recycled materials and creates miniatures and brooches from her offcuts to limit her waste.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/c776ace5-b883-49be-a4ad-db645255fd78/CargillThompsonNerissa_mind+the+gap_2024_main.jpeg</image:loc>
      <image:title>Nerissa Cargill Thompson - Nerissa Cargill Thompson</image:title>
      <image:caption>Manchester, UK Nerissa Cargill Thompson explores environmental issues like climate crisis, plastic pollution and waste through textile art using recycled materials, particularly old clothing, and mixed-media sculptures of textiles and concrete cast in the plastic packaging that we use and discard on a daily basis. She aims to make people consider the world around them and their responsibility to the environment. Her work explores juxtapositions of structure, texture and colour, particularly where nature meets man. She creates her signature textiles using a combination of embellishing and embroidery. The embellisher blends the fabrics together to create subtle variations in texture and tone. The concrete captures the embossed patterns of the plastics representing manmade structures giving a weight and presence more in-line with its legacy. The naturally inspired textiles emphasise the way our waste becomes subsumed into the environment but also how nature fights back. Nerissa originally trained in Theatre Design but returned to college after having children to study MA Textile Practice. She regularly exhibits in open calls, member exhibitions and as an invited artist. Also a member of Immaterial Collective and Design Nation. Nerissa runs workshops using recycled materials and creates miniatures and brooches from her offcuts to limit her waste.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754997071109-JNOUR5215Y5GLJGVBYAA/nerissact_becausethestrawwastheproblem_2020.jpg</image:loc>
      <image:title>Nerissa Cargill Thompson - Because the Straw was the Problem</image:title>
      <image:caption>Because the Straw was the Problem</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754481886632-OSE93JEY15ZY1JPXNI00/nerissact_12percent_2025.jpeg</image:loc>
      <image:title>Nerissa Cargill Thompson - 12 Percent</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754481887203-JDGU4IYGJLAZU5MS0AOK/nerissact_MIBfamilypack_2023.jpeg</image:loc>
      <image:title>Nerissa Cargill Thompson - Message in a Bottle: Family Pack</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754481888412-U86750H2YQAIKVHDDV44/nerissact_mountainsofmadness_2022.jpeg</image:loc>
      <image:title>Nerissa Cargill Thompson - Mountains of Madness</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754481890982-SJ7OGTASDUEBDG8Y951M/nerissact_unnaturalhabitat+copy.jpeg</image:loc>
      <image:title>Nerissa Cargill Thompson - Unnatural Habitat</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754481891218-U3BFQQ083WOAC5MQY5DT/NMII_Mapping_nerissact+2020+2021.jpeg</image:loc>
      <image:title>Nerissa Cargill Thompson - No Man is an Island: Mapping the Issue</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/amanda-bloom</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/a5796a7f-3fb8-4821-ab1c-04ed6c2da92a/BloomA.+Thinking+Out+Loud.+2021.jpg</image:loc>
      <image:title>Amanda Bloom - Amanda Bloom</image:title>
      <image:caption>Kelshall, Hertfordshire, UK Texture and colour are an important part of Amanda’s textile work, and she is fascinated by the juxtaposition of opposing materials; hard versus soft, sensual versus austere. Often including visceral, disturbing arrangements alongside beautiful textures and colours, which attract the viewer in, and at the same time repel or shock. Her pieces explore vulnerability, exposure, and transformation Her Reliquaries series turns unsettling objects into delicate relics, and asks what we choose to remember, hold sacred, or let go. Her Paradoxes book pieces, influenced by sacred illuminated texts, highlights the beauty and conflict found in religious histories, while the visceral, disturbing arrangements in Spilling Her Guts and Thinking Out Loud externalises an internal world, bringing both the light and the shadow into view, and bringing the possibility of change. Amanda’s process is organic, allowing materials to guide the direction of the work. Her art encourages viewers to pause and reflect on their own journeys, relationships, and inner worlds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/a5796a7f-3fb8-4821-ab1c-04ed6c2da92a/BloomA.+Thinking+Out+Loud.+2021.jpg</image:loc>
      <image:title>Amanda Bloom - Amanda Bloom</image:title>
      <image:caption>Kelshall, Hertfordshire, UK Texture and colour are an important part of Amanda’s textile work, and she is fascinated by the juxtaposition of opposing materials; hard versus soft, sensual versus austere. Often including visceral, disturbing arrangements alongside beautiful textures and colours, which attract the viewer in, and at the same time repel or shock. Her pieces explore vulnerability, exposure, and transformation Her Reliquaries series turns unsettling objects into delicate relics, and asks what we choose to remember, hold sacred, or let go. Her Paradoxes book pieces, influenced by sacred illuminated texts, highlights the beauty and conflict found in religious histories, while the visceral, disturbing arrangements in Spilling Her Guts and Thinking Out Loud externalises an internal world, bringing both the light and the shadow into view, and bringing the possibility of change. Amanda’s process is organic, allowing materials to guide the direction of the work. Her art encourages viewers to pause and reflect on their own journeys, relationships, and inner worlds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754470272964-211OCEDZ5FH4OFN269WE/BloomA.+Paradoxes++2023.jpeg</image:loc>
      <image:title>Amanda Bloom</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754470279099-IYAPGT9JDK87GQ1UYZV8/BloomA+Age+of+Exploration+2021.jpg</image:loc>
      <image:title>Amanda Bloom</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754470278081-C25GXP2YHMMXBTTYNQIV/BloomA.+Paradoxes.+2023.jpeg</image:loc>
      <image:title>Amanda Bloom</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754470280633-TDVJPR1IJJUM0JO66Z8E/BloomA.+Reliqueries+2025.jpeg</image:loc>
      <image:title>Amanda Bloom</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754470281940-QPDM66H8TLHMKK22QYBA/BloomA.+Reliqueries.+2025.jpeg</image:loc>
      <image:title>Amanda Bloom</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754470286918-XQ133Z4QWLVR32CVINKC/BloomA.+Spilling+Her+Guts.+2021.jpg</image:loc>
      <image:title>Amanda Bloom</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/membership</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-20</lastmod>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/julia-van-den-bosch</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755015822492-RYF2GLMS2C27XEY0L6Y3/4.+van+den+Bosch+J-+hawkmoths+supping+from+passion+flowers-2025.JPG</image:loc>
      <image:title>Julia van den Bosch - Julia van den Bosch</image:title>
      <image:caption>Richmond upon Thames, Surrey, U.K Julia’s source of inspiration as an artist is the exploration of nature through the changing seasons.  The discoveries waiting to be found being a cornucopia of wonders in their richness, texture, detail and intricacy of design. She chooses to work in hand stitch because each stitch can be considered in its placement, colour and form.  Importantly, with nature subjects, this allows a natural organic progression echoing the ebb and flow and rhythms that exist in the living world which all lend healing to the psyche for both the giver and the receiver..  Hand embroidery lets intuition and intent guide the hand.  It allows as much time as is needed to enter fully into an empathetic understanding of the subject matter.  For Julia this is invaluable in her wish to try to transmit essence and energy and aura into lasting, textural, dimensional artwork that is alive in revealing its heart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755015822492-RYF2GLMS2C27XEY0L6Y3/4.+van+den+Bosch+J-+hawkmoths+supping+from+passion+flowers-2025.JPG</image:loc>
      <image:title>Julia van den Bosch - Julia van den Bosch</image:title>
      <image:caption>Richmond upon Thames, Surrey, U.K Julia’s source of inspiration as an artist is the exploration of nature through the changing seasons.  The discoveries waiting to be found being a cornucopia of wonders in their richness, texture, detail and intricacy of design. She chooses to work in hand stitch because each stitch can be considered in its placement, colour and form.  Importantly, with nature subjects, this allows a natural organic progression echoing the ebb and flow and rhythms that exist in the living world which all lend healing to the psyche for both the giver and the receiver..  Hand embroidery lets intuition and intent guide the hand.  It allows as much time as is needed to enter fully into an empathetic understanding of the subject matter.  For Julia this is invaluable in her wish to try to transmit essence and energy and aura into lasting, textural, dimensional artwork that is alive in revealing its heart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755015825174-YG5AIGNAOPIXZNNAC7XL/1.+van+den+Bosch+J-magic+mushrooms-2022.JPG</image:loc>
      <image:title>Julia van den Bosch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755015823910-P0U38UP1PFRCZ4V6BMO4/2.+van+den+Bosch+J-beneath+the+trees-2023.jpg</image:loc>
      <image:title>Julia van den Bosch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755015823554-PD0KCEOAQI7I0XPZIG8G/3.+van+den+Bosch+J+-mother+shipton+moth-2022.JPG</image:loc>
      <image:title>Julia van den Bosch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755015822597-3L25FWREU260V11JB0R0/5.+van+den+Bosch+J-days+end-2024.JPG</image:loc>
      <image:title>Julia van den Bosch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1581595767981-RM8IVE3OZ3E0QXN5QW6Y/Julia+van+den+Bosch+-+fallen+leaves.JPG</image:loc>
      <image:title>Julia van den Bosch</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755015821098-6VJG7NUYP84PZBFMTLDZ/7.+van+den+Bosch+J-blackbird+singing-2023.JPG</image:loc>
      <image:title>Julia van den Bosch</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/jeryl-church</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/2b5d528f-c157-4170-aa02-41284729719f/Jeryl+Church+Make+or+Break+2021+Photograoher+Jonny+Dredge+54f8b14a-cc68-4b7c-808c-111c8705b702.JPG</image:loc>
      <image:title>Jeryl Church - Jeryl Church</image:title>
      <image:caption>Basingstoke, Hampshire, UK Jeryl’s passion for both language and books, together with ideas being explored, play an important role in her work. As such, its departure point is frequently paper: a container of ideas and disseminator of information. The qualities of paper make it an enticing material for Jeryl to use in her work. Paper is familiar to all and can be worked with to push the boundaries of traditional textile art. The artist’s work is driven by subjects close to her heart. Currently Jeryl creates work in response to the complex consequences of climate change. She asks people to consider their responsibility to the environment and the very differences they can make, both as an individual and as part of a group. Working intuitively is key to Jeryl’s work alongside the conversation between materials used, methods of making and the idea being explored. She is not constrained by using any one method of making and reduces her personal carbon footprint by using materials already possessed, as well as up-cycling past work. Research plays a key role in her work and can lead to unexpected results together with her process led investigation of materials which are closely linked to the idea being explored.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/2b5d528f-c157-4170-aa02-41284729719f/Jeryl+Church+Make+or+Break+2021+Photograoher+Jonny+Dredge+54f8b14a-cc68-4b7c-808c-111c8705b702.JPG</image:loc>
      <image:title>Jeryl Church - Jeryl Church</image:title>
      <image:caption>Basingstoke, Hampshire, UK Jeryl’s passion for both language and books, together with ideas being explored, play an important role in her work. As such, its departure point is frequently paper: a container of ideas and disseminator of information. The qualities of paper make it an enticing material for Jeryl to use in her work. Paper is familiar to all and can be worked with to push the boundaries of traditional textile art. The artist’s work is driven by subjects close to her heart. Currently Jeryl creates work in response to the complex consequences of climate change. She asks people to consider their responsibility to the environment and the very differences they can make, both as an individual and as part of a group. Working intuitively is key to Jeryl’s work alongside the conversation between materials used, methods of making and the idea being explored. She is not constrained by using any one method of making and reduces her personal carbon footprint by using materials already possessed, as well as up-cycling past work. Research plays a key role in her work and can lead to unexpected results together with her process led investigation of materials which are closely linked to the idea being explored.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754476204867-IIUZWYP7U35KW4UUT8IO/IMG_8063.Jeryl+Church+But+Why+Me+2021+Photographer+Jonny+Dredge+jpg.jpg</image:loc>
      <image:title>Jeryl Church</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754476204017-DWB4Q5OKDI4XQ6SA839Z/Jeryl+Church++Less+is+More+2025+JPG.JPG</image:loc>
      <image:title>Jeryl Church</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754476205332-8VQ3XNQEA3RIIRNDL66C/Jeryl+Church+Conspicious+Consumption+2025+.JPG</image:loc>
      <image:title>Jeryl Church</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754476210490-DJZGG7EFDHTEX1RHYDNY/Jeryl+Church+Cover+Up+2022jpg.jpg</image:loc>
      <image:title>Jeryl Church</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754476210618-0RXZHTW5EDD8FS7CZB36/Jeryl+Church+The+Creeping+Disaster+2023+jpg.jpg</image:loc>
      <image:title>Jeryl Church</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754476213391-9DYZC5PQ8ZPXQ3JIG15Y/Jeryl+Church+Wasted+Land+2024+jpg.jpg</image:loc>
      <image:title>Jeryl Church</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/paulene-cattle</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307382740-BF8PLBPD122VPST595VQ/CattlePWeb2.jpg</image:loc>
      <image:title>Paulene Cattle - Paulene Cattle</image:title>
      <image:caption>London, UK Paulene’s overriding interest is in the built environment, especially aspects that are generally overlooked - in effect, the background noise of society. She explores man’s effect on urban landscapes which are then further altered by others, either consciously (graffiti/litter) or inadvertently (pollution/overuse).  Recent work also encompasses the impact of global warming on the natural world. These works are realized in a variety of media, utilizing whatever suits the subject but principally constructed felt, and frequently incorporating site specific found objects and sound. An acute awareness of the need to lessen our environmental footprint is reflected in making work that comprises entirely of found or recycled objects and accumulated studio materials, also revisiting, reassessing and combining media used in previous projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307382740-BF8PLBPD122VPST595VQ/CattlePWeb2.jpg</image:loc>
      <image:title>Paulene Cattle - Paulene Cattle</image:title>
      <image:caption>London, UK Paulene’s overriding interest is in the built environment, especially aspects that are generally overlooked - in effect, the background noise of society. She explores man’s effect on urban landscapes which are then further altered by others, either consciously (graffiti/litter) or inadvertently (pollution/overuse).  Recent work also encompasses the impact of global warming on the natural world. These works are realized in a variety of media, utilizing whatever suits the subject but principally constructed felt, and frequently incorporating site specific found objects and sound. An acute awareness of the need to lessen our environmental footprint is reflected in making work that comprises entirely of found or recycled objects and accumulated studio materials, also revisiting, reassessing and combining media used in previous projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307369328-XJSESOSMR22F2LTW185N/CattlePWeb1.jpg</image:loc>
      <image:title>Paulene Cattle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754472221259-ECKWPBFYMJUVGS137UKP/Paulene+Cattle_Drippings-25.jpg</image:loc>
      <image:title>Paulene Cattle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754472229477-M1KQZQ4OETIYBBD64BIC/Paulene+Cattle_Splat_25.jpg</image:loc>
      <image:title>Paulene Cattle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307397796-4IQ1D7UPHGBJ603A9VER/CattlePWeb5.jpg</image:loc>
      <image:title>Paulene Cattle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307383977-J365ECI94J0QVZE0TSTG/CattlePWeb4.jpg</image:loc>
      <image:title>Paulene Cattle</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307373485-5FTHTAIA5VCRQFQ6BSE5/CattlePWeb3.jpg</image:loc>
      <image:title>Paulene Cattle</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/jo-coombes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1656926877122-X2NG17H4L710FONMNHQR/Jo+Coombes+%287%29.jpg</image:loc>
      <image:title>Jo Coombes - Jo Coombes</image:title>
      <image:caption>Kingston upon Thames, Surrey, UK Jo’s textile ideas stem from a deep interest in human behaviour and communication. Drawing on her training as a speech and language therapist, she is inspired by how we use language to describe and influence our identity, emotions, relationships and our consequent impact on society and the environment.  By exploring visual metaphors for our moral code and exposing the subliminal influences of media and commerce, Jo has recently tried to highlight current global issues. Her current work explores the devastating communication disorder Aphasia. This affects speech, language, reading, and writing after a stroke or head injury, and is a focus on her therapeutic work. She uses her original images to print on hand-dyed cloth to create unique art textile work.  Jo believes that textiles can powerfully illuminate these issues and she hopes to share her vision through her work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1656926877122-X2NG17H4L710FONMNHQR/Jo+Coombes+%287%29.jpg</image:loc>
      <image:title>Jo Coombes - Jo Coombes</image:title>
      <image:caption>Kingston upon Thames, Surrey, UK Jo’s textile ideas stem from a deep interest in human behaviour and communication. Drawing on her training as a speech and language therapist, she is inspired by how we use language to describe and influence our identity, emotions, relationships and our consequent impact on society and the environment.  By exploring visual metaphors for our moral code and exposing the subliminal influences of media and commerce, Jo has recently tried to highlight current global issues. Her current work explores the devastating communication disorder Aphasia. This affects speech, language, reading, and writing after a stroke or head injury, and is a focus on her therapeutic work. She uses her original images to print on hand-dyed cloth to create unique art textile work.  Jo believes that textiles can powerfully illuminate these issues and she hopes to share her vision through her work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1656926877156-V09JVTTS8RQFQ4HDREO3/Jo+Coombes+%288%29.jpg</image:loc>
      <image:title>Jo Coombes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754476491112-VUTO3QAJK5587GKY4BDU/CoombesJ+The+Daydreamer2025.JPG</image:loc>
      <image:title>Jo Coombes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1656926868373-G1MXKBYASRQTF4J8IRAL/Jo+Coombes+%283%29.JPG</image:loc>
      <image:title>Jo Coombes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1656926860225-QJKVSIMOJYH4SH4RMIQH/Jo+Coombes+%284%29.JPG</image:loc>
      <image:title>Jo Coombes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1656926844148-K30RCQ03DA15T62U7BHB/Jo+Coombes+%281%29.jpg</image:loc>
      <image:title>Jo Coombes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1656926862667-EEOZH3IGXPKQJG7M0217/Jo+Coombes+%285%29.jpg</image:loc>
      <image:title>Jo Coombes</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/marilyn-hall</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/e26206b8-8b8d-46fe-9ccf-576be8952102/Hall+M+Memory+and+Time+detail+2022.JPEG</image:loc>
      <image:title>Marilyn Hall - Marilyn Hall</image:title>
      <image:caption>Warwick, UK Marilyn’s work is conceptual, referencing memory; remembering; bearing witness. Marilyn’s recent works pay particular attention to the lives and roles of women, both from her family history and from research relating to the venues she has exhibited in. The fascination for the artist is in uncovering who they were in life. What were their lives? Marilyn uses natural materials with hand stitch, embedding cloths with personal meanings. Marilyn also employs weave, dye and fabric sculpture as appropriate to the concept. The slow, gradual process of building the work becomes a time for quiet thought and contemplation. It is the process of making as much as the result that holds the key to personal fulfilment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/e26206b8-8b8d-46fe-9ccf-576be8952102/Hall+M+Memory+and+Time+detail+2022.JPEG</image:loc>
      <image:title>Marilyn Hall - Marilyn Hall</image:title>
      <image:caption>Warwick, UK Marilyn’s work is conceptual, referencing memory; remembering; bearing witness. Marilyn’s recent works pay particular attention to the lives and roles of women, both from her family history and from research relating to the venues she has exhibited in. The fascination for the artist is in uncovering who they were in life. What were their lives? Marilyn uses natural materials with hand stitch, embedding cloths with personal meanings. Marilyn also employs weave, dye and fabric sculpture as appropriate to the concept. The slow, gradual process of building the work becomes a time for quiet thought and contemplation. It is the process of making as much as the result that holds the key to personal fulfilment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754482365993-RVWYVMKI9VOM2BTBN4JE/Hall+M+Backward+Traveller+II+2024.JPG</image:loc>
      <image:title>Marilyn Hall</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754482367585-CHZEF2OBHK34F00FNR3N/Hall+M+Backward+Traveller+I+2024.JPG</image:loc>
      <image:title>Marilyn Hall</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754482370800-KCEMPK8JD70B7OXZWB9P/Hall+M+The+Ties+That+Bind+2021.jpeg</image:loc>
      <image:title>Marilyn Hall</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754482370105-ZR8UZWN9L94FEN08KEGI/Hall+M+Backward+Traveller+III+2025.JPEG</image:loc>
      <image:title>Marilyn Hall</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755009975712-CG3G3AJ7XB5TM3GCYSSL/Hall%2BM%2BMemory%2Band%2BTime%2B2022%2BPortrait%2BImage%2Bplease.jpg</image:loc>
      <image:title>Marilyn Hall</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755009906500-3ISQWYTXL71Q5HIGK0TH/Hall%2BM%2BMemory%2Band%2BTime%2B2022%2BPortrait%2BImage%2Bplease.jpg</image:loc>
      <image:title>Marilyn Hall</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/aran-illingworth</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/9c5c0ba9-3abf-4297-90c4-a6170d19621c/Aran+Illingworth%2C+Bag+Lady.2024.jpg</image:loc>
      <image:title>Aran Illingworth - Aran Illingworth</image:title>
      <image:caption>St Neots, Cambridgeshire, UK My work sets out to present the stories of individuals whose voices might otherwise remain unheard, particularly those struggling with poverty.  This combines to create a series of works presenting the experiences of women and children dealing with poverty, refugees facing deprivation and conflict, and homeless individuals living on the streets. Fostering social consciousness and raising awareness about issues close to my heart are aims which are central to my work as a textile artist. Art raises awareness about social issues such as poverty, inequality, and human rights abuses.  It encourages the viewer to understand others' experiences, leading to support for change. My chosen medium is appliqued, hand-embroidered and partly machine-stitched textile panels. My work presents a visual narrative, which is intended to convey a certain emotion, and which focuses on subjects carrying a specific message and meaning.  I have always been fascinated both with textiles and with creating realistic images, and in my art, I set out to combine these two sources of inspiration by using fabric instead of paint to create a portrait. As an artist, I highlight social issues through my work to draw public attention to these challenges.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/9c5c0ba9-3abf-4297-90c4-a6170d19621c/Aran+Illingworth%2C+Bag+Lady.2024.jpg</image:loc>
      <image:title>Aran Illingworth - Aran Illingworth</image:title>
      <image:caption>St Neots, Cambridgeshire, UK My work sets out to present the stories of individuals whose voices might otherwise remain unheard, particularly those struggling with poverty.  This combines to create a series of works presenting the experiences of women and children dealing with poverty, refugees facing deprivation and conflict, and homeless individuals living on the streets. Fostering social consciousness and raising awareness about issues close to my heart are aims which are central to my work as a textile artist. Art raises awareness about social issues such as poverty, inequality, and human rights abuses.  It encourages the viewer to understand others' experiences, leading to support for change. My chosen medium is appliqued, hand-embroidered and partly machine-stitched textile panels. My work presents a visual narrative, which is intended to convey a certain emotion, and which focuses on subjects carrying a specific message and meaning.  I have always been fascinated both with textiles and with creating realistic images, and in my art, I set out to combine these two sources of inspiration by using fabric instead of paint to create a portrait. As an artist, I highlight social issues through my work to draw public attention to these challenges.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483489916-HIR2LT1NRKPM8DYCOYEL/Aran+illingworth%2CMan+and+his+best++friend+2%2C+2024.jpeg</image:loc>
      <image:title>Aran Illingworth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483492136-MI8W1JYWN7DR5XQHLVQD/aran+Illingworth%2CMan+and+his+best+friend.j+2023.pg.jpg</image:loc>
      <image:title>Aran Illingworth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483493859-8PZ5YPGJX4M4AQQZ9S0W/Aran+Illingworth%2COn+the+Bench.2022.jpg</image:loc>
      <image:title>Aran Illingworth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483498687-6QF7ZOX5LCZWLLH3H30K/Aran+Illingworth%2CRabbit+Proof+Fence%2C+2020+.jpg</image:loc>
      <image:title>Aran Illingworth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483498769-U3Z47QMV5YGOYWOPSG0C/Aran+Illingworth%2CShepherdes.+2025.jpg</image:loc>
      <image:title>Aran Illingworth</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483500624-4NG0L8VNQLS0KAXMOSY5/Aran+illingworthMan+%26+His+Best+Friend3%2C2025++.jpg</image:loc>
      <image:title>Aran Illingworth</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/judith-isaac-lewis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/890d0ae1-592f-488d-9f2a-4dde56a1562c/Isaac-Lewis+J+From+My+Garden+2023+.jpeg</image:loc>
      <image:title>Judith Isaac-Lewis - Judith Isaac-Lewis</image:title>
      <image:caption>St Albans, Hertfordshire, UK Judith’s creative practice explores her attachment to significant places in her life. Personal and collective memories linked to her South Wales heritage are of particular interest. Inspiration also comes from her immediate environment, especially her garden and the local area where she now lives in Hertfordshire. Her present concern aims to create a sense of place in her practice directly connecting the work to the surroundings. To do this she is embracing materials that are found on her doorstep to create natural dyes and botanical contact prints. Through this use of natural and found materials she is aiming to work more sustainably reducing her impact on the environment. Hand embroidery is a core part of her artistic vocabulary. She is interested in the way hand stitch improves wellbeing and how its rhythmical qualities have relaxing and mindful benefits. her embroidered work often evolves in an unplanned way, she responds to shapes and textures, unpicking and rethinking until the work feels right. She also loves the itinerant nature of hand stitch and its ability to travel with her from place to place.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/890d0ae1-592f-488d-9f2a-4dde56a1562c/Isaac-Lewis+J+From+My+Garden+2023+.jpeg</image:loc>
      <image:title>Judith Isaac-Lewis - Judith Isaac-Lewis</image:title>
      <image:caption>St Albans, Hertfordshire, UK Judith’s creative practice explores her attachment to significant places in her life. Personal and collective memories linked to her South Wales heritage are of particular interest. Inspiration also comes from her immediate environment, especially her garden and the local area where she now lives in Hertfordshire. Her present concern aims to create a sense of place in her practice directly connecting the work to the surroundings. To do this she is embracing materials that are found on her doorstep to create natural dyes and botanical contact prints. Through this use of natural and found materials she is aiming to work more sustainably reducing her impact on the environment. Hand embroidery is a core part of her artistic vocabulary. She is interested in the way hand stitch improves wellbeing and how its rhythmical qualities have relaxing and mindful benefits. her embroidered work often evolves in an unplanned way, she responds to shapes and textures, unpicking and rethinking until the work feels right. She also loves the itinerant nature of hand stitch and its ability to travel with her from place to place.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483978094-75P2XC9O8I4E4YYBRAAR/Isaac-Lewis+J+Forgotten+2024.JPEG</image:loc>
      <image:title>Judith Isaac-Lewis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483982013-LYBOFUDXBZ0KI67RX3WG/Isaac-Lewis+J+Overlooked+1+2025.JPEG</image:loc>
      <image:title>Judith Isaac-Lewis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483988244-7428COYHBERHQSJRZ5BH/Isaac-Lewis+J+Overlooked+2+2025+.JPEG</image:loc>
      <image:title>Judith Isaac-Lewis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483984334-LO7659YYGH1TKCZ4OSPL/Isaac-Lewis+J+Viriditas+2022+.jpg</image:loc>
      <image:title>Judith Isaac-Lewis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754483970545-2G92ZJ2FITFRV5S05XG6/Isaac-Lewis+J+Edgelands+2024+.JPEG</image:loc>
      <image:title>Judith Isaac-Lewis</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378355582-MQ3N2GXIA7XTTZ2JV9CS/Judith+Issac+Lewis.jpg</image:loc>
      <image:title>Judith Isaac-Lewis</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/linda-pearl-izan</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/915767e8-953b-44a3-9e1c-75fd76ee25ce/LP_IZAN_JULY_Shibboleth_detail+_6.jpg</image:loc>
      <image:title>Linda Pearl Izan - Linda Pearl Izan</image:title>
      <image:caption>Crewe, Cheshire, UK Linda Pearl invites the viewer to engage in a lush, detailed, colour loaded textile setting where initial meaning of the work is not always apparent. The viewer might be seduced by the materials of the artwork; it is however questions that explore where humanity finds itself that is the major drive behind her work. Recent pieces have explored esoteric but important questions, for example, ‘Can Anything Save Us from Unintended Consequences’ and the question of how we truly treat the outsider in the artwork, ‘Shibboleth’. Text plays a major part in the visual dialogue which connects potently with the use of appliqué, free motion and hand embroidery, digital print and gold work. Much of her work is large banner format, a scale that seems a natural foundation on which to explore themes. Linda Pearl has a background in education, sculptural ceramics, printing and digital art, skills that inform her approach to her present textiles practice. Through her academic background she guided students towards an understanding of their creative motivation, developing an acknowledgement that an art practice is both a personal development and a collective experience, a connectivity to our understanding of the world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/915767e8-953b-44a3-9e1c-75fd76ee25ce/LP_IZAN_JULY_Shibboleth_detail+_6.jpg</image:loc>
      <image:title>Linda Pearl Izan - Linda Pearl Izan</image:title>
      <image:caption>Crewe, Cheshire, UK Linda Pearl invites the viewer to engage in a lush, detailed, colour loaded textile setting where initial meaning of the work is not always apparent. The viewer might be seduced by the materials of the artwork; it is however questions that explore where humanity finds itself that is the major drive behind her work. Recent pieces have explored esoteric but important questions, for example, ‘Can Anything Save Us from Unintended Consequences’ and the question of how we truly treat the outsider in the artwork, ‘Shibboleth’. Text plays a major part in the visual dialogue which connects potently with the use of appliqué, free motion and hand embroidery, digital print and gold work. Much of her work is large banner format, a scale that seems a natural foundation on which to explore themes. Linda Pearl has a background in education, sculptural ceramics, printing and digital art, skills that inform her approach to her present textiles practice. Through her academic background she guided students towards an understanding of their creative motivation, developing an acknowledgement that an art practice is both a personal development and a collective experience, a connectivity to our understanding of the world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484384271-48CL95H2HO9PF9JQNJ9F/LP_IZAN_JULY_+NoCountry_detail_1.jpg</image:loc>
      <image:title>Linda Pearl Izan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484383371-AQNBOE6S6J0P6JP1R8YS/LP_IZAN_JULY+Fear_ocracy__5.jpg</image:loc>
      <image:title>Linda Pearl Izan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484384909-X7H4SOJRVUQARU3VIOVV/LP_IZAN_JULY_Chasm+of+Questions_7.jpg</image:loc>
      <image:title>Linda Pearl Izan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484386656-QT9O50VS4HC2O6Q5BFVX/LP_IZAN_JULY_Shibboleth_3+.jpg</image:loc>
      <image:title>Linda Pearl Izan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484385549-AOG9IMPE8AMVHSYMRGEV/LP_IZAN_JULY_Consequences_2+.jpg</image:loc>
      <image:title>Linda Pearl Izan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484387620-I0VXHAEO061ECXA47DU1/LP_IZAN_JULY_SnakeOS_4.jpg</image:loc>
      <image:title>Linda Pearl Izan</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/maria-laughlin</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/d9466ff7-65c2-4024-9562-ee74bf8b2e9d/LaughinM_Leviathan_2025.jpg</image:loc>
      <image:title>Maria Laughlin - Maria Laughlin</image:title>
      <image:caption>Norwich, Norfolk, UK Leviathan: a word associated with power. …many a Suffolk sea shore walk has taken the artist into the thundering atmosphere and forcefulness of the Suffolk seas, skies and shoreline. Work, at the moment, is exploring this imagery through multi media.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/d9466ff7-65c2-4024-9562-ee74bf8b2e9d/LaughinM_Leviathan_2025.jpg</image:loc>
      <image:title>Maria Laughlin - Maria Laughlin</image:title>
      <image:caption>Norwich, Norfolk, UK Leviathan: a word associated with power. …many a Suffolk sea shore walk has taken the artist into the thundering atmosphere and forcefulness of the Suffolk seas, skies and shoreline. Work, at the moment, is exploring this imagery through multi media.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493010045-R3NLCF0DJE4CDEZYC4AH/LaughlinM_Leviathan3_2025.jpg</image:loc>
      <image:title>Maria Laughlin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493007191-B40MMRT2YZD32RKGCCAP/LaughlinM_Leviathan1_2025.jpg</image:loc>
      <image:title>Maria Laughlin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493006718-3ZR19QAOJWLKE629NAA3/LaughlinM_Chaos_2024.jpg</image:loc>
      <image:title>Maria Laughlin</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493010774-00G8QOL9MHFA0XBTKBMY/LaughlinM_Leviathan2_2025.jpg</image:loc>
      <image:title>Maria Laughlin</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/willeke-klaassen</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754486469428-DQFMCW19V4Y80SSZFQAD/KlaassenW_Perspective+I_2024.jpg</image:loc>
      <image:title>Willeke Klaassen - Willeke Klaassen</image:title>
      <image:caption>Hattem, The Netherlands Take a breath and simply be. Slow down. Find healing and peace, far from pressure, obligations, and the need for more. That is what Willeke Klaassen seeks in nature, in the woods near her home, where she is frequently found, and in her wonderful flower filled garden. The artist expresses this experience in her work, giving it shape and color. With great passion, she creates a connection with her surroundings—what she sees, feels, smells, and breathes. In her exploration of space, time, and form, she reveals a delicate beauty through organic lines. Through eco-printing, embroidery, and felt, the artist allows nature to materialise on fabric. The work unfolds in layers: paint, fabric, and thread are added to her embroidery, playfully exuberant in color. In this way, Klaassen's work becomes a celebration of diversity in the contrast between natural and man-made materials. In her sculptural pieces, she embroiders flower petals and tree leaves, or shapes forms from raw wool, which she cuts in pieces, then brought together again to form a connected unified shape. The artist allows viewers of her work to add their own layer of thought. As such, these works are ever-changing, profound, and unique to each person.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754486469428-DQFMCW19V4Y80SSZFQAD/KlaassenW_Perspective+I_2024.jpg</image:loc>
      <image:title>Willeke Klaassen - Willeke Klaassen</image:title>
      <image:caption>Hattem, The Netherlands Take a breath and simply be. Slow down. Find healing and peace, far from pressure, obligations, and the need for more. That is what Willeke Klaassen seeks in nature, in the woods near her home, where she is frequently found, and in her wonderful flower filled garden. The artist expresses this experience in her work, giving it shape and color. With great passion, she creates a connection with her surroundings—what she sees, feels, smells, and breathes. In her exploration of space, time, and form, she reveals a delicate beauty through organic lines. Through eco-printing, embroidery, and felt, the artist allows nature to materialise on fabric. The work unfolds in layers: paint, fabric, and thread are added to her embroidery, playfully exuberant in color. In this way, Klaassen's work becomes a celebration of diversity in the contrast between natural and man-made materials. In her sculptural pieces, she embroiders flower petals and tree leaves, or shapes forms from raw wool, which she cuts in pieces, then brought together again to form a connected unified shape. The artist allows viewers of her work to add their own layer of thought. As such, these works are ever-changing, profound, and unique to each person.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754486457055-41KR4K73B9V48GO678JI/KlaassenW_Dancing+I_+2024.jpg</image:loc>
      <image:title>Willeke Klaassen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754486457342-CW9GU274X54F3CE3CBAC/KlaassenW_oh%2C+the+silence_2022.jpg</image:loc>
      <image:title>Willeke Klaassen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754486478457-OH2U88RS0SN6J3Z0ZTOY/KlaassenW_Chryso_2021.jpg</image:loc>
      <image:title>Willeke Klaassen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754486481629-241GEX7QW3HJ5QWBX2MI/KlaassenW_Redscape_2024.jpg</image:loc>
      <image:title>Willeke Klaassen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754486480571-XEU35JTXGRJ12230MMMO/KlaassenW_Flow_2024.jpg</image:loc>
      <image:title>Willeke Klaassen</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1758613787762-DQ220F1L8NGYVH0I1PDJ/KlaassenW+stille+kracht+I+2.3+mb.jpg</image:loc>
      <image:title>Willeke Klaassen</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/marian-jazmik</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/64cef4f1-493b-4cc9-ade7-f595d85aeb5c/jazmikm+.Invasion.2024.jpg</image:loc>
      <image:title>Marian Jazmik - Marian Jazmik</image:title>
      <image:caption>Bolton, Lancashire, UK Marian is a contemporary textile artist and keen photographer. Her work is heavily inspired by her macro photography of the natural environment. Images captured on her smartphone from both here and abroad are her inspiration. Along with traditional textile techniques, she exploits the manipulation, construction and deconstruction of fibres and fabrics using a range of heat treatments such as the soldering iron and hot air gun. Marian’s creative journey evolves through experimentation and the creative outcome is abstract in nature. She often includes household and DIY products in her work, along with surplus materials left over from various manufacturing processes. These products would normally be sent to landfill. Marian is keen to promote the message of ‘reuse’ and ‘repurpose’ and this is a key feature of her highly textural wall art and sculptural pieces. Marian is the author of Nature’s Textures in Textile Art published in 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/64cef4f1-493b-4cc9-ade7-f595d85aeb5c/jazmikm+.Invasion.2024.jpg</image:loc>
      <image:title>Marian Jazmik - Marian Jazmik</image:title>
      <image:caption>Bolton, Lancashire, UK Marian is a contemporary textile artist and keen photographer. Her work is heavily inspired by her macro photography of the natural environment. Images captured on her smartphone from both here and abroad are her inspiration. Along with traditional textile techniques, she exploits the manipulation, construction and deconstruction of fibres and fabrics using a range of heat treatments such as the soldering iron and hot air gun. Marian’s creative journey evolves through experimentation and the creative outcome is abstract in nature. She often includes household and DIY products in her work, along with surplus materials left over from various manufacturing processes. These products would normally be sent to landfill. Marian is keen to promote the message of ‘reuse’ and ‘repurpose’ and this is a key feature of her highly textural wall art and sculptural pieces. Marian is the author of Nature’s Textures in Textile Art published in 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484891092-SKD5IGFXWO78YULNUG2L/Jazmikm.AttheEdge+2023.jpg</image:loc>
      <image:title>Marian Jazmik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484891237-HDFKIZD2IC72SHZHN0I4/jazmikm.+warpedEarth2023.jpg</image:loc>
      <image:title>Marian Jazmik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484894623-EPQQNFILCDT9ROYQSIPB/jazmikm.cacti.2021.JPG</image:loc>
      <image:title>Marian Jazmik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484903990-DQBJ2KZUM58RGP9XFLOL/Jazmikm.Tidaldebris6+2024.jpg</image:loc>
      <image:title>Marian Jazmik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484900342-ANB850GSAZ9JN7I5NOQ2/jazmikm.detail%2CInvasion%2C2024..jpg</image:loc>
      <image:title>Marian Jazmik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754484900091-CYH7J0W53TBMV9DB1FM8/jazmikm.Spheres.2025.jpg</image:loc>
      <image:title>Marian Jazmik</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/caroline-kirton</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/cac00af6-e2a9-4473-b855-656081a4b3c9/image4.jpeg</image:loc>
      <image:title>Caroline Kirton - Caroline Kirton</image:title>
      <image:caption>Hertfordshire, U.K My work is can be seen as a series of snapshots reflecting on the ups and downs of life and is intended to be a contemporary social study of today’s society. Through observation process I embark on a narrative journey as I try to capture on scenarios that capture my imagination, relationships and the celebration of family.  I translate and record stories and emotions into documentary style in stitched textile drawings picking up details that capture my attention.  The starting point of my narrative is a comment or saying, which strikes a poignant cord.  My work, although a personal journey, is designed to be universally recognisable by people of all generations in today’s society.  It is designed to arouse discussion and invite interaction with the audience whilst also showing the importance of family life and the importance of building relationships through the generations.  The intention in my practice when using traditional methods such as silk-screen printing, appliqué and embroidery is to demonstrate to the viewer the importance of making and materials and how they have a significant place in contemporary art and craft today.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/cac00af6-e2a9-4473-b855-656081a4b3c9/image4.jpeg</image:loc>
      <image:title>Caroline Kirton - Caroline Kirton</image:title>
      <image:caption>Hertfordshire, U.K My work is can be seen as a series of snapshots reflecting on the ups and downs of life and is intended to be a contemporary social study of today’s society. Through observation process I embark on a narrative journey as I try to capture on scenarios that capture my imagination, relationships and the celebration of family.  I translate and record stories and emotions into documentary style in stitched textile drawings picking up details that capture my attention.  The starting point of my narrative is a comment or saying, which strikes a poignant cord.  My work, although a personal journey, is designed to be universally recognisable by people of all generations in today’s society.  It is designed to arouse discussion and invite interaction with the audience whilst also showing the importance of family life and the importance of building relationships through the generations.  The intention in my practice when using traditional methods such as silk-screen printing, appliqué and embroidery is to demonstrate to the viewer the importance of making and materials and how they have a significant place in contemporary art and craft today.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755027055624-7Y9S0B49Q7H1K7NHY4UX/image8.jpeg</image:loc>
      <image:title>Caroline Kirton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755027055384-PAO2PYLA9RAAW7KW8WYJ/image7.jpeg</image:loc>
      <image:title>Caroline Kirton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755027060637-IF8TM5E8DP9UTNHE0RG8/image6.jpeg</image:loc>
      <image:title>Caroline Kirton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755027060585-WK0WHZRI3SJRODWX1FXI/image5.jpeg</image:loc>
      <image:title>Caroline Kirton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755027062634-BJ1UXRYY8I31HO5BVV1N/image2.jpeg</image:loc>
      <image:title>Caroline Kirton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755027065755-6ZFIPUJR9AHX3DGSYNZ2/image1.jpeg</image:loc>
      <image:title>Caroline Kirton</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/julieanne-long</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493822550-Q7MMNPE7PAAU7M4MBP28/J+Long+Sense+of+Place+2024-2025.JPG</image:loc>
      <image:title>Julieanne Long - Julieanne Long</image:title>
      <image:caption>Ely, Cambridgeshire, UK Interests in the natural world, enjoyment of stitch and love of experimentation informs Julieanne’s work. She uses a range of techniques, these range from hand stitching, weaving, felting, printing, basketry and dyeing. Found objects and recycled materials are often used in her work. With a love of nature,  ecological issues and the protection of our environment are themes of interest. As a keen reader, and with a love of poetry, recent work has had a focus on words and their meaning, Julieanne has a teaching degree specialising in Art &amp; Design, and a second degree in Embroidered textiles. Her  work has  featured in exhibitions in many places in the UK, also  in Italy and the Netherlands. She was an art teacher for many years and continues to run workshops for both adults and children.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493822550-Q7MMNPE7PAAU7M4MBP28/J+Long+Sense+of+Place+2024-2025.JPG</image:loc>
      <image:title>Julieanne Long - Julieanne Long</image:title>
      <image:caption>Ely, Cambridgeshire, UK Interests in the natural world, enjoyment of stitch and love of experimentation informs Julieanne’s work. She uses a range of techniques, these range from hand stitching, weaving, felting, printing, basketry and dyeing. Found objects and recycled materials are often used in her work. With a love of nature,  ecological issues and the protection of our environment are themes of interest. As a keen reader, and with a love of poetry, recent work has had a focus on words and their meaning, Julieanne has a teaching degree specialising in Art &amp; Design, and a second degree in Embroidered textiles. Her  work has  featured in exhibitions in many places in the UK, also  in Italy and the Netherlands. She was an art teacher for many years and continues to run workshops for both adults and children.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493822659-QFIV6H9IF0E7TR29ASIX/J+Long+the+raft+of+the+Medusa-+Gericault+meets+Jackson+Pollock+2025-2025.JPG</image:loc>
      <image:title>Julieanne Long</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493823621-Q7CY8T60ANTMSDFYP80N/J+Long+Seascape+2025-2025.JPG</image:loc>
      <image:title>Julieanne Long</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493821166-NTEN4HWLTZIKWUBYQK51/J+Long+Another+odd+bit+added+2024-2025.JPG</image:loc>
      <image:title>Julieanne Long</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754493821343-AUFJRVYU9SK5DOOGJ339/J+Long+Refiner%E2%80%99s+Fire+2024-2025.JPG</image:loc>
      <image:title>Julieanne Long</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1592406876904-LP6ESBT0FTE7L70SWRDD/LONGJ+WS4C.JPG</image:loc>
      <image:title>Julieanne Long</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755013511457-HBEC509O4WYYJFP931HB/J+Long+Medieval+Saint+2023-2025.JPG</image:loc>
      <image:title>Julieanne Long</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/marian-murphy</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/5acee11d-5c56-4103-acb8-7e3196cb0824/MurphyM+Gathering+2.+2025.jpg</image:loc>
      <image:title>Marian Murphy - Marian Murphy</image:title>
      <image:caption>Royston, Hertfordshire, UK As an embroiderer Marian varies her material repertoire to suit the pieces she is making. Fabric manipulation, fabric and stitch are sometimes combined with wire, wood, plaster and paint. It is the versatility and the sometimes unpredictable changes that take place when the different materials come together that she exploits and develops to make her objects.    Themes in her work are often developed from an interest in the extraordinary shapes of the clothed human form both ancient and modern, making use of the museum and art gallery for her research. She is also interested in land formations and the erosion that is happening along many parts of our beautiful fragile coastline.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/5acee11d-5c56-4103-acb8-7e3196cb0824/MurphyM+Gathering+2.+2025.jpg</image:loc>
      <image:title>Marian Murphy - Marian Murphy</image:title>
      <image:caption>Royston, Hertfordshire, UK As an embroiderer Marian varies her material repertoire to suit the pieces she is making. Fabric manipulation, fabric and stitch are sometimes combined with wire, wood, plaster and paint. It is the versatility and the sometimes unpredictable changes that take place when the different materials come together that she exploits and develops to make her objects.    Themes in her work are often developed from an interest in the extraordinary shapes of the clothed human form both ancient and modern, making use of the museum and art gallery for her research. She is also interested in land formations and the erosion that is happening along many parts of our beautiful fragile coastline.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754497658188-CQ7VT3CWQE86TUL925AA/gatherMurphyM+Gathering+1+2024ing+1.jpg</image:loc>
      <image:title>Marian Murphy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754497659042-F9YW9Q7DHB0OJERJAD51/MurphyM+Behind+the+Veil+1+2025.jpg</image:loc>
      <image:title>Marian Murphy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754497660212-GQ82MXCCGDCTSFJH5ZNJ/MurphyM+Devon+1+2025.jpg</image:loc>
      <image:title>Marian Murphy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754497661255-J346F29HHDXBKRDGF932/MurphyM+Devon+2+2025.jpg</image:loc>
      <image:title>Marian Murphy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754497662937-4Z3PLIAPTXQ6EUWXVSSG/MurphyM+Erosion+2+2023.jpg</image:loc>
      <image:title>Marian Murphy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754497661470-CAKX2NS0PGRXQJUOD4B3/MurphyM+Erosion+1+2025.jpg</image:loc>
      <image:title>Marian Murphy</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/judith-rowley</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/7405bab5-ab19-40f0-934f-956a75c3856e/rowley+1.webp</image:loc>
      <image:title>Judith Rowley - Judith Rowley</image:title>
      <image:caption>Wolverhampton, West Midlands, UK Judith is a textile and mixed media artist, exhibitor and teacher whose work explores diverse concepts. It is often Judith’s historical research that informs her contemporary art practice. Her 3D work often incorporates antique artefacts and tells a story – a creative journey through time. Judith’s work has been seen on exhibition at the following London venues: Mall Galleries, Hoxton Arches Gallery and Glaziers Art Fair. Other venues include The Royal Dublin Society and Royal Birmingham Society of Artists, where Judith has been invited as a guest tutor on a number of occasions. Judith creates textural and tactile surfaces from natural fabrics and fibres. Derived from her interest in history and historical textiles she often resurrects traditional skills in a contemporary way - for example, darning and smocking. In order to embellish her surfaces Judith uses hand stitch and machine stitch to add texture and interest. Judith teaches textile art to adults and often talks to interested groups ranging from Historical Societies to Embroiderers Guilds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/7405bab5-ab19-40f0-934f-956a75c3856e/rowley+1.webp</image:loc>
      <image:title>Judith Rowley - Judith Rowley</image:title>
      <image:caption>Wolverhampton, West Midlands, UK Judith is a textile and mixed media artist, exhibitor and teacher whose work explores diverse concepts. It is often Judith’s historical research that informs her contemporary art practice. Her 3D work often incorporates antique artefacts and tells a story – a creative journey through time. Judith’s work has been seen on exhibition at the following London venues: Mall Galleries, Hoxton Arches Gallery and Glaziers Art Fair. Other venues include The Royal Dublin Society and Royal Birmingham Society of Artists, where Judith has been invited as a guest tutor on a number of occasions. Judith creates textural and tactile surfaces from natural fabrics and fibres. Derived from her interest in history and historical textiles she often resurrects traditional skills in a contemporary way - for example, darning and smocking. In order to embellish her surfaces Judith uses hand stitch and machine stitch to add texture and interest. Judith teaches textile art to adults and often talks to interested groups ranging from Historical Societies to Embroiderers Guilds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582213612630-XMC3WGWD5JXJ6ICJNL70/4.+Stitched+Textile%2C+Cloths+of+Heaven+3.jpg</image:loc>
      <image:title>Judith Rowley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582213612776-D08JD6YMCEEDLDGNJZWM/3.+Hand+Stitched+Indian+Cotton...+Cloths+of+Heaven+2.jpg</image:loc>
      <image:title>Judith Rowley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582213613306-7FU2MWEU3PJAMUSRLNC4/2.+Mixed+Media+...+Cloths+of+Heaven+1.jpg</image:loc>
      <image:title>Judith Rowley</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/maria-walker</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/79f137d7-e271-4c20-aa7b-d2384b28e47d/WalkerM%2Bweb1.jpg</image:loc>
      <image:title>Maria Walker - Maria Walker</image:title>
      <image:caption>London, UK Maria Walker’s fine art practice is centred around her interest in embodiment and the experience being human. She explores the human body and everyday life through her abstract sculptural works and installations made from a wide variety of materials and objects.  Her engagement with materials and the process of making is an integral aspect of her practice and it is often through the body’s interaction with the materials that her ideas start to take actual form. She has always been drawn to working with cloth, garments and thread due to the close affinity they have to the human body and often combines textile sculptures with objects. This relationship has long been a recurring aspect of her work, especially tactile processes such as hand stitching, wrapping and binding.  More recently she has started to apply textile techniques and technologies to other materials which she carefully selects to create abstract sculptural forms which still reference the textile tradition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/79f137d7-e271-4c20-aa7b-d2384b28e47d/WalkerM%2Bweb1.jpg</image:loc>
      <image:title>Maria Walker - Maria Walker</image:title>
      <image:caption>London, UK Maria Walker’s fine art practice is centred around her interest in embodiment and the experience being human. She explores the human body and everyday life through her abstract sculptural works and installations made from a wide variety of materials and objects.  Her engagement with materials and the process of making is an integral aspect of her practice and it is often through the body’s interaction with the materials that her ideas start to take actual form. She has always been drawn to working with cloth, garments and thread due to the close affinity they have to the human body and often combines textile sculptures with objects. This relationship has long been a recurring aspect of her work, especially tactile processes such as hand stitching, wrapping and binding.  More recently she has started to apply textile techniques and technologies to other materials which she carefully selects to create abstract sculptural forms which still reference the textile tradition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307515455-V3FOC79YM3K3U3V66QIK/WalkerMweb4.jpeg</image:loc>
      <image:title>Maria Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307517913-KU2NI0CQI8SE7PSWQVUM/WalkerMweb5.jpeg</image:loc>
      <image:title>Maria Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307508311-T1QYFWW5BNVVSNZWCGZU/WalkerMweb2.jpeg</image:loc>
      <image:title>Maria Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307516531-WUEK2I1BJQX3KNOTXOXZ/WalkerMweb3.jpeg</image:loc>
      <image:title>Maria Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733307520541-XLBB11WQJDBUM90GA3EK/WalkerMweb6.jpeg</image:loc>
      <image:title>Maria Walker</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1590563024262-4ZESLHEPVATRRCITSLVY/WalkerM+amulet1.jpg</image:loc>
      <image:title>Maria Walker</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/helen-macritchie</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/cc98a0ab-0301-49e8-8ee7-ca420511e0f0/MacRitchieH_Neural+Networks_2024.jpg</image:loc>
      <image:title>Helen MacRitchie - Helen MacRitchie</image:title>
      <image:caption>Waterstock, Oxfordshire, UK I am a textile artist based in Oxfordshire, UK, working in both the UK and Australia having lived in the latter for many years. My practice explores personal connections to the landscape around me, focusing upon the texture and detail found in nature and science. With an academic pharmacy background, I often use scientific and medicinal subjects as inspiration in my work. I have a love of natural dyeing, particularly its ability to link nature with chemistry in my work. Wet felting of wool plays a significant part in my practice. I love its connection with land and place, and the feel in my hands as it organically transforms from loose fibre to structural fabric. My felt is often blended with other natural fabrics or combined with unusual mixed media in a completed work. Extensive free machine or hand embroidery then adds texture and layers of detail relevant to the design narrative. I have exhibited solely in the UK and Australia and am currently an exhibiting member of seamCollective in the UK and Untethered Fibre Artists in Australia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/cc98a0ab-0301-49e8-8ee7-ca420511e0f0/MacRitchieH_Neural+Networks_2024.jpg</image:loc>
      <image:title>Helen MacRitchie - Helen MacRitchie</image:title>
      <image:caption>Waterstock, Oxfordshire, UK I am a textile artist based in Oxfordshire, UK, working in both the UK and Australia having lived in the latter for many years. My practice explores personal connections to the landscape around me, focusing upon the texture and detail found in nature and science. With an academic pharmacy background, I often use scientific and medicinal subjects as inspiration in my work. I have a love of natural dyeing, particularly its ability to link nature with chemistry in my work. Wet felting of wool plays a significant part in my practice. I love its connection with land and place, and the feel in my hands as it organically transforms from loose fibre to structural fabric. My felt is often blended with other natural fabrics or combined with unusual mixed media in a completed work. Extensive free machine or hand embroidery then adds texture and layers of detail relevant to the design narrative. I have exhibited solely in the UK and Australia and am currently an exhibiting member of seamCollective in the UK and Untethered Fibre Artists in Australia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754494314038-8LHDCX0EBLRNA627MVY9/MacRitchieH_Filtration_2024.jpg</image:loc>
      <image:title>Helen MacRitchie</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754494358718-H35AIPDZDTGZSD1T08TW/MacRitchieH_Filtration+detail_2024.jpg</image:loc>
      <image:title>Helen MacRitchie</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754494314906-0KRUA4ZKUOJUT7KHIVKT/MacRitchieH_Gaseous+Exchange_2024.jpg</image:loc>
      <image:title>Helen MacRitchie</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754494315063-SNW2OCUQFKGY8ZHLYUYN/MacRitchieH_Islets_2024.jpg</image:loc>
      <image:title>Helen MacRitchie</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754494316112-OFKJ6FF1KI9APID2RL03/MacRitchieH_Neurons_2024.jpg</image:loc>
      <image:title>Helen MacRitchie</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378350497-PNLDBFXTFT53SCH72D7E/Helen+MacRitchie.jpg</image:loc>
      <image:title>Helen MacRitchie</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/catherina-von-isenburg</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/e4e4b2f0-3919-4b97-b036-3a53617aee2f/VonIsenburgC-4.png</image:loc>
      <image:title>Catherina von Isenburg - Catherina von Isenburg</image:title>
      <image:caption>London, U.K Catherina spent her formative years in parts of Africa and Asia. From early childhood she has had a love of keeping sketchbooks which has often become part of the journey towards a piece of work. She takes inspiration from the natural world as well as fairytales and folklore. Having done a BA Hons at Winchester, Catherina later went on to complete an MA in Children’s book illustration at the Anglia Ruskin in Cambridge where she embraced the creation of her own stories and characters. She continues to explore various story ideas and settings whilst using different medium in which to interpret them. More recently Catherina has been exploring the art of automata and enjoyed adding a mechanical moving element to some of her pieces. She loves discovering new possibilities and is excited to think that one’s artistic practice is constantly evolving because of these, that there are always more ideas and stories to originate or uncover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/e4e4b2f0-3919-4b97-b036-3a53617aee2f/VonIsenburgC-4.png</image:loc>
      <image:title>Catherina von Isenburg - Catherina von Isenburg</image:title>
      <image:caption>London, U.K Catherina spent her formative years in parts of Africa and Asia. From early childhood she has had a love of keeping sketchbooks which has often become part of the journey towards a piece of work. She takes inspiration from the natural world as well as fairytales and folklore. Having done a BA Hons at Winchester, Catherina later went on to complete an MA in Children’s book illustration at the Anglia Ruskin in Cambridge where she embraced the creation of her own stories and characters. She continues to explore various story ideas and settings whilst using different medium in which to interpret them. More recently Catherina has been exploring the art of automata and enjoyed adding a mechanical moving element to some of her pieces. She loves discovering new possibilities and is excited to think that one’s artistic practice is constantly evolving because of these, that there are always more ideas and stories to originate or uncover.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582215524307-JLREJ3V8F5FBH09OJ2MW/vonisenburgC1b.jpg</image:loc>
      <image:title>Catherina von Isenburg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755016719266-CT2EH0FSFYDFLRZ8RIGS/VonIsenburgC-5.PNG</image:loc>
      <image:title>Catherina von Isenburg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755016906501-OTLKN8KNG5NTTJ82WYLU/VonIsenburgC-3.png</image:loc>
      <image:title>Catherina von Isenburg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755016971002-L7N4GZVT7LMN8XIQ2VS5/VonIsenburgC-1.png</image:loc>
      <image:title>Catherina von Isenburg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755016936769-B2V1OVBG4PSLDL646RH9/VonIsenburgC-2.png</image:loc>
      <image:title>Catherina von Isenburg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582215536250-U7OOC4CIV4J4GBM5QM3P/vonisenburgC1a.jpg</image:loc>
      <image:title>Catherina von Isenburg</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/irena-willmott</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/05852e89-bb3b-42eb-9a8b-e1573f24a906/WillmottIWasteCoat2025.jpg</image:loc>
      <image:title>Irena Willmott - Irena Willmott</image:title>
      <image:caption>Royston, Hertfordshire, UK Irena is interested in the possibilities of the material felt, to convey and reflect on, the nature of ‘how we feel’ through ‘how we felt’ – often metaphorically. From using her own body down to her thumb to impact on felt, she also combines felt with other materials such as iron, wood, gold, fabric, metal waste, aluminium cans, and hair, depending on the idea she wants to explore. She is currently using blister packs to explore entanglements, issues of waste, and in so doing, questions ideas surrounding protection, comfort and repair. This exchange of objectboundaryhood between materials has the possibility, she has found, to shed light on in-between spaces that transcend the objects themselves, and where there is a possibility to reflect on ‘how we feel’ and ‘how we felt’. Her work asks: What are the possibilities for connectivity and repair? Is this a straight line? Is there a way out? Or are we as entangled as felt itself?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/05852e89-bb3b-42eb-9a8b-e1573f24a906/WillmottIWasteCoat2025.jpg</image:loc>
      <image:title>Irena Willmott - Irena Willmott</image:title>
      <image:caption>Royston, Hertfordshire, UK Irena is interested in the possibilities of the material felt, to convey and reflect on, the nature of ‘how we feel’ through ‘how we felt’ – often metaphorically. From using her own body down to her thumb to impact on felt, she also combines felt with other materials such as iron, wood, gold, fabric, metal waste, aluminium cans, and hair, depending on the idea she wants to explore. She is currently using blister packs to explore entanglements, issues of waste, and in so doing, questions ideas surrounding protection, comfort and repair. This exchange of objectboundaryhood between materials has the possibility, she has found, to shed light on in-between spaces that transcend the objects themselves, and where there is a possibility to reflect on ‘how we feel’ and ‘how we felt’. Her work asks: What are the possibilities for connectivity and repair? Is this a straight line? Is there a way out? Or are we as entangled as felt itself?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754562532813-QOOSMP7IA0TBHFBWE545/Willmott.I+Uncanny+2024.JPG</image:loc>
      <image:title>Irena Willmott</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754562536722-T933DFV9AX6210CLZEMJ/Willmott.IHow+we+feel+How+we+Felt+2012.JPG</image:loc>
      <image:title>Irena Willmott</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754562538377-DFQW06UEVRLLGBRE1K77/WillmottI1GoldPeak2025.jpg</image:loc>
      <image:title>Irena Willmott</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754562538310-TM6241AY6KHIZJ9CV83Q/WillmottIFocus2025.JPG</image:loc>
      <image:title>Irena Willmott</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754562540134-GPJRJTXGND9GOM0E1HP7/WillmottIUntitled2025.jpg</image:loc>
      <image:title>Irena Willmott</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1588511823491-FLW3R9EKFMLESXRDJA6D/4.1+WillmottIFESTIVAL+1b.jpg</image:loc>
      <image:title>Irena Willmott</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/consuelo-simpson</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/2f1bc431-a0c5-4347-affb-87abb280f234/SimpsonC_Nothing+is+lost+%28detail%29_2025.jpg</image:loc>
      <image:title>Consuelo Simpson - Consuelo Simpson</image:title>
      <image:caption>Dummer, Hampshire, UK Consuelo understands making as a thoughtful, embodied dialogue with materials, where both maker and matter play active roles. Using traditional skills like netting, printmaking, bookbinding and gilding, she works predominantly with string, paper, twigs, bones and plaster, alongside found objects like hand tools and wire. Using handmade cordage and nets, Consuelo assembles sculptures and wall-mounted works that celebrate the history and memories held by orphaned objects displaced from their original context. Alongside these, prints and works on paper, often presented in book form, reflect an ongoing fascination with human ingenuity and the ubiquitous presence of string throughout history. Artworks are always in a state of becoming. Consuelo reimagines found objects, their histories shaping the narrative. Form is always temporary, allowing the possibility of change, seeking neither perfection nor an end. Navigating the boundaries of form, Consuelo adapts ideas to the physical reality of the medium. This hands-on engagement allows a rhythm between intent and discovery, where each twist and curve reveals something unexpected. Through her practice, Consuelo aims to capture fleeting flashes of enchantment that invite us to see the world with wonder. She seeks to celebrate those immersive moments where we feel fully present yet connected to something other.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/2f1bc431-a0c5-4347-affb-87abb280f234/SimpsonC_Nothing+is+lost+%28detail%29_2025.jpg</image:loc>
      <image:title>Consuelo Simpson - Consuelo Simpson</image:title>
      <image:caption>Dummer, Hampshire, UK Consuelo understands making as a thoughtful, embodied dialogue with materials, where both maker and matter play active roles. Using traditional skills like netting, printmaking, bookbinding and gilding, she works predominantly with string, paper, twigs, bones and plaster, alongside found objects like hand tools and wire. Using handmade cordage and nets, Consuelo assembles sculptures and wall-mounted works that celebrate the history and memories held by orphaned objects displaced from their original context. Alongside these, prints and works on paper, often presented in book form, reflect an ongoing fascination with human ingenuity and the ubiquitous presence of string throughout history. Artworks are always in a state of becoming. Consuelo reimagines found objects, their histories shaping the narrative. Form is always temporary, allowing the possibility of change, seeking neither perfection nor an end. Navigating the boundaries of form, Consuelo adapts ideas to the physical reality of the medium. This hands-on engagement allows a rhythm between intent and discovery, where each twist and curve reveals something unexpected. Through her practice, Consuelo aims to capture fleeting flashes of enchantment that invite us to see the world with wonder. She seeks to celebrate those immersive moments where we feel fully present yet connected to something other.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501837468-WRMFKHRZ13L53DYLU3SN/SimpsonC_Between+the+Lost+and+Known+%26+Dancing+in+the+Air_2025.jpg</image:loc>
      <image:title>Consuelo Simpson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501837811-2HT00K62FAG7JM4UUADZ/SimpsonC_Keeping+in+Touch_2025.jpg</image:loc>
      <image:title>Consuelo Simpson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501839044-A6F5IXI5UOBN33NPV1TL/SimpsonC_Nothing+is+lost_2025.jpg</image:loc>
      <image:title>Consuelo Simpson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501839414-RDRR7NDSNND306CFQLCJ/SimpsonC_Please+hear+what+I+am+not+saying_2024.jpg</image:loc>
      <image:title>Consuelo Simpson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501840289-GD35ARWHOUZAJXG8E9DS/SimpsonC_In+the+Studio_2025.jpg</image:loc>
      <image:title>Consuelo Simpson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501840527-AZMR11IXU98XW9IK6HMB/SimpsonC_Nexus_2021.jpg</image:loc>
      <image:title>Consuelo Simpson</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/penny-maltby</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733306657422-7HYL7MER0E445T3D7R60/MaltbyPweb2.JPEG</image:loc>
      <image:title>Penny Maltby - Penny Maltby</image:title>
      <image:caption>Oxford, UK Oxford-based designer maker Penny Maltby has a background in textiles and is driven by a profound passion for traditional crafts and cultural heritage. Her focus lies in preserving endangered crafts like straw working, corn dolly making, and hat plaiting, aiming to pass on their skills, knowledge, and stories. Under the moniker ‘Ministry of Straw’, she regularly teaches at venues across the country as well as working to commission for fashion, TV &amp; film, weddings and more. Penny’s recent venture involves seamlessly blending her passions for straw and textiles, resulting in a collection of luxury silk scarves. Drawing inspiration from her straw work and incorporating references to farming, harvest, and folklore, these scarves embody a fusion of heritage and modernity. Her mission to draw new audiences and makers into these crafts is encapsulated in her concept of looking ‘both ways’. Penny demonstrates that past traditions can inspire innovative products as well as contemporary art pieces. She uses straw, traditional techniques and textiles in new settings solidifying her commitment to revitalising traditional crafts while forging a path towards a creative and vibrant future.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733306657422-7HYL7MER0E445T3D7R60/MaltbyPweb2.JPEG</image:loc>
      <image:title>Penny Maltby - Penny Maltby</image:title>
      <image:caption>Oxford, UK Oxford-based designer maker Penny Maltby has a background in textiles and is driven by a profound passion for traditional crafts and cultural heritage. Her focus lies in preserving endangered crafts like straw working, corn dolly making, and hat plaiting, aiming to pass on their skills, knowledge, and stories. Under the moniker ‘Ministry of Straw’, she regularly teaches at venues across the country as well as working to commission for fashion, TV &amp; film, weddings and more. Penny’s recent venture involves seamlessly blending her passions for straw and textiles, resulting in a collection of luxury silk scarves. Drawing inspiration from her straw work and incorporating references to farming, harvest, and folklore, these scarves embody a fusion of heritage and modernity. Her mission to draw new audiences and makers into these crafts is encapsulated in her concept of looking ‘both ways’. Penny demonstrates that past traditions can inspire innovative products as well as contemporary art pieces. She uses straw, traditional techniques and textiles in new settings solidifying her commitment to revitalising traditional crafts while forging a path towards a creative and vibrant future.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733306658665-H9H30QR5ORD2DA5BBJMW/MaltbyPweb3.JPEG</image:loc>
      <image:title>Penny Maltby</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754495351666-RPZ08D11JUNL63AWVIFA/MaltbyP_Straw+Passementerie_2023.JPEG</image:loc>
      <image:title>Penny Maltby</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733306660177-GD8ZP8G31N2NMFETEW3E/MaltbyPweb4.JPEG</image:loc>
      <image:title>Penny Maltby</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733306656338-ED60358O7AWWKR42HPE3/MaltbyPweb1.JPEG</image:loc>
      <image:title>Penny Maltby</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754495351884-I9UD2XOBPFB8IP7SIPRJ/MaltbyP_The+Last+Straw+Banner+Detail_2024.JPEG</image:loc>
      <image:title>Penny Maltby</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1733306661890-Q2W9RNHXP4Y3AL8TWH9I/MaltbyPweb5.JPEG</image:loc>
      <image:title>Penny Maltby</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/julie-turner</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/2070ed6f-3540-4bda-9796-3a1a615f9528/TurnerJ_Foundlings+%28lead+image+with+profile%2C+if+possible%29+.JPG</image:loc>
      <image:title>Julie Turner - Julie Turner</image:title>
      <image:caption>Hythe, Kent, UK Julie is a mixed media textile artist with a studio in Folkestone, Kent. Her work is informed by her background in psychology and teaching. Julie’s work reflects her preoccupation with the significance of childhood experiences, in particular, those of maternal deprivation and loss. Julie uses natural plant dyes, plant material and rust to change the surface quality of fabric. Plants are chosen in response to their meanings and rust is used as a signifier of loss. Julie also works with heat press techniques to create fabric designs. Once made Julie uses stitch to combine fabrics to make small pieces and larger installations, often in the form of faceless dolls and unwearable dresses. She sometimes combines these with plaster and wax. Julie hopes her work is open to the projection of feeling from the viewer. It is often characterised as evoking a sense of loss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/2070ed6f-3540-4bda-9796-3a1a615f9528/TurnerJ_Foundlings+%28lead+image+with+profile%2C+if+possible%29+.JPG</image:loc>
      <image:title>Julie Turner - Julie Turner</image:title>
      <image:caption>Hythe, Kent, UK Julie is a mixed media textile artist with a studio in Folkestone, Kent. Her work is informed by her background in psychology and teaching. Julie’s work reflects her preoccupation with the significance of childhood experiences, in particular, those of maternal deprivation and loss. Julie uses natural plant dyes, plant material and rust to change the surface quality of fabric. Plants are chosen in response to their meanings and rust is used as a signifier of loss. Julie also works with heat press techniques to create fabric designs. Once made Julie uses stitch to combine fabrics to make small pieces and larger installations, often in the form of faceless dolls and unwearable dresses. She sometimes combines these with plaster and wax. Julie hopes her work is open to the projection of feeling from the viewer. It is often characterised as evoking a sense of loss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559554710-YCGNJZDH0P3U7ZDVB4GB/TurnerJ_Lost+Shoes.jpeg</image:loc>
      <image:title>Julie Turner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559555168-UVYN48DOQR92ORVZHCS4/TurnerJ_You+Are+Loved.jpeg</image:loc>
      <image:title>Julie Turner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559558133-QQ5V9A45HD8OQU3VCA34/TurnerJ_Abandoned.JPG</image:loc>
      <image:title>Julie Turner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559558405-F1SE6VT7752MNSYNH4D1/TurnerJ_Forgotten.JPG</image:loc>
      <image:title>Julie Turner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559560659-V1MZBNCXFRXHAO0VF5T0/TurnerJ_Foundlings.jpeg</image:loc>
      <image:title>Julie Turner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559607182-KJ1LYO31ZU92GUKUFWZ3/TurnerJ_+Sanctuary.jpeg</image:loc>
      <image:title>Julie Turner</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/kim-winter</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/4c2e926c-3f55-44ab-9a27-684624bff042/bindweed+hanging+5+crop.jpg</image:loc>
      <image:title>Kim Winter - Kim Winter</image:title>
      <image:caption>London, UK Kim uses traditional basketry techniques in innovative ways to create contemporary sculptural pieces. Sometimes these may be functional vessels, but mostly they are artworks – she loves the challenge of pushing the boundaries to make original basketry forms. Kim lives in Brixton, south London, which offers plenty of opportunities to observe the interaction between urban life and nature, providing inspiration and sometimes materials for her practice – she often incorporates found objects in her pieces. Nature is often ephemeral, but Kim relishes trying to capture its essence in more permanent form in her work. With a strong focus on form and materiality, Kim loves to echo structures and processes from nature in her art, from the mathematical basis for a spiral shell to the chemistry of leaf prints on pavements. Kim is also a member of the Basketmakers’ Association and edits their Journal, published three times a year. She teaches basketry at Morley College in London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754403987352-6SXCIKC6VONJ6TJC9OPS/winterk_elements_2025.jpg</image:loc>
      <image:title>Kim Winter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754403986666-ZHXIL4JO3F7IY137B1UW/winterk_brittle_2022.jpg</image:loc>
      <image:title>Kim Winter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582218225072-O8NR7IVSHIRXT44WMAJE/Kim+Winter+Fragility+2019.jpg</image:loc>
      <image:title>Kim Winter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754403987918-K8FWY50HP6M4O6TJQCFS/winterk_mobius_2023.jpg</image:loc>
      <image:title>Kim Winter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754403988863-C6GW4BJEZMCU0IWSTCE9/winterk_remains_2023.jpg</image:loc>
      <image:title>Kim Winter</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754403989016-8KHSIETME9S26JA6STD8/winterk_under-a-shell_2021.jpg</image:loc>
      <image:title>Kim Winter</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2013-exhition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583507361905-YZLHH2R0FQ3U5RWKRZX3/2013+Liminal.jpg</image:loc>
      <image:title>2013 EXHITION - artist : Katharine Paton-King</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543331680-Z236GLTM22VRPVPR4KRP/2013+Jackie+Langfeld+and+Nithikul+Nimkulrat.jpeg</image:loc>
      <image:title>2013 EXHITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543333230-F6HBY0P6YJWQ6SPKCKV3/2013+Exhibition+View.jpeg</image:loc>
      <image:title>2013 EXHITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543338715-1GHSND043LZPN53GS2TA/2013+Jackie+Langfeld.jpeg</image:loc>
      <image:title>2013 EXHITION - Jackie Langfeld</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543353471-JYUSA6GMGF3ZP10ES10K/2013+Nithikul+Nimkulrat.jpeg</image:loc>
      <image:title>2013 EXHITION - Nithikul Nimkulrat</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543301042-SB92XEK2CPHNHVF238WF/2013+Ali+Brown.jpeg</image:loc>
      <image:title>2013 EXHITION - Ali Brown</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543297718-15MC3OCR1ITHW31DAWBK/2013+Yumiko+Reynolds.jpeg</image:loc>
      <image:title>2013 EXHITION - Yumiko Reynolds</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543306207-USFRD7KPUDR1505D27B9/2013+Anita+Bruce.jpeg</image:loc>
      <image:title>2013 EXHITION - Anita Bruce</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543321614-9TTH7910S64TI332LY66/2013+Diana+Bliss.jpeg</image:loc>
      <image:title>2013 EXHITION - Diana Bliss</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543320297-D1HD0V2MMW2XSXJV118K/2013+Dorothy+Tucker.jpeg</image:loc>
      <image:title>2013 EXHITION - Dorothy Tucker</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543345961-SRD42BAM7WYTRT9PB0D8/2013+Katharine+Paton+King.jpeg</image:loc>
      <image:title>2013 EXHITION - Katharine Paton-King</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543311064-RAD6WQJEWAP53L54SCZM/2013+Charlotte+Sewell.jpeg</image:loc>
      <image:title>2013 EXHITION - Charlotte Sewell</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>2013 EXHITION - Ruth Issett</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543380591-XP7PPMPOLV6UBYI9W50J/2013+Susie+Vickery.jpeg</image:loc>
      <image:title>2013 EXHITION - Susie Vickery</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543392682-D9RJ2FPM6OP8K6YXGIKC/2013+The+Tea+Set+Collaboration.jpeg</image:loc>
      <image:title>2013 EXHITION - The Tset Collaboration</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583543391197-JJ0FVHSK8Y3RKW4MWC3W/2013+The+Tea+Set+Collaboration+%281%29.jpeg</image:loc>
      <image:title>2013 EXHITION</image:title>
    </image:image>
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  <url>
    <loc>https://www.prismtextiles.co.uk/2016-exhibition</loc>
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    <priority>0.75</priority>
    <lastmod>2025-08-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583511896480-HJVDVU5NX8PT719XV8OF/2016+Fracture.jpg</image:loc>
      <image:title>2016 EXHIBITION - artist - Consuelo Simpson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545870797-CFRJ6TRUMZFS1CADGVTG/2016+Entrance.jpeg</image:loc>
      <image:title>2016 EXHIBITION</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545909509-Q7X60YRIXG9SGJNKASSA/2016+Gallery+3.jpeg</image:loc>
      <image:title>2016 EXHIBITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545925159-BR7WQE76N4BGSJ3GN3NQ/2016+Gallery+1.jpeg</image:loc>
      <image:title>2016 EXHIBITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545910921-63GQNMAAVSRGSKXO35P9/2016+Gallery+2.jpeg</image:loc>
      <image:title>2016 EXHIBITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545852267-7MWGA6J3ABFQI4QSY0H2/2016+Ali+Brown.jpeg</image:loc>
      <image:title>2016 EXHIBITION - Ali Brown</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545885124-IR4DHE1XDC47FCYH5FH5/2016+Marian+Murphy.jpeg</image:loc>
      <image:title>2016 EXHIBITION - Marian Murphy</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545885715-R9HTMDOCEWOX99TBDWGL/2016+Julie+Harper.jpeg</image:loc>
      <image:title>2016 EXHIBITION - Julie Harper</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545847631-9PJLREF5OHZKGI1F98GQ/2016+Anne+Jones.jpeg</image:loc>
      <image:title>2016 EXHIBITION - Anne Jones</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545856881-WA9JVML4VGNELE97IIH3/2016+Claire+Blackburn.jpeg</image:loc>
      <image:title>2016 EXHIBITION - Claire Blackburn</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545859949-35PA9VT4RJ5O0AAUXHAC/2016+Consuelo+Simpson.jpeg</image:loc>
      <image:title>2016 EXHIBITION - Consuelo Simpson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545867531-72BAV5D6KXP52SW2GFDU/2016+Diana+Bliss.jpeg</image:loc>
      <image:title>2016 EXHIBITION - Diana Bliss</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545879477-TBTGHKO4L1YP4IMW5CFH/2016+Sheila+Cahn.jpeg</image:loc>
      <image:title>2016 EXHIBITION - Sheila Cahn</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545901674-JRDMSZA6F3414DN87DXL/2016+Jennifer+Hollingdale.jpeg</image:loc>
      <image:title>2016 EXHIBITION - Jennifer Holllingdale</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583545917898-VL8P6N9U4NVAD454H0JI/IMG_3549.jpeg</image:loc>
      <image:title>2016 EXHIBITION - Aran Illingworth</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2017-exhibition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583512487009-BH8YIID2AUBTMG518SDT/2017+Another+View+Hoxton.jpg</image:loc>
      <image:title>2017 EXHIBITION - artist - Ross Belton</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583548602775-W6EQAAVD2A3JC91PGIBN/2017+Hoxton.jpeg</image:loc>
      <image:title>2017 EXHIBITION</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583548585967-TY8QFNK3H8QKHI3C6ZHQ/2017+Hoxton+NC.jpeg</image:loc>
      <image:title>2017 EXHIBITION - Niki Chandler</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583548538996-3TCNXHI3PUG69E6JG8GM/2017+Hoxton++AH.jpeg</image:loc>
      <image:title>2017 EXHIBITION - Amanda Hislop</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583548530724-4V46N5EC1GN7EVO4UQ5K/2017+Hoxton++JA.jpeg</image:loc>
      <image:title>2017 EXHIBITION - Jacqui Adkins</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583548548048-6G1GIQ87O5U684FTROQT/2017+Hoxton++MM.jpeg</image:loc>
      <image:title>2017 EXHIBITION - Marian Murphy</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583548558609-YLQGA1TKFDRHHIHHW0Z4/2017+Hoxton+JH.jpeg</image:loc>
      <image:title>2017 EXHIBITION - Julie Harper</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583548606519-UTQOO4YMOYFEBQPG4F62/2017+Hoxton+WG.jpeg</image:loc>
      <image:title>2017 EXHIBITION - Wendy Greene</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583548583721-BF1OTMT6652R3BRC4IJH/2017+Hoxton+WC.jpeg</image:loc>
      <image:title>2017 EXHIBITION - Wendy Creek</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583548568094-ML3C32THQGLR29M0YRT5/2017+Hoxton+JL.jpeg</image:loc>
      <image:title>2017 EXHIBITION - Jackie Langfeld</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583548553275-BAELE7KR4S4UQCVQ31FG/2017+Hoxton+JC.jpeg</image:loc>
      <image:title>2017 EXHIBITION - Jeryl Church</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2019-exhibition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583513154236-5SERZYQ8ZQKX5XCW17DQ/2019+Fragility.jpg</image:loc>
      <image:title>2019 EXHIBITION - Poster  (work by Anna Granberg)</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583552010795-A1574KX7Y3OIQGII2HC1/IMG_0982.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Hoxton Arches</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551938351-JTGU95OZFTFA8FYV9KUT/2019+JW.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Jane Walkley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551891143-TW9EWO2TGWR6QPQHKKO4/2019+PC.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Paulene Cattle</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551873930-2O2OW56WMHY3YZZ0Z2IF/2019.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Cathy Griffiths</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551876772-D07CZCM6WJRCEJSNQACU/2019+WK.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Willeke Klaassen</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551890691-L863SO2TXG2ZMVTKME8T/2019+NCT.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Nerissa Cargill Thompson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551863363-WO3TSY5NP5G5DVP8L2LQ/2019JIL.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Judith Isaac-Lewis</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551902745-Q8FZUP77RHD138EWOE5Z/2019+MJ.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Marian Jazmik</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551945055-FKTSWXYTKYYLHJNKTFRO/2019+BW.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Barbara West</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551922740-D424VE0GK9KOGDM512IZ/2019+LI.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Linda Izan</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551925719-79NTUEY0HINZW75P82GG/2019+KC.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Caroline Kirton</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551983722-992MWPG2GOMOI81GTDN8/2019+JG.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Jessica Grady</image:title>
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    <image:image>
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      <image:title>2019 EXHIBITION - Hannah Heys</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551987237-P7JQHQGKKPDXHC2ZFR44/2019+JH.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Julie Harper</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551953401-RS142PT8AXULLND18L3A/2019+CvI.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Cath von Isenburg</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551995781-R22PIJWS6J0PQMLRKGYI/2019+JR.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Judith Rowley</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583551998082-O71XH7UDEWVRSDG7QLCM/2019+%281%29.jpeg</image:loc>
      <image:title>2019 EXHIBITION - Cathy Griffiths</image:title>
      <image:caption />
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  <url>
    <loc>https://www.prismtextiles.co.uk/2016-exhibition-agenda</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583512306362-WA7602A40LBK03E9AJNC/2016+Agenda+at+Hiscox.jpg</image:loc>
      <image:title>2016 EXHIBITION AGENDA - artist - Jeryl Church</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583542175686-L1FLT02LH4E80QLEM32I/2016+Ros+Wyatt.jpeg</image:loc>
      <image:title>2016 EXHIBITION AGENDA - Rosalind Wyatt - talks about the 'The Stitch Lives of London"</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583542203269-4CLT5EEIEFYLS7BWK6N1/Agenda+Ctherine+Dormor.jpeg</image:loc>
      <image:title>2016 EXHIBITION AGENDA - Maria Boyle, Catherine Dormor, Yumiko Reynolds</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583542211936-CHRA1E9PJA21U0T2EDN6/Agenda+Julieanne.jpeg</image:loc>
      <image:title>2016 EXHIBITION AGENDA - Julieanne Long</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583542215771-VMZQ6X82SAKI85ZN3CEP/Agenda+Lisa+Earley.jpeg</image:loc>
      <image:title>2016 EXHIBITION AGENDA - Lisa Earley</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583542179261-CW6BW1QPG6U08T3UHUUG/Agenda+Yumiko+Reynolds.jpeg</image:loc>
      <image:title>2016 EXHIBITION AGENDA - Yumiko Reynolds</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583542200263-4ZMCX793Y5KE2NINZ6T5/Agenda+Jeryl+Jacqi.jpeg</image:loc>
      <image:title>2016 EXHIBITION AGENDA - Jeryl Church, Jacqi Adkins</image:title>
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    <image:image>
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      <image:title>2016 EXHIBITION AGENDA - Jeryl Church, Jacqi Adkins, Helen O'Leary</image:title>
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  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2017-rbsa</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583512730928-J7CL8ZCH0ZI04XKBOU5Y/2017+RBSA+Another+View.jpg</image:loc>
      <image:title>2017 RBSA - artist - Ross Belton</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547760985-76989WHEK3826OAXFSEH/2017+RBSA+RB.jpeg</image:loc>
      <image:title>2017 RBSA</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547724424-WKUW6RZM0UYNDK8PBENM/2017+RBSA+JS.jpeg</image:loc>
      <image:title>2017 RBSA - Jo Smith</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547711208-ZTS1W3Q5IOFC1E3HV5EU/2017+RBSA+Gallery+1.jpeg</image:loc>
      <image:title>2017 RBSA</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547687072-MWC43VUMPLBVN3ELGIAG/2017+RBSA+AH.jpeg</image:loc>
      <image:title>2017 RBSA - Amanda Hislop</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547692571-3WVEOAVT28DRN154T0SP/2017+RBSA+AJ.jpeg</image:loc>
      <image:title>2017 RBSA - Anne Jones</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547713340-6CSJWYR3DP6IA8ENR6AB/2017+RBSA+JIL.jpeg</image:loc>
      <image:title>2017 RBSA - Judith Isaac-Lewis</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547725091-CKBDZX95BX0L5GR2PKID/2017+RBSA+JL.jpeg</image:loc>
      <image:title>2017 RBSA - Jackie Langfeld</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547742976-U2QP60CK4AIOYDP6RXGB/2017+RBSA+MM+%281%29.jpeg</image:loc>
      <image:title>2017 RBSA - Marian Murphy</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547740810-FDPGVEJWL8AULKRTQQK7/2017+RBSA.jpeg</image:loc>
      <image:title>2017 RBSA</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547699755-J2Q41J2WHZP1RMMSXXUD/2017+RBSA+Another+View+SV.jpeg</image:loc>
      <image:title>2017 RBSA - Susie Vickery</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583547758051-ODBMLHVLB2ZBCB0C7V4K/2017+RBSA+RI.jpeg</image:loc>
      <image:title>2017 RBSA - Ruth Issett</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/ef81e00d-ae1e-4a66-a1e9-fd4ea222a516/Prism+Social+5x5+flat+300dpi+lower+res.png</image:loc>
      <image:title>EXHIBITIONS - 2026 - DICTIONARY</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1756653048620-Y7X8OU5R4AJ55XT77RXO/AOB+SQ+flyer.jpg</image:loc>
      <image:title>EXHIBITIONS - 2025 - ANY OTHER BUSINESS</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1738001806335-CW51GYL4JJH84YMZA9QB/FB_IMG_1738001781824.jpg</image:loc>
      <image:title>EXHIBITIONS - 2024 - EDGELANDS</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1711549887689-P02QMGOXWRGPAQ7W2BE8/hayley%2Bsq%2Bad%2B2%2BfinalF.jpg</image:loc>
      <image:title>EXHIBITIONS - 2023 - WARPED</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/f353c60c-1e1a-4ad9-8fa8-127f2a90ca57/2022-03-02+05.42.00.jpg</image:loc>
      <image:title>EXHIBITIONS - 2022 - UNTOLD</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643375578297-F2WVXWIVFE9LEWVD2DDX/2021+Exhibition+Poster.jpg</image:loc>
      <image:title>EXHIBITIONS - 2021 - IN SEARCH OF POSSIBILITIES</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1765813516504-8V6VP9JE0VK5SVQUHLAY/2021+exhibition.jpg</image:loc>
      <image:title>EXHIBITIONS - 2020 - VIRTUAL FESTIVAL</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582764521021-6REKUADIMXTK7I9ENUWB/2018+-+transient.jpeg</image:loc>
      <image:title>EXHIBITIONS - 2018 - TRANSIENT</image:title>
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      <image:title>EXHIBITIONS - 2017 - ANOTHER VIEW</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582763630593-0IQHZH6V0IQ7E5YOYCBR/2017+RBSA+Another+View.jpg</image:loc>
      <image:title>EXHIBITIONS - 2017 - ANOTHER VIEW</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582763628587-H9R8X3N9B1ANV0ZZ66NR/2016+Fracture.jpg</image:loc>
      <image:title>EXHIBITIONS - 2016 - FRACTURE</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582763626792-5FLY704MFJPAWNE52GVX/2016+Agenda+at+Hiscox.jpg</image:loc>
      <image:title>EXHIBITIONS - 2016 - AGENDA</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582763626421-3KAZC8U6OWPNBF5U0JIQ/2015+Lines+of+Communication+-+Catherine+Dormor.jpg</image:loc>
      <image:title>EXHIBITIONS - 2015 - LINES OF COMMUNICATION</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1582763685939-WJZT9KGKGD4KM7UJB1SY/2014+coded+decoded+copy.jpg</image:loc>
      <image:title>EXHIBITIONS - 2014 - CODED:DECODED</image:title>
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      <image:title>EXHIBITIONS - 2012 - HIDDEN PLACES HIDDEN SPACES</image:title>
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    <loc>https://www.prismtextiles.co.uk/2012-exhibition-whitstable</loc>
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    <lastmod>2020-03-06</lastmod>
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      <image:title>2012 EXHIBITION WHITSTABLE - artists - Ali Brown and Jackie Langfeld</image:title>
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  <url>
    <loc>https://www.prismtextiles.co.uk/2014exhibition</loc>
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    <lastmod>2020-03-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583508682302-7M0ZQB0U4QLE6P2WHIYQ/2014+coded+decoded.jpg</image:loc>
      <image:title>2014 EXHIBITION - artists - Alice Fox, Celia Stanley</image:title>
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      <image:title>2014 EXHIBITION - Julieanne Long</image:title>
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      <image:title>2014 EXHIBITION - Liz Harding</image:title>
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      <image:title>2023 EXHIBITION</image:title>
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      <image:title>2023 EXHIBITION</image:title>
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      <image:title>2023 EXHIBITION</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1689262817738-6JU1N1PZ1ML35QQ13584/Gallery%2817%29.jpg</image:loc>
      <image:title>2023 EXHIBITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1689262822157-F2OAWS9OC9XUJHQYBC20/Gallery%2818%29.jpg</image:loc>
      <image:title>2023 EXHIBITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1689262823507-ESNQFXEF9J883TXL8YV2/Gallery%2819%29.jpg</image:loc>
      <image:title>2023 EXHIBITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1689262826348-4ZB3GQP5NL50S207EU7H/Gallery%2820%29.jpg</image:loc>
      <image:title>2023 EXHIBITION</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2018-exhibition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550653853-K8A6OJMDOA994TZGVGP0/2018+AB.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Ali Brown</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550659487-FC700OSW4IZYV8RUQBQ8/2018+%282%29.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Anna Gunnarsdottir, Maria Walker</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550706259-4ABPMT04BLAYBYPJ6PFM/2018+MW.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Maria Walker</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550637432-SS3DC6XJNFAAT6U87PCE/2018+AB+%281%29.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Anita Bruce</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550718127-IL7S5L7NT7CN6SR0NIA3/2018+MW+%281%29.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Molly Williams</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550737217-42UVA9EN54FZWAW186P6/2018+MM.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Marian Murphy</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550735370-Z0M9TNAS8LD2NKCXVI42/2018+JL.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Jackie Langfeld</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550683336-HIF2DKR12G01R4IKUPN2/2018+AF.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Ali Ferguson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550758304-R5SZ3TZESPVW6JJXU60S/2018+JL+%281%29.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Julieanne Long</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550686446-XUDAJ1Q00LGOEP7N3NOL/2018+AJ.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Anne Jones</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550705419-XUCUS1MUKQ1KMOFZQ0CH/2018+RB.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Ross Belton</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583550755430-39A4XT3P8XIBRDGFPSZV/2018+CvI.jpeg</image:loc>
      <image:title>2018 EXHIBITION - Cath von Isenburg</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2015-exhibition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583509112687-88P3MLR75H0SAP5767JK/2015+Lines+of+Communication+-+Catherine+Dormor.jpg</image:loc>
      <image:title>2015 EXHIBITION - artist - Catherine Dormor</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544331971-4NZA2WZDIDAO7SH7GMIP/2015+Gallery.jpeg</image:loc>
      <image:title>2015 EXHIBITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544320033-411FNQI572C2HPGA4DBY/2015+Helen+O%27Leary.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Helen O'Leary</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544291698-ZY0UWV76N6JHOVX987F1/2015+Molly+Williams.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Molly Williams</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544360042-HXJUJ01LQUPED2PUANKR/2015+Val+Huggins.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Val Huggins</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544287855-XO56Z7FHM1WLXNMMS1FJ/2015+Peta+Jacobs.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Peta Jacobs</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544268834-RMNE88W0RQX4YJZV1WDH/2015+Cath+von+Isenburg.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Cath von Isenburg</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544281977-PMXBWY6LJGXHA01V1H65/2015+Eileen+Harrisson.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Eileen Harrisson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544261763-H7SBMHY4N2XIW76IBPP0/2015+-+Lisa+Earley.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Lisa Earley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544252833-F7UBTHK9KJESVXRY7NDJ/2015+Alex+Duncan+and+Consuelo+Simpson.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Alex Duncan, Consuelo Simpson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544301049-2QIXB7493HR9VC9GLP9B/2015+Maria+Boyle.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Maria Boyle</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544280082-YFAW0XLO4EEFT6H8N4HX/2015+Dorothy+Tucker.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Dorothy Tucker</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544268681-E63LTWFSE6ITDOR543SS/2015+Ali+Brown.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Ali Brown</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544262005-DLGGX79P06RTP19NVZDW/2015+Ali+Brown+2.jpeg</image:loc>
      <image:title>2015 EXHIBITION</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544310203-1MYBFSJMBAP3SRW48DHC/2015+Jacqi+Adkins.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Jacqui Adkins</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544346115-ECQN832FEXL2LHTJ7UU9/2015+Sass+Tetzlaff.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Sass Tetzlaff</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544357375-TSJGFWNUUB9EL60UQJR4/2015+Wendy+Greene.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Wendy Greene</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544345748-K6YM30G0HJ11JI3HT8VA/2015+Prinkie+Roberts.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Jayne Everiss</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544312211-35Q7RML1B7ZCGZRKRGM2/2015+Jo+Coombes.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Jo Coombes</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583544296034-UUWAUJ2IMAVK71X6APFL/2015+Marilyn+Hall.jpeg</image:loc>
      <image:title>2015 EXHIBITION - Marilyn Hall</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/ross-belton</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/cecad6a2-5802-4cd7-80f5-b4896eb9bd61/BeltonR_This_is_a_Protest_2025.jpg</image:loc>
      <image:title>Ross Belton - Ross Belton</image:title>
      <image:caption>London, UK Based in London, Ross’ practice is centred around nature in an urban environment, a sense of place, utilising and repurposing found and recycled materials are key to both sustainability and minimising his artistic footprint. Examining our relationship with the nature that surrounds us, drawing on his own consumption, time, identity and personal history, these inform his concerns, while embracing the flaws and exploring their beauty. The materials lead the work, in his hands they are retrained, twisted and woven into something new. They form a visual language, growing and evolving, forming clusters which create volume. Without an endpoint, the work develops its own individual character, inviting us to view things in a different way. As a proficient natural dyer Ross uses natural colour in his work. In face of political discourse and global conflict, Ross’ new work considers the legislative erosion of: civil liberties, gender alignment, the environmental effect of climate change and the acceptability of violence perpetrated by fundamentalist ideology. A core of egocentric wealthy individuals, empowering mainstream media’s flagrant use of misinformation, creating fear and hate, flaming the rise of far right nationalism. The importance of protecting human rights and the right to protest lead the work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/cecad6a2-5802-4cd7-80f5-b4896eb9bd61/BeltonR_This_is_a_Protest_2025.jpg</image:loc>
      <image:title>Ross Belton - Ross Belton</image:title>
      <image:caption>London, UK Based in London, Ross’ practice is centred around nature in an urban environment, a sense of place, utilising and repurposing found and recycled materials are key to both sustainability and minimising his artistic footprint. Examining our relationship with the nature that surrounds us, drawing on his own consumption, time, identity and personal history, these inform his concerns, while embracing the flaws and exploring their beauty. The materials lead the work, in his hands they are retrained, twisted and woven into something new. They form a visual language, growing and evolving, forming clusters which create volume. Without an endpoint, the work develops its own individual character, inviting us to view things in a different way. As a proficient natural dyer Ross uses natural colour in his work. In face of political discourse and global conflict, Ross’ new work considers the legislative erosion of: civil liberties, gender alignment, the environmental effect of climate change and the acceptability of violence perpetrated by fundamentalist ideology. A core of egocentric wealthy individuals, empowering mainstream media’s flagrant use of misinformation, creating fear and hate, flaming the rise of far right nationalism. The importance of protecting human rights and the right to protest lead the work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754413214978-M1RNP5FPYSNRJA0KCNJQ/BeltonR_Adornment_Mporo_Engorio_2023.jpg</image:loc>
      <image:title>Ross Belton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754413082263-KQQRA0QUD2DXXY1F02I2/BeltonR_INVASION_2024.jpg</image:loc>
      <image:title>Ross Belton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754413079536-TOWV1LBOVE8AKNGAM4T3/BeltonR_Artefact_Adornment_2017.jpg</image:loc>
      <image:title>Ross Belton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754413083030-JKA497WLQPX1QN7JMWEA/BeltonR_Mandala_2019.jpg</image:loc>
      <image:title>Ross Belton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754413085839-3BQT30HKK5R7F9FZBX8B/BeltonR_StillLife_2021.jpg</image:loc>
      <image:title>Ross Belton</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754413086031-DW2L03COX8DTJED7FKTC/BeltonR_The_Cantemporary_Tales_2022.jpg</image:loc>
      <image:title>Ross Belton</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/sue-burley</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754471604057-4YY9V2VCPNHB9NB4QK9A/Burley_S+Green+to+Grey+2023.jpg</image:loc>
      <image:title>Sue Burley - Sue Burley</image:title>
      <image:caption>Sheffield, South Yorkshire, UK I am an artist working predominantly in textiles. I am inspired by social, political environmental and cultural issues. I use textiles to create something that will encourage thought and discussion and maybe help the viewer to see the everyday in a new and inspiring way.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754471604057-4YY9V2VCPNHB9NB4QK9A/Burley_S+Green+to+Grey+2023.jpg</image:loc>
      <image:title>Sue Burley - Sue Burley</image:title>
      <image:caption>Sheffield, South Yorkshire, UK I am an artist working predominantly in textiles. I am inspired by social, political environmental and cultural issues. I use textiles to create something that will encourage thought and discussion and maybe help the viewer to see the everyday in a new and inspiring way.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754471605922-KRAQ6DR3UFP9XCLPYTF9/Burley_SGrey+To+Green+2023-2.jpg</image:loc>
      <image:title>Sue Burley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754471729305-BIWQU66KAACT3LZFPDIM/S_Burley+Green+to+Grey+2023.jpg</image:loc>
      <image:title>Sue Burley</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/anna-granberg</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754640929458-NQ3VIQSZNUODM9NNQEXP/Granberg%2C+A+%C2%A8Anna%27s+wild+animals%C2%A8+2023.jpg</image:loc>
      <image:title>Anna Granberg - Anna Granberg</image:title>
      <image:caption>Västerås, Sweden For Anna Granberg, textiles are the ultimate way of utilising materials for her expressive art. Her works pose questions around what’s happening in the world today and how it influences life. She directly interacts with people, encouraging them to consider their own life and choices. The world is constantly changing, and Anna thinks that it is important to be aware of what changes you want to have in the society. She explores this by employing old and sometimes unexpected materials in different ways to express colour and form, using family history and textiles as her sources. Anna is a Swedish artist, educated at Opus School of Textile Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754640929458-NQ3VIQSZNUODM9NNQEXP/Granberg%2C+A+%C2%A8Anna%27s+wild+animals%C2%A8+2023.jpg</image:loc>
      <image:title>Anna Granberg - Anna Granberg</image:title>
      <image:caption>Västerås, Sweden For Anna Granberg, textiles are the ultimate way of utilising materials for her expressive art. Her works pose questions around what’s happening in the world today and how it influences life. She directly interacts with people, encouraging them to consider their own life and choices. The world is constantly changing, and Anna thinks that it is important to be aware of what changes you want to have in the society. She explores this by employing old and sometimes unexpected materials in different ways to express colour and form, using family history and textiles as her sources. Anna is a Swedish artist, educated at Opus School of Textile Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754640786308-7EZHL5G05606RH7CPYRA/Granberg%2C+A+%C2%A8Tree+of+life%C2%A8%2C+with+embossed+leaves.+Details+2024.JPG</image:loc>
      <image:title>Anna Granberg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754640790844-943TO7DADDQTKQFTVO39/Granberg%2C+A+%C2%A8Nature%27s+revenge%C2%A8.2024.JPG</image:loc>
      <image:title>Anna Granberg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754640790131-3Y6HOBAAGBP8SEHPX4OY/Granberg%2C+A+%C2%A8Lost+souls+in+the+Universe%C2%A8.+2024.JPG</image:loc>
      <image:title>Anna Granberg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754640791939-VTNF9BW4P9905L4KK5G3/Granberg%2C+A+%C2%A8Signe%27s+story%C2%A82022.jpg</image:loc>
      <image:title>Anna Granberg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754640793041-P3RM2WMLIHIFATHZCUEV/Granberg%2C+A%C2%A8Sorrow+and+joy_+the+sail+of+handkerchiefs+2024.JPG</image:loc>
      <image:title>Anna Granberg</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1587474252236-T5ZWNOVALYX0SVYA65YO/GranbergA-Mosquitos.jpg</image:loc>
      <image:title>Anna Granberg</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/josephine-edwards</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1590001096034-2IKQ8NVO4Z7HFT6697GD/Edwards_J_Festival_2.jpg</image:loc>
      <image:title>Josephine Edwards - Josephine Edwards</image:title>
      <image:caption>Hove, East Sussex, UK Motivation for work generally comes about from an impulse to become involved with the creative process itself, with a sudden excitement to "play" with shape and form,pattern and  colour. Inspiration can be set off by any manner of things, usually visual,  informing a compulsion  to re-arrange  perceived and imagined  images in  ones own  order. A long term interest in the decorative arts, design and dress can have an element of influence in some form. Certain environmental and social issues can also resonate. Work is mostly intuitive and once a piece is commenced, progress then follows its own direction. Chosen media can also be stimulating and varies depending  upon available at-the-moment working spaces, from the kitchen table to a professional studio environment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1590001096034-2IKQ8NVO4Z7HFT6697GD/Edwards_J_Festival_2.jpg</image:loc>
      <image:title>Josephine Edwards - Josephine Edwards</image:title>
      <image:caption>Hove, East Sussex, UK Motivation for work generally comes about from an impulse to become involved with the creative process itself, with a sudden excitement to "play" with shape and form,pattern and  colour. Inspiration can be set off by any manner of things, usually visual,  informing a compulsion  to re-arrange  perceived and imagined  images in  ones own  order. A long term interest in the decorative arts, design and dress can have an element of influence in some form. Certain environmental and social issues can also resonate. Work is mostly intuitive and once a piece is commenced, progress then follows its own direction. Chosen media can also be stimulating and varies depending  upon available at-the-moment working spaces, from the kitchen table to a professional studio environment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755007265262-TFJL6DMM2ZR9OH9A2Y8J/EdwardJ_image2_Untitled_2023.jpeg</image:loc>
      <image:title>Josephine Edwards</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755007269290-MA530JZFWQK27METS8CX/EdwardJ_main_image_Untitled_2023.jpeg</image:loc>
      <image:title>Josephine Edwards</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755007265099-EU4N88PJXYSQN1TH8D6X/EdwardJ_image3_Untitled_2023.jpeg</image:loc>
      <image:title>Josephine Edwards</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755007268125-5ZSSBTMTVP92D5LVC9ES/EdwardJ_image6_Untitled_2020.jpg.jpeg</image:loc>
      <image:title>Josephine Edwards</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755007268407-6V15JAKHXJZYXFGUESW1/EdwardJ_image7_Untitled_2020.jpg.jpeg</image:loc>
      <image:title>Josephine Edwards</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755007266936-CGXVAU4BIO2K9UX8U5QH/EdwardJ_image5_Untitled_2020.jpg.jpeg</image:loc>
      <image:title>Josephine Edwards</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/niki-chandler</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/8c9b6654-80e6-4e06-ac50-8b2edb7571a9/ChandlerN_The+Light+and+the+Shadow_2020.jpg</image:loc>
      <image:title>Niki Chandler - Niki Chandler</image:title>
      <image:caption>Cambridge, UK Niki is a maker of constructed textile panels, quilts, embroideries and monotype prints. Craftsmanship and the beauty of precision is at the heart of her aesthetic. As an abstract artist/printmaker, Niki works predominantly with synthetic dance net, a link to her former profession as a theatrical  production designer and costumier. In her fine art printmaking practice she investigates the potential of textiles as an expressive drawing medium, as a way to make tangible her thoughts and to inform the way forward in her stitched artworks. Intrigued by the phenomenon of light dancing on surface, those fleeting and ethereal moments of illumination, much of her artistic output concerns itself with a sense of loss and mortality, often employing the notion of the shadow as metaphor in expressing the evanescence of life and the transient nature of time passing. The slow meditative process of making allows her time to think deeply, to reflect, to remember.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/8c9b6654-80e6-4e06-ac50-8b2edb7571a9/ChandlerN_The+Light+and+the+Shadow_2020.jpg</image:loc>
      <image:title>Niki Chandler - Niki Chandler</image:title>
      <image:caption>Cambridge, UK Niki is a maker of constructed textile panels, quilts, embroideries and monotype prints. Craftsmanship and the beauty of precision is at the heart of her aesthetic. As an abstract artist/printmaker, Niki works predominantly with synthetic dance net, a link to her former profession as a theatrical  production designer and costumier. In her fine art printmaking practice she investigates the potential of textiles as an expressive drawing medium, as a way to make tangible her thoughts and to inform the way forward in her stitched artworks. Intrigued by the phenomenon of light dancing on surface, those fleeting and ethereal moments of illumination, much of her artistic output concerns itself with a sense of loss and mortality, often employing the notion of the shadow as metaphor in expressing the evanescence of life and the transient nature of time passing. The slow meditative process of making allows her time to think deeply, to reflect, to remember.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754472662969-F5K8I9UWNJBDKNQJVCOM/ChandlerN_A+Quiet+Conversation_2015+%283%29.jpg</image:loc>
      <image:title>Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754472662767-V9SM1986UM7OVZ6LIEML/ChandlerN_One+Square+Inch+of+Silence_2019.jpg</image:loc>
      <image:title>Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754472667915-UVRMRH9BDRRGJOM8S380/ChandlerN_Threads+of+Time+%26+Mortality_+2025.jpg</image:loc>
      <image:title>Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754472677624-1G9AG00WFP9AM4XB3KM0/ChandlerN_A+Quiet+Conversation_2015.JPG</image:loc>
      <image:title>Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754472681637-YJZSFCCAMKG7A49RJ8NI/ChandlerN_Edge+of+Land_+2024.jpg</image:loc>
      <image:title>Niki Chandler</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754472684810-WEJCGLCVOY1NQ2JBXHAG/ChandlerN_Edge+of+Land_2024.jpg</image:loc>
      <image:title>Niki Chandler</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/jackie-langfeld</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/475654b4-37da-4682-9c48-b7541ad8a597/Langfeld+J+Safe+for+now+2025+b.jpg</image:loc>
      <image:title>Jackie Langfeld - Jackie Langfeld</image:title>
      <image:caption>Winchester, Hampshire, UK Jackie’s intentions are to provide stimulating and sometimes challenging visual pieces that perhaps change perception and provoke discussion. The pleasure of ‘doing’ and ‘making’ is always supported by serious thought, often tempered with a sense of humour and a genuine enthusiasm for creative practice. Enjoying the investigation of the unusual or unconventional, and hoping to demonstrate the idea that objects and materials are laden and often the teller of tales, her history of making has included, among others, the humble tea towel, recycled cardboard, discarded spoons, rusty nails and the found object. There are layers of meaning in her work; some obvious, some hidden and some for the viewer themselves to discover and hopefully continue the conversation. Her current work uses the technique of an independent metal ‘thread’. Surrounding the notion of shelter and refuge and seeming to refer to nests and the organic, her pieces can be read in different ways, asking questions about whether shelter is just for the physicality of something or can it also be for the more abstract and less definable concept of ideas, thoughts and even story telling captured inside the tangle of threads? Narratives are built and messages conveyed just by making.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/475654b4-37da-4682-9c48-b7541ad8a597/Langfeld+J+Safe+for+now+2025+b.jpg</image:loc>
      <image:title>Jackie Langfeld - Jackie Langfeld</image:title>
      <image:caption>Winchester, Hampshire, UK Jackie’s intentions are to provide stimulating and sometimes challenging visual pieces that perhaps change perception and provoke discussion. The pleasure of ‘doing’ and ‘making’ is always supported by serious thought, often tempered with a sense of humour and a genuine enthusiasm for creative practice. Enjoying the investigation of the unusual or unconventional, and hoping to demonstrate the idea that objects and materials are laden and often the teller of tales, her history of making has included, among others, the humble tea towel, recycled cardboard, discarded spoons, rusty nails and the found object. There are layers of meaning in her work; some obvious, some hidden and some for the viewer themselves to discover and hopefully continue the conversation. Her current work uses the technique of an independent metal ‘thread’. Surrounding the notion of shelter and refuge and seeming to refer to nests and the organic, her pieces can be read in different ways, asking questions about whether shelter is just for the physicality of something or can it also be for the more abstract and less definable concept of ideas, thoughts and even story telling captured inside the tangle of threads? Narratives are built and messages conveyed just by making.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754491383160-THK1Y126SRS4RXGH3FQP/Langfeld+J+Refuge+2024+b.jpg</image:loc>
      <image:title>Jackie Langfeld</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754491389008-AE4KFZAQRCRPMVV8DPXX/Langfeld+J+Magpie2024+b.jpg</image:loc>
      <image:title>Jackie Langfeld</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754491376348-EOJIJQO7HSUP48P4SHVT/Langfeld+J+Highway+-+a+road+well+travelled+2025+b.jpg</image:loc>
      <image:title>Jackie Langfeld</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754491384018-VG7FWA9R7IBNRQWDBMVP/Langfeld+J+Refuge+2024+c.jpg</image:loc>
      <image:title>Jackie Langfeld</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754491376140-96I37FYUVCDDKSZCXNBZ/Langfeld+J+Highway+-+a+road+well+travelled+2025+a.jpg</image:loc>
      <image:title>Jackie Langfeld</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754491388197-6P0YB5MCB6EVOT1LDXEV/Langfeld+J+Safe+for+now+2025+a.jpg</image:loc>
      <image:title>Jackie Langfeld</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/katharine-patonking</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/87051873-7aec-41e6-9311-9661d7bddb83/PatonKingK1b_ReachForTheLight_2021.jpeg</image:loc>
      <image:title>Katharine Paton-King - Katharine Paton-King</image:title>
      <image:caption>Berkhamsted, Hertfordshire, UK Katharine is fascinated by what makes us human and how, in turn, humankind situates itself within the natural world. This is the foundation of all her work. Whereas her steer is a constant search for meaning and value – looking to the Gods, both ancient and modern, to explain the how and why of that relationship between the earth and its inhabitants. Her work is invariably 3D and with purpose that goes beyond the decorative. Often it takes the form of wearable art or if not that then a miniature homage reminiscent of a relic or precious fragment. The aim is to draw the audience in, encourage them to give time and space to consider who they are and where they sit in the world, through making objects that make a statement despite their ordinary beginnings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/87051873-7aec-41e6-9311-9661d7bddb83/PatonKingK1b_ReachForTheLight_2021.jpeg</image:loc>
      <image:title>Katharine Paton-King - Katharine Paton-King</image:title>
      <image:caption>Berkhamsted, Hertfordshire, UK Katharine is fascinated by what makes us human and how, in turn, humankind situates itself within the natural world. This is the foundation of all her work. Whereas her steer is a constant search for meaning and value – looking to the Gods, both ancient and modern, to explain the how and why of that relationship between the earth and its inhabitants. Her work is invariably 3D and with purpose that goes beyond the decorative. Often it takes the form of wearable art or if not that then a miniature homage reminiscent of a relic or precious fragment. The aim is to draw the audience in, encourage them to give time and space to consider who they are and where they sit in the world, through making objects that make a statement despite their ordinary beginnings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498705718-EXNZONRTB7HJVY52I838/PatonKingK1a_ReachForTheLight_2021.jpeg</image:loc>
      <image:title>Katharine Paton-King</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498706350-UB6FNW5J54OA5G64OVIA/PatonKingK1c_ReachForTheLight_2021.jpeg</image:loc>
      <image:title>Katharine Paton-King</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498711612-ZBZR8FSZD33QTK7LPE7G/PatonKingK2c_TheGodOfFieldFences_2024.jpeg</image:loc>
      <image:title>Katharine Paton-King</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498708862-CP91O9R3D2T066QCGQWX/PatonKingK2aSketch_TheGodOfFieldFences_2024.jpeg</image:loc>
      <image:title>Katharine Paton-King</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498711071-YWADDLWZACD3ET233WJE/PatonKingK2b_TheGodOfFieldFences_2024.jpg</image:loc>
      <image:title>Katharine Paton-King</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378360812-UH4QFSX7QVMRTFHMC3YR/Katherine+Paton+King.jpg</image:loc>
      <image:title>Katharine Paton-King</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/catherine-griffiths</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/6b14f8b1-0657-4122-8794-440a7836c3de/Reflections+Cath+Griffiths+2024.jpg</image:loc>
      <image:title>Catherine Griffiths - Cath Griffiths</image:title>
      <image:caption>Cobham, Surrey, UK Cath took to solitary walking during Covid when the immediate environment was all she had access to. She began to notice the here and now. She found it helped to engage with the present moment through the rhythm of a steady beat. Subsequently, her work became rooted in a desire to capture the mood of wandering in a certain place and to explore the selective nature of her ‘findings’. Her practice includes working directly with her hands manipulating commonplace fabrics. She seeks to evoke a quiet and reflective calm in her work. Her materials are portable, soft, and comforting. Her process is focused on making connections using the minimum of tools. The practice is labour intensive and time-consuming, granting space for rhythm, repetition, listening and reflection. Each new environment is a fresh encounter. She begins by recording her experience in diaristic form with many quick, small sketches.  She reflects and forages. Her response is to capture what is fleeting and transient and transform this into a personal narrative from the fragments. A solace is reached both physical and emotional.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/6b14f8b1-0657-4122-8794-440a7836c3de/Reflections+Cath+Griffiths+2024.jpg</image:loc>
      <image:title>Catherine Griffiths - Cath Griffiths</image:title>
      <image:caption>Cobham, Surrey, UK Cath took to solitary walking during Covid when the immediate environment was all she had access to. She began to notice the here and now. She found it helped to engage with the present moment through the rhythm of a steady beat. Subsequently, her work became rooted in a desire to capture the mood of wandering in a certain place and to explore the selective nature of her ‘findings’. Her practice includes working directly with her hands manipulating commonplace fabrics. She seeks to evoke a quiet and reflective calm in her work. Her materials are portable, soft, and comforting. Her process is focused on making connections using the minimum of tools. The practice is labour intensive and time-consuming, granting space for rhythm, repetition, listening and reflection. Each new environment is a fresh encounter. She begins by recording her experience in diaristic form with many quick, small sketches.  She reflects and forages. Her response is to capture what is fleeting and transient and transform this into a personal narrative from the fragments. A solace is reached both physical and emotional.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754670315705-O169KSHWKPR7GB0T1KLS/Mudlarking+Cath+Griffiths+2024+%28Exhibited+Christchurch+2024%29.jpg</image:loc>
      <image:title>Catherine Griffiths</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754670308767-5029GZ3TPOQEMV4IA5AU/The+Place+Where+my+Eyes+are+Drawn+Cath+Griffiths+%28Exhibited++2025+AOB%29.jpg</image:loc>
      <image:title>Catherine Griffiths</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754670311605-2LL3YVF1FBQ3V637OIAP/%CE%93%C3%87%C3%BFSwell%CE%93%C3%87%C3%96+Cath+Griffiths+2024.jpg</image:loc>
      <image:title>Catherine Griffiths</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754670315014-APFWLUU7LYFAH34KAP3P/Nepenthe+Cath+Griffiths+2025+exhibited+AOB.jpg</image:loc>
      <image:title>Catherine Griffiths</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/masha-karda</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/0acecf0d-5a34-49ba-a4ad-8a2817f7a031/karda.webp</image:loc>
      <image:title>Masha Karda - Masha Karda</image:title>
      <image:caption>Tel-Aviv-Yafo, Israel I’m a textile and mixed media artist exploring relationship between living and artificial, consciousness and subconscious. I see textiles as a rich and under-appreciated media. My favourite technique is sculpting with a small crochet hook.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/0acecf0d-5a34-49ba-a4ad-8a2817f7a031/karda.webp</image:loc>
      <image:title>Masha Karda - Masha Karda</image:title>
      <image:caption>Tel-Aviv-Yafo, Israel I’m a textile and mixed media artist exploring relationship between living and artificial, consciousness and subconscious. I see textiles as a rich and under-appreciated media. My favourite technique is sculpting with a small crochet hook.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583767955752-TU0S4VR4J39SHF2BAA1K/KardaM1.JPG</image:loc>
      <image:title>Masha Karda</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583767952625-IBOJ3G9G33JCKAWE6FXP/KardaM6.JPG</image:loc>
      <image:title>Masha Karda</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583767955751-KVSKOUFZS1G5G42MWM0Y/KardaM5.JPG</image:loc>
      <image:title>Masha Karda</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583767958211-76N2FST7ERWSH7O6UHV0/KardaM4.JPG</image:loc>
      <image:title>Masha Karda</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583767961230-SQFVVCCH6HOIWTXTXY11/KardaM2.JPG</image:loc>
      <image:title>Masha Karda</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583767961662-KPLHTWGQM5ZK81T4EDTW/KardaM3.JPG</image:loc>
      <image:title>Masha Karda</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/tansy-blaikkelly</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/4579c902-cc81-4a03-8048-3ea2c7d4c41b/BlaikKellyT_6AM_2022_PROFILE+IMAGE.jpeg</image:loc>
      <image:title>Tansy Blaik-Kelly - Tansy Blaik-Kelly</image:title>
      <image:caption>Uckfield, East Sussex, UK Tansy’s love of hand stitch, texture, geometry, and symmetry are all evident in her work. With her magpie-like hoarding of offcuts and haberdashery, Tansy has a seemingly never-ending pick &amp; mix of inspiration for her work. A former career in theatrical costume, and haute couture in London’s West End, has helped influence, yet simplify, her minimalist and graphic design aesthetic over the years; her beaded and embroidered gowns have adorned celebrities and royalty on many a red carpet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/4579c902-cc81-4a03-8048-3ea2c7d4c41b/BlaikKellyT_6AM_2022_PROFILE+IMAGE.jpeg</image:loc>
      <image:title>Tansy Blaik-Kelly - Tansy Blaik-Kelly</image:title>
      <image:caption>Uckfield, East Sussex, UK Tansy’s love of hand stitch, texture, geometry, and symmetry are all evident in her work. With her magpie-like hoarding of offcuts and haberdashery, Tansy has a seemingly never-ending pick &amp; mix of inspiration for her work. A former career in theatrical costume, and haute couture in London’s West End, has helped influence, yet simplify, her minimalist and graphic design aesthetic over the years; her beaded and embroidered gowns have adorned celebrities and royalty on many a red carpet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754469648296-7HNL12AWOQZ9DSEJXA6F/BlaikKellyT_+ARCHITEXTURE_2017.jpg</image:loc>
      <image:title>Tansy Blaik-Kelly</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754469656370-JYOVLBPZCOP62V28W95L/BlaikKellyT_+PLEASE+DONT+TOUCH_2014.jpg</image:loc>
      <image:title>Tansy Blaik-Kelly</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754469658472-92R217UZD62KJ3JMFRAF/BlaikKellyT_7AM_2022.jpg</image:loc>
      <image:title>Tansy Blaik-Kelly</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754469663608-U02S17TJ3ZCUYXS9XO8O/BlaikKellyT_SUNNIVA_2025.jpg</image:loc>
      <image:title>Tansy Blaik-Kelly</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754469666911-A34J17V5DRIICPJ6HLK8/BlaikKellyT_AFTER+SUNRISE_2018.jpeg</image:loc>
      <image:title>Tansy Blaik-Kelly</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754469665867-OQKIXYETXVJR5K5UN697/BlaikKellyT_TOPOGRAPHIA_2023.JPG</image:loc>
      <image:title>Tansy Blaik-Kelly</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/jackie-hodgson</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/50968841-307c-4416-ba3e-88558c6f93d6/The_plight_of_the_poor.jpg</image:loc>
      <image:title>Jackie Hodgson - Jackie Hodgson</image:title>
      <image:caption>Hertfordshire, UK My work over the last over the last few years has been split between exhibiting and working on large ecclesiastical commissions. My subjects range from personal experience of tragedy and togetherness, the landscape and the environment, nature and its challenges, stories from history, my passion for the movement of dance, and the aesthetic beauty of religious iconography. My approach to any new project or brief is completely open minded. I research each the subject deeply. Then through the exploration of different textile techniques and mediums, along with the use of print, drawing, felting, dying, and photography, I endeavour to capture the essence of my chosen theme. I work with fabrics from rich and beautiful silks to old and recycled or even eco dyed cloth, along with a large and varied range of threads. I don’t limit myself to any sewing techniques, employing both hand and machine embroidery or to any form happily working with both in 2D and 3D. My work is generally graphic in style.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/50968841-307c-4416-ba3e-88558c6f93d6/The_plight_of_the_poor.jpg</image:loc>
      <image:title>Jackie Hodgson - Jackie Hodgson</image:title>
      <image:caption>Hertfordshire, UK My work over the last over the last few years has been split between exhibiting and working on large ecclesiastical commissions. My subjects range from personal experience of tragedy and togetherness, the landscape and the environment, nature and its challenges, stories from history, my passion for the movement of dance, and the aesthetic beauty of religious iconography. My approach to any new project or brief is completely open minded. I research each the subject deeply. Then through the exploration of different textile techniques and mediums, along with the use of print, drawing, felting, dying, and photography, I endeavour to capture the essence of my chosen theme. I work with fabrics from rich and beautiful silks to old and recycled or even eco dyed cloth, along with a large and varied range of threads. I don’t limit myself to any sewing techniques, employing both hand and machine embroidery or to any form happily working with both in 2D and 3D. My work is generally graphic in style.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755011640519-S7BDKXT9UK9GXQCEMK7N/The_warp_of_time.jpg</image:loc>
      <image:title>Jackie Hodgson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755011637409-OO62PJSQEI2EMISK4SVY/Unfinished_lives.jpg</image:loc>
      <image:title>Jackie Hodgson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1583767594899-QFLTL435AU4HR31BCRWV/Jackie+Hodsgon+Mighty+Oak.jpg</image:loc>
      <image:title>Jackie Hodgson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755011638508-2I1IEGI3GZL5920Q1GQJ/PHOTO+1+TYPOGRAPHIC+GLYPHS+%27+What+are+you+hiding..jpg</image:loc>
      <image:title>Jackie Hodgson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755011643400-TN420YSBIFGK7XXI0SMH/Market_chickens__2021.jpg</image:loc>
      <image:title>Jackie Hodgson</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755011643920-MTNELYANGHD8NH5SL1CN/Mariana_2025.jpg</image:loc>
      <image:title>Jackie Hodgson</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/geraldine-festenstein</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754478735229-L0RTJZ1G55TNFJVDBL3Q/2024+Edgelands+Geraldine+Festenstein+%281%29.jpeg</image:loc>
      <image:title>Geraldine Festenstein - Geraldine Festenstein</image:title>
      <image:caption>London, UK Geraldine’s work is all about connections. In this endeavour she aims to create circumstances whereby connections can be made between the present and the past. These connections become clearer in the present piece as it becomes more imbued with meaning with work from the past. She gathers together previously worked experiments, samples, bits and pieces at various stages of construction and deconstruction, discarding parts of what lies before her and assembling and reassembling those that remain in such a way that the composition of those that remain  may have a deeper resonance with the past. Geraldine liberates residual marks, fragments, torn edges, curled corners and scraps from their original pieces and creates new environments for them. She aims to create new pieces by mining previous sampling, adding old fragments, removing others, piling stitches onto previously worked stitches, working with crumpled edges, emphasising knots of discarded threads, giving prominence to the reverse side, while always hoping to allow a work of deeper meaning to emerge. She finds herself restlessly sorting, resorting and reworking the pieces that lie before her, in the hope that the process may help both she and the viewer to recognise that it is important for Geraldine to repeatedly to make connections with the past.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754478735229-L0RTJZ1G55TNFJVDBL3Q/2024+Edgelands+Geraldine+Festenstein+%281%29.jpeg</image:loc>
      <image:title>Geraldine Festenstein - Geraldine Festenstein</image:title>
      <image:caption>London, UK Geraldine’s work is all about connections. In this endeavour she aims to create circumstances whereby connections can be made between the present and the past. These connections become clearer in the present piece as it becomes more imbued with meaning with work from the past. She gathers together previously worked experiments, samples, bits and pieces at various stages of construction and deconstruction, discarding parts of what lies before her and assembling and reassembling those that remain in such a way that the composition of those that remain  may have a deeper resonance with the past. Geraldine liberates residual marks, fragments, torn edges, curled corners and scraps from their original pieces and creates new environments for them. She aims to create new pieces by mining previous sampling, adding old fragments, removing others, piling stitches onto previously worked stitches, working with crumpled edges, emphasising knots of discarded threads, giving prominence to the reverse side, while always hoping to allow a work of deeper meaning to emerge. She finds herself restlessly sorting, resorting and reworking the pieces that lie before her, in the hope that the process may help both she and the viewer to recognise that it is important for Geraldine to repeatedly to make connections with the past.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754478729579-NNJ9AL7R4QE5G7PQ5ELK/2020+CORONA+Geraldine+Festenstein.JPG</image:loc>
      <image:title>Geraldine Festenstein</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754478728701-3J23S27NMY785SXZU0Z1/2022+WEATHER+Geraldine+Festenstein.JPG</image:loc>
      <image:title>Geraldine Festenstein</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754478730201-BOYLI48J3WGQZ3KL51LB/2023+WARPED+Geraldine+Festenstein.JPG</image:loc>
      <image:title>Geraldine Festenstein</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754478734434-1VHF7UK683XGEH5WV7Q6/2024+Edgelands+Geraldine+Festenstein.jpeg</image:loc>
      <image:title>Geraldine Festenstein</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378348201-4GN9SCR7FAN3GW9UT6CE/Geraldine+Festenstein.jpg</image:loc>
      <image:title>Geraldine Festenstein</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755008027509-1XZ0CSZ34AJ2C7XACAO6/2019%2BArtist%2Bwith%2BDolls.png</image:loc>
      <image:title>Geraldine Festenstein</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/contact-us</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-29</lastmod>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2022</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-31</lastmod>
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      <image:title>2022 EXHIBITION</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1655627087845-OXLTXF8GQWXIWYZFVS41/Gallery+%26+group+shots+Exhibition-7018.jpg</image:loc>
      <image:title>2022 EXHIBITION</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1655627088526-MSAVYHR96P3KRM760A4U/Gallery+%26+group+shots+Exhibition-7019.jpg</image:loc>
      <image:title>2022 EXHIBITION</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1655627090717-TGEJLW1YMFMUV6ICD8IJ/Gallery+%26+group+shots+Exhibition-7022.jpg</image:loc>
      <image:title>2022 EXHIBITION</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1655627091349-2TJEM11IAE01L8W7G7PZ/Gallery+%26+group+shots+Exhibition-7024.jpg</image:loc>
      <image:title>2022 EXHIBITION</image:title>
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  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/sallyspinks</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/a8890b6c-6508-45e4-b83e-08dcf172c1aa/SSpinks_Hic_incipit_pestis_2020.JPG</image:loc>
      <image:title>Sally Spinks - Sally Spinks</image:title>
      <image:caption>London, UK Exploring the changing nature of class, Sally works predominantly with hand tufted and knitted textiles to create artworks that question our relationship to the medium, and how we perceive our place in the world. She questions how socio-economic developments have shifted our notion of class and how the increase in the culture of ‘me’, rather than a collective aspiration of ‘we’, impacts on society. She’s also intrigued by the use of code and how this becomes inclusive or exclusive depending on perception and our sense of belonging. Sally often works with graffiti that can bring a voice to the voiceless or other forms of code that speak to an exclusive few. Sally lives and works in southeast London and completed her Masters in Fine Art Practice at Goldsmiths in 2008. Since graduating, she has exhibited across the UK as well as in the US, Korea and Ukraine. Sally also works as a freelance Design Director, and is an occasional knitter of garments for major feature films including War Horse, The Boat that Rocked, Dunkirk and 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/a8890b6c-6508-45e4-b83e-08dcf172c1aa/SSpinks_Hic_incipit_pestis_2020.JPG</image:loc>
      <image:title>Sally Spinks - Sally Spinks</image:title>
      <image:caption>London, UK Exploring the changing nature of class, Sally works predominantly with hand tufted and knitted textiles to create artworks that question our relationship to the medium, and how we perceive our place in the world. She questions how socio-economic developments have shifted our notion of class and how the increase in the culture of ‘me’, rather than a collective aspiration of ‘we’, impacts on society. She’s also intrigued by the use of code and how this becomes inclusive or exclusive depending on perception and our sense of belonging. Sally often works with graffiti that can bring a voice to the voiceless or other forms of code that speak to an exclusive few. Sally lives and works in southeast London and completed her Masters in Fine Art Practice at Goldsmiths in 2008. Since graduating, she has exhibited across the UK as well as in the US, Korea and Ukraine. Sally also works as a freelance Design Director, and is an occasional knitter of garments for major feature films including War Horse, The Boat that Rocked, Dunkirk and 1917.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754557875931-YBYV9GESCYK69382K6XR/SSpinks_Untitled_2012.jpg</image:loc>
      <image:title>Sally Spinks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754557855322-6PUBCKBHUH4MZ1ABFP7N/SSpinks_ArgotZ_Cheugy_2024.jpeg</image:loc>
      <image:title>Sally Spinks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754557872691-H9O15NCOSUL2KDVJSNFB/SSpinks_Construct_2024.jpeg</image:loc>
      <image:title>Sally Spinks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754557868061-HDOOS3N8PWUGUAG9IU5D/SSpinks_Hidden_agenda_2025.JPG</image:loc>
      <image:title>Sally Spinks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754557868555-42C0BB1ZSBN0HHVX1VA5/SSPinks_Post_impression_2023JPG.JPG</image:loc>
      <image:title>Sally Spinks</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754557872638-9FLS00UL4QIHEQHEOL2G/SSPinks_Wreak_of_the_Beautiful_2022.jpeg</image:loc>
      <image:title>Sally Spinks</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/kimmccormack</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/f842a02b-29b4-406c-9a75-a28720bcaab9/Kim+McCormack+%E2%80%98Wildlands%E2%80%99+2024+%281%29.JPG</image:loc>
      <image:title>Kim McCormack - Kim McCormack</image:title>
      <image:caption>Inverness, Scotland Kim’s work is deeply rooted in her surroundings near Beauly in the Scottish Highlands, reflecting the ever-changing landscape through texture, pattern, and process. Inspired by the seasonal shifts observed on forest walks, she gathers natural materials that directly inform her creative practice. With a background in printmaking, the act of creating an imprint has always been central to her process. Her current work explores themes of layering, fossils and the distinctive geology of the local terrain, visual dialogue between landscape and memory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/f842a02b-29b4-406c-9a75-a28720bcaab9/Kim+McCormack+%E2%80%98Wildlands%E2%80%99+2024+%281%29.JPG</image:loc>
      <image:title>Kim McCormack - Kim McCormack</image:title>
      <image:caption>Inverness, Scotland Kim’s work is deeply rooted in her surroundings near Beauly in the Scottish Highlands, reflecting the ever-changing landscape through texture, pattern, and process. Inspired by the seasonal shifts observed on forest walks, she gathers natural materials that directly inform her creative practice. With a background in printmaking, the act of creating an imprint has always been central to her process. Her current work explores themes of layering, fossils and the distinctive geology of the local terrain, visual dialogue between landscape and memory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754494863878-2JDAQFONMYVCLQR5HKPY/Kim+McCormack+%E2%80%98Stac+Pollaidh%E2%80%99+Detail+2024.jpg</image:loc>
      <image:title>Kim McCormack</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754494865048-ETCDK4ISQURQRNXMERKS/Kim+McCormack+%E2%80%98Undergrowth%E2%80%99+2024.jpg</image:loc>
      <image:title>Kim McCormack</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754494865300-2U2HVJCLEMQ1R0KVVUV6/Kim+McCormack+%27Stac+Pollaidh%27+detail2+2024.jpg</image:loc>
      <image:title>Kim McCormack</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754494862831-GBXIGBRTAYYDHRSVEOMN/Kim+McCormack+%E2%80%98Boblainy+in+the+Rain%E2%80%99+2025.jpg</image:loc>
      <image:title>Kim McCormack</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754494863174-CLOC2EST21FCJJ258WWJ/Kim+McCormack+%E2%80%98Boblainy%E2%80%99+2024.jpg</image:loc>
      <image:title>Kim McCormack</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378366435-0IUWOXEBO51C9OHUAWXZ/Kim+McCormack.jpg</image:loc>
      <image:title>Kim McCormack</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/wolfgangwoerner</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/47149efa-58f3-4f57-be1d-51079cc57bcc/WoernerW_The+Puppet+Master+-+main+image_2025.jpg</image:loc>
      <image:title>Wolfgang Woerner - Wolfgang Woerner</image:title>
      <image:caption>London, UK Wolfgang is a German-British, mixed-media artist, with a foundation in architecture. He grew up in Germany before relocating to London in his late teens. His experience of living between cultures are central to his artistic practice. Rather than treating identity as something fixed, he explores its fluidity shaped by memory, place, and everyday encounters. ‘Even something as flat as a drawing on a piece of paper is still a three-dimensional object.’ He cares about all of the components of a piece, because that’s what makes it real. Touch is fundamental and he is drawn to materials with histories, discarded toys, napkins, hotel bedsheets, objects embedded with stories, becoming silent collaborators in the work. ‘In architecture, you're forced to think in three dimensions, everything is part of something else and I have carried that with me into art, nothing is just a background; everything matters.’ Wolfgang’s work explores personal and collective space, recording fleeting impressions, physical traces, and emotional states. Each piece reflects a dialogue between material and memory, where process and sensation shape the outcome. Rather than aiming for resolution, his practice values presence, attention, and the quiet unfolding of meaning through making.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/47149efa-58f3-4f57-be1d-51079cc57bcc/WoernerW_The+Puppet+Master+-+main+image_2025.jpg</image:loc>
      <image:title>Wolfgang Woerner - Wolfgang Woerner</image:title>
      <image:caption>London, UK Wolfgang is a German-British, mixed-media artist, with a foundation in architecture. He grew up in Germany before relocating to London in his late teens. His experience of living between cultures are central to his artistic practice. Rather than treating identity as something fixed, he explores its fluidity shaped by memory, place, and everyday encounters. ‘Even something as flat as a drawing on a piece of paper is still a three-dimensional object.’ He cares about all of the components of a piece, because that’s what makes it real. Touch is fundamental and he is drawn to materials with histories, discarded toys, napkins, hotel bedsheets, objects embedded with stories, becoming silent collaborators in the work. ‘In architecture, you're forced to think in three dimensions, everything is part of something else and I have carried that with me into art, nothing is just a background; everything matters.’ Wolfgang’s work explores personal and collective space, recording fleeting impressions, physical traces, and emotional states. Each piece reflects a dialogue between material and memory, where process and sensation shape the outcome. Rather than aiming for resolution, his practice values presence, attention, and the quiet unfolding of meaning through making.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754562935906-WHO0HV6AQYYZ4THN4DVN/WoernerW_Frank_2025.jpg</image:loc>
      <image:title>Wolfgang Woerner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1765882775450-P8MTNQ6RXGP8PINDGJFO/WoernerW_Delusional+fantasies+re-awaken+the+muscles_2023.jpg</image:loc>
      <image:title>Wolfgang Woerner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754562934393-SJN636419YGI87XJIMEJ/WoernerW_Discarded+16+years%2C+scene+2_2022.jpg</image:loc>
      <image:title>Wolfgang Woerner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754562939097-CO2W6AD2BFI81Y3BJCNF/WoernerW_We+remembered+a+kind+of+Arcadia_2025.jpg</image:loc>
      <image:title>Wolfgang Woerner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754562936620-LVJ3R9F5IM1HL7CHHJH5/WoernerW_Just+hit+the+ball+back+so+it+bounces+on+my+side_2022.jpg</image:loc>
      <image:title>Wolfgang Woerner</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754562937880-VVUQYARRNEJN1G287TFS/WoernerW_The+Puppet+Master+02_2025.jpg</image:loc>
      <image:title>Wolfgang Woerner</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2021-exhibition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378341042-OJLQABADNU2906K05B6U/Alex+Duncan.jpg</image:loc>
      <image:title>2021 EXHIBITION - Alex Duncan</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378341281-5AH2O8109L6BDI86M8YF/Amanda+Bloom.jpg</image:loc>
      <image:title>2021 EXHIBITION - Amanda Bloom</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378341808-XQAHETP9KTM6SXID43NW/Amanda+Hisplop.jpg</image:loc>
      <image:title>2021 EXHIBITION - Amanda Hislop</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378342092-X0JQG5VI1EEO490ZBJIL/Anna+Gunnersdottir.jpg</image:loc>
      <image:title>2021 EXHIBITION - Anna Gunnersdottir</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378342543-EK6DAPNR3TKAWJ4XNN9G/Anne+Amosford.jpg</image:loc>
      <image:title>2021 EXHIBITION - Anne Amosford</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378523094-T46V785YIABUBPCQG4GL/Aran%2BIllingworth.jpg</image:loc>
      <image:title>2021 EXHIBITION - Aran Illingworth</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378343670-MQV7SOZ8I8Z8SDGZQRMR/Barbara+Phelps.jpg</image:loc>
      <image:title>2021 EXHIBITION - Barbara Phelps</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378344096-F5U338ZY0EV2C1PYE1WA/Barbara+West.jpg</image:loc>
      <image:title>2021 EXHIBITION - Barbara West</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378345333-RRNAERJAJHUO0U92UT7S/Caroline+Kirton.jpg</image:loc>
      <image:title>2021 EXHIBITION - Caroline Kirton</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378345196-CYJ7FEDK25XKHQT9BCEG/Catherina+Von+Isenburg.jpg</image:loc>
      <image:title>2021 EXHIBITION - Catherina Von Isenburg</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378346774-PYIQTKFL9FMJSCO5MG4R/Catriona+Faulkner.jpg</image:loc>
      <image:title>2021 EXHIBITION - Catriona Faulkner</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378346558-H0VSBHJD6O8N5ME3IHIM/Consuelo+Simpson.jpg</image:loc>
      <image:title>2021 EXHIBITION - Consuelo Simpson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378348426-1KUIHLA4CW9MZLH2FLUE/Dee+Thomas.jpg</image:loc>
      <image:title>2021 EXHIBITION - Dee Thomas</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378348201-4GN9SCR7FAN3GW9UT6CE/Geraldine+Festenstein.jpg</image:loc>
      <image:title>2021 EXHIBITION - Geraldine Festenstein</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378349417-I6MKPF3I1T6TXM1RPLPE/Hannah+Heys.jpg</image:loc>
      <image:title>2021 EXHIBITION - Hannah Heys</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378349544-U9256PREZXCP03DG4ZAC/Harriet+Fletcher.jpg</image:loc>
      <image:title>2021 EXHIBITION - Harriet Fletcher</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378350233-Q1RJIWBK9LNZ8NADWLFQ/Hayley+Mills-Styles.jpg</image:loc>
      <image:title>2021 EXHIBITION - Hayley Mills-Styles</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378350497-PNLDBFXTFT53SCH72D7E/Helen+MacRitchie.jpg</image:loc>
      <image:title>2021 EXHIBITION - Helen MacRitchie</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378350958-DIWXTAOBAQ0KVI1FYSWJ/Helen+O%27Leary.jpg</image:loc>
      <image:title>2021 EXHIBITION - Helen O'Leary</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378351537-XSVNDQFZITYLB0UKSRPN/Jackie+Hodgson.jpg</image:loc>
      <image:title>2021 EXHIBITION - Jackie Hodgson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378352112-9XMHLHTNMSZECDGZEMN4/Jacqi+Adkins.jpg</image:loc>
      <image:title>2021 EXHIBITION - Jacqi Adkins</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378352622-CSBX5SC4AS1Z1TS41U8H/Jane+Everiss.jpg</image:loc>
      <image:title>2021 EXHIBITION - Jane Everiss</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378353038-BV1M3NQVD1OKJ5OBUW2H/Jane+Walkley.jpg</image:loc>
      <image:title>2021 EXHIBITION - Jane Walkley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378353494-5M2GNU9DEIBZDL00BBGQ/Jeryl+Church.jpg</image:loc>
      <image:title>2021 EXHIBITION - Jeryl Church</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378353788-GNYNC02WVU1EWR8NY350/Jill+Walker.jpg</image:loc>
      <image:title>2021 EXHIBITION - Jill Walker</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378354308-JN15AVX25VXH9HQZCXD5/Jo+Coombes.jpg</image:loc>
      <image:title>2021 EXHIBITION - Jo Coombes</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378354724-4I4PBNJRFTANY98FIQQK/Jo+Smith.jpg</image:loc>
      <image:title>2021 EXHIBITION - Jo Smith</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378355143-HC49IY2EGJ6SBHKIRAS8/Josephine+Edwards.jpg</image:loc>
      <image:title>2021 EXHIBITION - Josephine Edwards</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378355582-MQ3N2GXIA7XTTZ2JV9CS/Judith+Issac+Lewis.jpg</image:loc>
      <image:title>2021 EXHIBITION - Judith Issac Lewis</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378388815-4A1K2D2IAXSM0BFJZMTF/Judith+Rowley.jpg</image:loc>
      <image:title>2021 EXHIBITION - Judith Rowley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378356834-PCJSNEKLRSV4V3TEOWVC/Julia+van+der+Bosch.jpg</image:loc>
      <image:title>2021 EXHIBITION - Julia van der Bosch</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378358310-DC98HXN35AOFH62D36LT/Julie+Turner.jpg</image:loc>
      <image:title>2021 EXHIBITION - Julie Turner</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378359388-VDZT0Q8YKOY1NL4QFES2/Julieanne+Long.jpg</image:loc>
      <image:title>2021 EXHIBITION - Julieanne Long</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378360812-UH4QFSX7QVMRTFHMC3YR/Katherine+Paton+King.jpg</image:loc>
      <image:title>2021 EXHIBITION - Katherine Paton King</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378366435-0IUWOXEBO51C9OHUAWXZ/Kim+McCormack.jpg</image:loc>
      <image:title>2021 EXHIBITION - Kim McCormack</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378367598-RZT3M9YP7BAEH4B87PM8/Kim+Winter.jpg</image:loc>
      <image:title>2021 EXHIBITION - Kim Winter</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378368987-AYYQ29WAGFUJ78ZN28QR/Linda+Izan.jpg</image:loc>
      <image:title>2021 EXHIBITION - Linda Izan</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378371911-WTEH3QA6DNHPD3AIYEVF/Maria+Laughlin.jpg</image:loc>
      <image:title>2021 EXHIBITION - Maria Laughlin</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378373373-YJ2OZ8GRHBCHUFRV2GH3/Maria+Walker.jpg</image:loc>
      <image:title>2021 EXHIBITION - Maria Walker</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378374625-5C314LD2ZNW9QVESZLXI/Maria+Wigley.jpg</image:loc>
      <image:title>2021 EXHIBITION - Maria Wigley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378376424-MN8O0TTAL9T2DU1GWKYS/Marian+Jazmik.jpg</image:loc>
      <image:title>2021 EXHIBITION - Marian Jazmik</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378377784-ACBDO2OCYGH5NP47MKYR/Marilyn+Hall.jpg</image:loc>
      <image:title>2021 EXHIBITION - Marilyn Hall</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378379131-KAS2ZH1JJAD523UK14YC/Masha+Karda.jpg</image:loc>
      <image:title>2021 EXHIBITION - Masha Karda</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378380959-M1WGMMPKQVEQHSMGUXYD/Nerissa+Cargill+Thompson.jpg</image:loc>
      <image:title>2021 EXHIBITION - Nerissa Cargill Thompson</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378383246-SRRYL0EY6JODR4L0FI8D/Niki+Chandler.jpg</image:loc>
      <image:title>2021 EXHIBITION - Niki Chandler</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378384576-1S1VPGP61YE4ZJQIY8N4/Pauline+Cattle.jpg</image:loc>
      <image:title>2021 EXHIBITION - Paulene Cattle</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378386077-HYKPDP5B9088DKY7CHUX/Penny+Maltby.jpg</image:loc>
      <image:title>2021 EXHIBITION - Penny Maltby</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378387998-WBPNYGJ2MXJHRPPOUF2K/Rachel+Crawford.jpg</image:loc>
      <image:title>2021 EXHIBITION - Rachel Crawford</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378389103-6WMGYVRKV6DFEIYGBYBP/Ross+Belton.jpg</image:loc>
      <image:title>2021 EXHIBITION - Ross Belton</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378390647-2FK454DGRZA6VZULCU6O/Sabine+Kaner.jpg</image:loc>
      <image:title>2021 EXHIBITION - Sabine Kaner</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378390321-KUSMTD8ZPZQ52NJ682R4/Sally+Spinks.jpg</image:loc>
      <image:title>2021 EXHIBITION - Sally Spinks</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378391393-3475LOX9XSO2FRON4G0D/Sue+Burley.jpg</image:loc>
      <image:title>2021 EXHIBITION - Sue Burley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378391605-NHUBCC9ALFTAG9ZTGYFG/Tansy+Blaik-Kelly.jpg</image:loc>
      <image:title>2021 EXHIBITION - Tansy Blaik-Kelly</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378392437-T814ZD86F7IBGJDUWE8U/Wendy+Greene.jpg</image:loc>
      <image:title>2021 EXHIBITION - Wendy Greene</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378392675-N7C1PKAIZ3X9NZ8DFORL/Willeke+Klaassen.jpg</image:loc>
      <image:title>2021 EXHIBITION - Willeke Klaassen</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643378393190-MPCWZ8080EJSI2GEKFZJ/Wolfgang+Woerner.jpg</image:loc>
      <image:title>2021 EXHIBITION - Wolfgang Woerner</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/morfydd-ransomhall</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/f4dab26e-2846-41a8-a6b4-c681bebe8993/ransom-hall.webp</image:loc>
      <image:title>Morfydd Ransom-Hall - Morfydd Ransom-Hall</image:title>
      <image:caption>Horsham, West Sussex, UK ‘It turned out nice today’ is a much used conversational statement relating to weather of the British Isles.    Climate, weather and the Anthropocene are a constant research field within Morfydd’s multidisciplinary practice. Morfydd has been working within this research area for the past 15 years. One ongoing data collection is the recording of her local daily weather and rainfall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/f4dab26e-2846-41a8-a6b4-c681bebe8993/ransom-hall.webp</image:loc>
      <image:title>Morfydd Ransom-Hall - Morfydd Ransom-Hall</image:title>
      <image:caption>Horsham, West Sussex, UK ‘It turned out nice today’ is a much used conversational statement relating to weather of the British Isles.    Climate, weather and the Anthropocene are a constant research field within Morfydd’s multidisciplinary practice. Morfydd has been working within this research area for the past 15 years. One ongoing data collection is the recording of her local daily weather and rainfall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643372766378-FULJBA0JS118AMXO7BEC/Morfydd+work+1.jpg</image:loc>
      <image:title>Morfydd Ransom-Hall</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643372773201-EK0RT69SR8R1MH7MW2SX/Morfydd+work+3.jpg</image:loc>
      <image:title>Morfydd Ransom-Hall</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643372773067-NUFB3ZBFX6NVNYGZNK2U/Morfydd+work+4.jpg</image:loc>
      <image:title>Morfydd Ransom-Hall</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/patti-taylor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/b64bd0ae-ddf0-4094-bef5-52b7a668032d/TaylorP_Here_am_I_2023.jpg</image:loc>
      <image:title>Patti Taylor - Patti Taylor</image:title>
      <image:caption>London, UK Patti Taylor is a textile artist, printmaker and bookbinder living in London. She began her artistic studies on her retirement after a long career in IT, studying textiles, fine art, printmaking and bookbinding at City Lit and the London Print Studio. Patti has work in the Printmakers’ Council permanent collection at Scarborough Museum, and the V&amp;A’s textile collection (collaborative artwork: Sewn Antidote 2020), and frequently exhibits in group exhibitions throughout Great Britain. Her work has been shortlisted three times and selected twice for the RA Summer Exhibition. Emotional attachment is key to Patti’s work. Finding her personal narrative, she searches for exactly what it was that scratched her soul, recording the journey in notebooks to retain the deep research which is integral to her process. Much of her work has been around the landscape and history of Spurn Point; more recently, since her daughter suffered brain injury and blindness following meningitis, Patti has turned to poetry and stitch to help her deal with this emotional trauma. She works in a range of media and formats: wall hangings, textile and mixed media books, 3D structures, always seeking a correspondence between the subject matter, its underpinning philosophy and the form of the material.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/b64bd0ae-ddf0-4094-bef5-52b7a668032d/TaylorP_Here_am_I_2023.jpg</image:loc>
      <image:title>Patti Taylor - Patti Taylor</image:title>
      <image:caption>London, UK Patti Taylor is a textile artist, printmaker and bookbinder living in London. She began her artistic studies on her retirement after a long career in IT, studying textiles, fine art, printmaking and bookbinding at City Lit and the London Print Studio. Patti has work in the Printmakers’ Council permanent collection at Scarborough Museum, and the V&amp;A’s textile collection (collaborative artwork: Sewn Antidote 2020), and frequently exhibits in group exhibitions throughout Great Britain. Her work has been shortlisted three times and selected twice for the RA Summer Exhibition. Emotional attachment is key to Patti’s work. Finding her personal narrative, she searches for exactly what it was that scratched her soul, recording the journey in notebooks to retain the deep research which is integral to her process. Much of her work has been around the landscape and history of Spurn Point; more recently, since her daughter suffered brain injury and blindness following meningitis, Patti has turned to poetry and stitch to help her deal with this emotional trauma. She works in a range of media and formats: wall hangings, textile and mixed media books, 3D structures, always seeking a correspondence between the subject matter, its underpinning philosophy and the form of the material.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559147417-13VKQHQ9JBSEJBSTY3OV/TaylorP_Miss_Havisham_2012.jpg</image:loc>
      <image:title>Patti Taylor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559148007-LVK35M0PE8TYCESYTG7N/TaylorP_The_Brig_Emma_.jpg</image:loc>
      <image:title>Patti Taylor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559144259-KV9E4KTL9PG5H0EG0ER7/TaylorP_After_Santiago_Ramon_y_Cajal_2025.jpg</image:loc>
      <image:title>Patti Taylor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559143221-RR701B7Y2CHJPYM0EME1/TaylorP_Frayment_2024.jpg</image:loc>
      <image:title>Patti Taylor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754559146676-QNX0M0QYIYUV0HCVUQ1T/TaylorP_Liminal_2024.jpg</image:loc>
      <image:title>Patti Taylor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/b64bd0ae-ddf0-4094-bef5-52b7a668032d/TaylorP_Here_am_I_2023.jpg</image:loc>
      <image:title>Patti Taylor</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/esther-ward</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755018233243-ITVI4XD5DI6CTH4J59HV/Bloodlines%2B2019.jpg</image:loc>
      <image:title>Esther Ward - Esther Ward</image:title>
      <image:caption>UK Esther Ward describes her artistic practice as drawing together the threads of research of place, peoples, materials and the making process. She is particularly interested in the curation of archives and the voices heard and absent within them, and how she can present her own work within the format of a living archive. Often site or event specific, she considers her work an invitation for others to find space to connect with their own life stories. She has worked in diverse locations from derelict buildings, landscapes of historic interest, a shipping container and within museums. Her lifelong interest in the connective threads of place, people and materials is currently exploring the paradox of powerlessness and resilience in the narratives of place.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755018233243-ITVI4XD5DI6CTH4J59HV/Bloodlines%2B2019.jpg</image:loc>
      <image:title>Esther Ward - Esther Ward</image:title>
      <image:caption>UK Esther Ward describes her artistic practice as drawing together the threads of research of place, peoples, materials and the making process. She is particularly interested in the curation of archives and the voices heard and absent within them, and how she can present her own work within the format of a living archive. Often site or event specific, she considers her work an invitation for others to find space to connect with their own life stories. She has worked in diverse locations from derelict buildings, landscapes of historic interest, a shipping container and within museums. Her lifelong interest in the connective threads of place, people and materials is currently exploring the paradox of powerlessness and resilience in the narratives of place.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643374338536-5VDMWG7E7EPY2VYCB56Y/Caged+_+Uncaged+1+2020.jpg</image:loc>
      <image:title>Esther Ward</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643374356878-SZKLE9KKJBH86P4D5RP0/Caged+_+Uncaged+Afghanistan+2022.jpg</image:loc>
      <image:title>Esther Ward</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1643374379706-T15LR1GJOY3ADCJ12QX4/Infant+Mortality+Afghanistan+2022.jpg</image:loc>
      <image:title>Esther Ward</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/barbara-west</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1589070396340-IO67D1QB1RH0YKH04LVW/6.1+WestBJ1a.jpg</image:loc>
      <image:title>Barbara West - Barbara West</image:title>
      <image:caption>Alberta, Canada Barbara is a Western Canadian conceptual artist incorporating textiles in her work. She develops her art as an avenue of discourse about social issues, which includes techniques used as part of the story. Work varies according to theme; and then presented with varied materials, but always including textiles. Barbara has exhibited in Canada, the USA, Japan and the UK.  She is a juried member of The Canadian Society of Artists, and The Alberta Society of Artists. Her artistic endeavours include jurying both membership and exhibition selections, as well as holding volunteer positions in organizations of which she is a member.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1589070396340-IO67D1QB1RH0YKH04LVW/6.1+WestBJ1a.jpg</image:loc>
      <image:title>Barbara West - Barbara West</image:title>
      <image:caption>Alberta, Canada Barbara is a Western Canadian conceptual artist incorporating textiles in her work. She develops her art as an avenue of discourse about social issues, which includes techniques used as part of the story. Work varies according to theme; and then presented with varied materials, but always including textiles. Barbara has exhibited in Canada, the USA, Japan and the UK.  She is a juried member of The Canadian Society of Artists, and The Alberta Society of Artists. Her artistic endeavours include jurying both membership and exhibition selections, as well as holding volunteer positions in organizations of which she is a member.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1676576634056-KTZX58DHRGFCU2SAE863/WestBJ+1cfinal+copy.jpeg</image:loc>
      <image:title>Barbara West</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1676576634077-B82HUG4N4KW3BM27BYLH/Amelia+2+IMG_2284-Edit-Edit.jpeg</image:loc>
      <image:title>Barbara West</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1676576634814-68PZMU5Z1T67FW4I8ADU/ExhibitionIMG_4383-Edit.jpeg</image:loc>
      <image:title>Barbara West</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/annietaylor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/ab358db7-ebf1-456b-a066-20219c91a1ce/TaylorA_Hare_LucyLawtonPhotography.jpeg</image:loc>
      <image:title>Annie Taylor - Annie Taylor</image:title>
      <image:caption>Whitstable, Kent, UK Someone once asked the question “has she really nothing better to do?” whilst avoiding meeting the eyes of one of Annie Taylor’s larger than life Big Dolls; soft sculptures if you prefer.  The twilight world of the carnival sideshow is where her imagination dwells; those liminal spaces where mermaids and fairy folk flirt with carnies and Kahlos. Inspired by the nostalgia of childhood and the escape offered by storytelling, there is often a darker message lurking beneath the stitches. Most of the material she uses is preloved and is a little worn and frayed around the edges. It often brings its own story along for the ride and dictates how it should be used.  People began to assume her hand embroidery was free motion stitching, so she taught herself to draw with her sewing machine and enjoys the imperfections that brings. She has used her illustrative figures for one stop motion animated story, and dreams of automata.  She is also co-founder and curator of the Profanity Embroidery Group.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/ab358db7-ebf1-456b-a066-20219c91a1ce/TaylorA_Hare_LucyLawtonPhotography.jpeg</image:loc>
      <image:title>Annie Taylor - Annie Taylor</image:title>
      <image:caption>Whitstable, Kent, UK Someone once asked the question “has she really nothing better to do?” whilst avoiding meeting the eyes of one of Annie Taylor’s larger than life Big Dolls; soft sculptures if you prefer.  The twilight world of the carnival sideshow is where her imagination dwells; those liminal spaces where mermaids and fairy folk flirt with carnies and Kahlos. Inspired by the nostalgia of childhood and the escape offered by storytelling, there is often a darker message lurking beneath the stitches. Most of the material she uses is preloved and is a little worn and frayed around the edges. It often brings its own story along for the ride and dictates how it should be used.  People began to assume her hand embroidery was free motion stitching, so she taught herself to draw with her sewing machine and enjoys the imperfections that brings. She has used her illustrative figures for one stop motion animated story, and dreams of automata.  She is also co-founder and curator of the Profanity Embroidery Group.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754558447115-29BVQU3DHVNEIT2I2PNX/Taylor_A_Little_Un-Doll_2023.jpeg</image:loc>
      <image:title>Annie Taylor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754558448583-WNJLDGEGNEHUZK2ZBTCG/TaylorA_BunnyGirls_2025.jpeg</image:loc>
      <image:title>Annie Taylor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754558452114-GM1U09N6I1OKG4ZLK9NW/TaylorA1_Worried_hares_on_the_mountain_2025+copy.JPEG</image:loc>
      <image:title>Annie Taylor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754558449284-2WHWGFILLA2BDHVKU1PJ/TaylorA_Bedtime_story_2025.jpeg</image:loc>
      <image:title>Annie Taylor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754558451507-9GSXO0S51141TDS8C4C6/TaylorA_Hares_on+_the_Mountain+2025jpeg.jpeg</image:loc>
      <image:title>Annie Taylor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/ab358db7-ebf1-456b-a066-20219c91a1ce/TaylorA_Hare_LucyLawtonPhotography.jpeg</image:loc>
      <image:title>Annie Taylor</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/barbaraash</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/ce111c47-1a85-4cc8-9ed8-d3f324cec409/Ash.B+-+Flights+of+fancy+14%2C+2025.jpg</image:loc>
      <image:title>Barbara Ash - Barbara Ash</image:title>
      <image:caption>Bristol, UK I need to make art that talks about female experience; often playfully using toys and doll like forms as slightly ‘dark’ devices to talk about social issues. I explore ideas of power, and freedom, specifically from a feminist perspective, but now, given the current, increasingly authoritarian climate, there are more overt elements of protest and dissent arising in my practice. I make hybrid prints/textile sculptures by collaging combinations of mixed media materials, juxtaposing sculpture and linocut prints, bringing together notions of hard and soft sculpture, and juggling ‘serious’ socio-political issues with a degree of absurdity/humour, often in an accessible ‘pleasant’ pastel coloured visual format with lots of lace. Barbara Ash had a practice for 10 years in Bangalore and is now based/works on a boat near Bristol. She graduated with a Masters degree at the Royal College of Art, was awarded the Henry Moore Fellowship, several Artists Grants from Arts Council England, was a ‘Judges Favourite’ (Mary Allen; ex-Secretary-General of the Arts Council England) in the British Women Artist Annual and Tania Kovats selected her as the finalist for the Sculpture category in the Marshwood Arts Prize.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/ce111c47-1a85-4cc8-9ed8-d3f324cec409/Ash.B+-+Flights+of+fancy+14%2C+2025.jpg</image:loc>
      <image:title>Barbara Ash - Barbara Ash</image:title>
      <image:caption>Bristol, UK I need to make art that talks about female experience; often playfully using toys and doll like forms as slightly ‘dark’ devices to talk about social issues. I explore ideas of power, and freedom, specifically from a feminist perspective, but now, given the current, increasingly authoritarian climate, there are more overt elements of protest and dissent arising in my practice. I make hybrid prints/textile sculptures by collaging combinations of mixed media materials, juxtaposing sculpture and linocut prints, bringing together notions of hard and soft sculpture, and juggling ‘serious’ socio-political issues with a degree of absurdity/humour, often in an accessible ‘pleasant’ pastel coloured visual format with lots of lace. Barbara Ash had a practice for 10 years in Bangalore and is now based/works on a boat near Bristol. She graduated with a Masters degree at the Royal College of Art, was awarded the Henry Moore Fellowship, several Artists Grants from Arts Council England, was a ‘Judges Favourite’ (Mary Allen; ex-Secretary-General of the Arts Council England) in the British Women Artist Annual and Tania Kovats selected her as the finalist for the Sculpture category in the Marshwood Arts Prize.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754412346769-VNYZOP9GIH7AGTQHH37F/Ash.+B+-+Flights+of+fancy+%28view%29+2025.jpg</image:loc>
      <image:title>Barbara Ash</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754412351760-SXOJTFD7AL03459N28IJ/Ash.B+-+Birds+that+don%27t+fly%2C+2025.jpg</image:loc>
      <image:title>Barbara Ash</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754412350890-WBJJZ7TMNGNPEMEFP7H2/Ash.B+-+Girl+with+eye+dress%2C+2024.jpg</image:loc>
      <image:title>Barbara Ash</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754412359648-9POINQA6W5LROUYLBCIM/Ash.B+-Flights+of+fancy%2C+2021.jpg</image:loc>
      <image:title>Barbara Ash</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754412352994-9YH1Q03NM6X6S4AT6J3R/Ash.B+-+The+forest+is+shrinking+II%2C+2024.jpg</image:loc>
      <image:title>Barbara Ash</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697131027883-4DKSS0MFQ4PT75CYVM7C/Rage+%28against+the+machine%29.jpg</image:loc>
      <image:title>Barbara Ash</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/catherinehill</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754482935696-7IVHA3F6JURTYK5H1UJB/HillC_Giant+cauliflower+harvest_2022.JPG</image:loc>
      <image:title>Catherine Hill - Catherine Hill</image:title>
      <image:caption>Crewe, Cheshire, UK Catherine’s creative practice harnesses the use of text and narrative to bring to life memories of her childhood, her adult life, and Lancashire's social history. She first composes the narrative in the form of short sentences, snippets of speech or an essence of a meaning, and then shapes these into a final design. Catherine incorporates everyday objects in some works and even recreated a complete life size matchbox in hand embroidered kimono silk thread. Many of her works are in her ‘Red Square’ format which uses what is now her signature red thread (inspired by the Lancashire Rose), combined with a vintage or re-purposed fabric to narrate a story in a perfect square of embroidered words. Catherine is a multi-award-winning artist whose work appears in numerous publications and has been exhibited across the UK and the World, including New York, Germany, Ukraine, Switzerland, Bulgaria, Brazil, Spain, and Australia. Her work in the permanent collection at the Victoria &amp; Albert Museum in London.  She has a YouTube Channel called ‘Arnold’s Attic’ where she shares the work of fellow textile artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754482935696-7IVHA3F6JURTYK5H1UJB/HillC_Giant+cauliflower+harvest_2022.JPG</image:loc>
      <image:title>Catherine Hill - Catherine Hill</image:title>
      <image:caption>Crewe, Cheshire, UK Catherine’s creative practice harnesses the use of text and narrative to bring to life memories of her childhood, her adult life, and Lancashire's social history. She first composes the narrative in the form of short sentences, snippets of speech or an essence of a meaning, and then shapes these into a final design. Catherine incorporates everyday objects in some works and even recreated a complete life size matchbox in hand embroidered kimono silk thread. Many of her works are in her ‘Red Square’ format which uses what is now her signature red thread (inspired by the Lancashire Rose), combined with a vintage or re-purposed fabric to narrate a story in a perfect square of embroidered words. Catherine is a multi-award-winning artist whose work appears in numerous publications and has been exhibited across the UK and the World, including New York, Germany, Ukraine, Switzerland, Bulgaria, Brazil, Spain, and Australia. Her work in the permanent collection at the Victoria &amp; Albert Museum in London.  She has a YouTube Channel called ‘Arnold’s Attic’ where she shares the work of fellow textile artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754482935438-V71VSHJM6W4MRHPL9W7V/HillC_Sound+of+the+Kenwood+Chef_2020.jpg</image:loc>
      <image:title>Catherine Hill</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754482936831-XBAZOHVEC8L4Y0VGSQM1/HillC_Summer+76+detail_2022.jpg</image:loc>
      <image:title>Catherine Hill</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754482938972-8WNO5NML8TUK1YUA1E5H/HillC_Summer+76_2022.jpg</image:loc>
      <image:title>Catherine Hill</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754482942521-YX754PRW10E9GRVD2KLK/HillC_Summer+%2776_Work+in+progress.jpg</image:loc>
      <image:title>Catherine Hill</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697131432968-8C44IMJGJB5HGNRLTHY8/Catherine+Hill_Reel+Stories+1+-+Cotton+Weavers_1.jpeg</image:loc>
      <image:title>Catherine Hill</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697131446973-PVHK8US4REBX6C8GFVTV/Hill_Reel+Stories+1+-+Cotton+Weavers_3.JPG</image:loc>
      <image:title>Catherine Hill</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/janeriley</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501398739-MRRNEIAXNNSYM6EY3PBX/RileyJ_Dhoonbaywrack_2025.jpg</image:loc>
      <image:title>Jane Riley - Jane Riley</image:title>
      <image:caption>Middlesbrough, UK Jane is primarily a tapestry weaver, creating contemporary work with traditional craft techniques.  Based at the Weaving Rooms in Darlington - a teaching studio she co runs - specialising in woven and spun textiles. Her practice draws inspiration from the British coastline, particularly its tidal zones, which she explores through swimming and walking. A keen researcher she documents local wildlife, especially algae, making ecological observation part of her creative process. Keenly aware of the damage textile production has on the environment, her palette of yarns is restricted to either factory dead stock and second hand stash or supports UK farmers. Through craft, research and a deep respect for nature, Jane’s work invites reflection on the impact of making and our connection to the natural world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501398739-MRRNEIAXNNSYM6EY3PBX/RileyJ_Dhoonbaywrack_2025.jpg</image:loc>
      <image:title>Jane Riley - Jane Riley</image:title>
      <image:caption>Middlesbrough, UK Jane is primarily a tapestry weaver, creating contemporary work with traditional craft techniques.  Based at the Weaving Rooms in Darlington - a teaching studio she co runs - specialising in woven and spun textiles. Her practice draws inspiration from the British coastline, particularly its tidal zones, which she explores through swimming and walking. A keen researcher she documents local wildlife, especially algae, making ecological observation part of her creative process. Keenly aware of the damage textile production has on the environment, her palette of yarns is restricted to either factory dead stock and second hand stash or supports UK farmers. Through craft, research and a deep respect for nature, Jane’s work invites reflection on the impact of making and our connection to the natural world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697132545674-XL07GOUOXLEC8A3FRQ8X/IMG_7456.jpg</image:loc>
      <image:title>Jane Riley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501405276-KUP9XREK2FYA4H839YJ1/RileyJ_Shallows_2025.jpg</image:loc>
      <image:title>Jane Riley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501406574-6R4MRDGRR79EPILQESP1/RileyJ_SouthBayWrack_2025.jpg</image:loc>
      <image:title>Jane Riley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/38e7d020-4289-4b2a-90bc-37f2263e29f5/RileyJ_SelfPortrait%28Solastalgia%29_2025.jpg</image:loc>
      <image:title>Jane Riley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501405539-JRQNJJSQIWR3IR9ZFHMH/RileyJ_Flight_2025.jpg</image:loc>
      <image:title>Jane Riley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754501407408-PDDB4BGL3HZXY5H67THP/RileyJ_TheOstrich_2025.jpg</image:loc>
      <image:title>Jane Riley</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/lynnechapman</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/a0199f01-058b-4e66-a058-809843610ab8/ChapmanL_Father_Brothers_Husband_2022.jpg</image:loc>
      <image:title>Lynne Chapman - Lynne Chapman</image:title>
      <image:caption>Sheffield, UK Lynne’s work explores her fascination with issues around autobiographical memory-loss and identity, a preoccupation which stems from experiencing the symptoms of Aphantasia (the lack of a mind’s eye). She is interested in the role visual recall plays in the maintenance of our sense of self and in our relationships with friends and family. Her artwork probes the fractures between perception and stored memory, considering the difference between the knowledge that events have occurred, and genuine recall. For many years, Lynne has kept sketchbooks as visual diaries, pinning down the details of her lived experience through onsite drawing. She uses her textiles to communicate ways in which Aphantasia impacts her connection with both this ongoing present and her fast-fading past. Lynne’s practice also includes regular collaborations with academics, a means by which she keeps herself continually challenged and her work is encouraged to evolve.  Her textiles are principally hand-embroidered.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/a0199f01-058b-4e66-a058-809843610ab8/ChapmanL_Father_Brothers_Husband_2022.jpg</image:loc>
      <image:title>Lynne Chapman - Lynne Chapman</image:title>
      <image:caption>Sheffield, UK Lynne’s work explores her fascination with issues around autobiographical memory-loss and identity, a preoccupation which stems from experiencing the symptoms of Aphantasia (the lack of a mind’s eye). She is interested in the role visual recall plays in the maintenance of our sense of self and in our relationships with friends and family. Her artwork probes the fractures between perception and stored memory, considering the difference between the knowledge that events have occurred, and genuine recall. For many years, Lynne has kept sketchbooks as visual diaries, pinning down the details of her lived experience through onsite drawing. She uses her textiles to communicate ways in which Aphantasia impacts her connection with both this ongoing present and her fast-fading past. Lynne’s practice also includes regular collaborations with academics, a means by which she keeps herself continually challenged and her work is encouraged to evolve.  Her textiles are principally hand-embroidered.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754475702436-0C9VJAKFWN9T2X7H79KA/ChapmanL_Filling_The_Void_2024.jpg</image:loc>
      <image:title>Lynne Chapman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754475701896-O7FG1E2VEI3XV1VT0WUO/ChapmanL_Buried_Treasure%28detail%29_2024.jpg</image:loc>
      <image:title>Lynne Chapman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754475703594-G35KZQ3U9YCAVIAO1Y2J/ChapmanL_Off_The_Record_%28detail%29_2024.jpg</image:loc>
      <image:title>Lynne Chapman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754475704440-PZ9W37AG79MASP8C43HG/ChapmanL_Ruby_2023.jpg</image:loc>
      <image:title>Lynne Chapman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754475705501-CVB86DNVJUMVWZGQP59E/ChapmanL_The_90%25_Beneath_2025.jpg</image:loc>
      <image:title>Lynne Chapman</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697132812222-98S04SGPS06OOLPH7UJG/Yes-its-plastic-but-in-studio.jpg</image:loc>
      <image:title>Lynne Chapman</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/sharonkearley</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485842901-OHTR2ETW38DQ39AV8BE8/KearleyS_Vessel2_2025.jpeg</image:loc>
      <image:title>Sharon Kearley - Sharon Kearley</image:title>
      <image:caption>Salisbury, Wiltshire, UK Sharon Kearley is a textile artist, educator and author, who sits at the intersection of textiles disciplines. A playful and innovative perception of weave that pushes at the boundaries of woven textiles, considering the impact of materials on the land. Her work focuses on the potential of the emotional, physical and hidden line within the landscape, perceiving the linear as a ‘connector ’of people, place and time. Sharon draws on ephemeral, spatial qualities and narrative to produce artworks for contemporary spaces and exhibition. She has worked nationally and internationally as a woven textiles artist and an experienced lecturer, sharing her skills through exhibiting, discourse, writing, teaching and mentoring. Sharon is a firm believer in dual professionalism, where education, community and making are deeply intertwined. She has undertaken a number of funded residencies at universities, galleries and museums, researching heritage weave and looms.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485842901-OHTR2ETW38DQ39AV8BE8/KearleyS_Vessel2_2025.jpeg</image:loc>
      <image:title>Sharon Kearley - Sharon Kearley</image:title>
      <image:caption>Salisbury, Wiltshire, UK Sharon Kearley is a textile artist, educator and author, who sits at the intersection of textiles disciplines. A playful and innovative perception of weave that pushes at the boundaries of woven textiles, considering the impact of materials on the land. Her work focuses on the potential of the emotional, physical and hidden line within the landscape, perceiving the linear as a ‘connector ’of people, place and time. Sharon draws on ephemeral, spatial qualities and narrative to produce artworks for contemporary spaces and exhibition. She has worked nationally and internationally as a woven textiles artist and an experienced lecturer, sharing her skills through exhibiting, discourse, writing, teaching and mentoring. Sharon is a firm believer in dual professionalism, where education, community and making are deeply intertwined. She has undertaken a number of funded residencies at universities, galleries and museums, researching heritage weave and looms.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485843940-A9LH9187YV9URRFF8GXW/KearleyS_Vessel1_2025.jpeg</image:loc>
      <image:title>Sharon Kearley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485823596-NW6I79MAE70PLJ6UB00J/KearleyS__Please+Not+Yet__2025.jpg</image:loc>
      <image:title>Sharon Kearley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485824517-HFFO4TDXR5FKRTJYYAFH/KearleyS_Don%27t+Let+Go.jpeg</image:loc>
      <image:title>Sharon Kearley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754485825421-7JPMBUW79LVDRH4G19NA/KearleyS_Ghost+Lines+II_2024.jpeg</image:loc>
      <image:title>Sharon Kearley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697133061946-RUUCYE3IQKO0L8HYTGTU/Skearley3.JPG</image:loc>
      <image:title>Sharon Kearley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697133052561-S3QM2F6HYE0547PGH8AP/SKearley1.jpeg</image:loc>
      <image:title>Sharon Kearley</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/suereddish</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/8e7bb8a8-8f1e-4642-be7d-9ed1132e8553/ReddishS_Patched+and+Pieced_2025+resized.jpg</image:loc>
      <image:title>Sue Reddish - Sue Reddish</image:title>
      <image:caption>Manchester, UK Sue explores the intersection of material waste and urban space, creating urban abstract landscapes using repurposed commercial clothing waste—remnants of fast fashion, mass production, and consumer culture. These discarded materials become her palette for constructing textured, layered compositions that evoke the rhythms and structures of the city. Sue combines paint, print and, prominently, hand stitch. Whilst abstract, the pieces are based on observation. Each begins with unravelling seams, cutting and reclaiming fabric—textiles that carry traces of wear, labour, and identity—personal and collective histories embedded in their fibres. Through stitching, layering, and paint, Sue references the skylines and built environments, acknowledging its fragility and impermanence. Sue is interested ultimately in our place in the world: where and what we call home and how the physical and changing nature of that impacts on us over time. Sue’s practice is both a form of visual storytelling and material activism. It challenges the lifecycle of textiles and invites viewers to reconsider what we throw away—physically and metaphorically. In transforming waste into art, Sue explores the tension between consumption and decay, beauty and ruin, our environment and the fibres from which it is built.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/8e7bb8a8-8f1e-4642-be7d-9ed1132e8553/ReddishS_Patched+and+Pieced_2025+resized.jpg</image:loc>
      <image:title>Sue Reddish - Sue Reddish</image:title>
      <image:caption>Manchester, UK Sue explores the intersection of material waste and urban space, creating urban abstract landscapes using repurposed commercial clothing waste—remnants of fast fashion, mass production, and consumer culture. These discarded materials become her palette for constructing textured, layered compositions that evoke the rhythms and structures of the city. Sue combines paint, print and, prominently, hand stitch. Whilst abstract, the pieces are based on observation. Each begins with unravelling seams, cutting and reclaiming fabric—textiles that carry traces of wear, labour, and identity—personal and collective histories embedded in their fibres. Through stitching, layering, and paint, Sue references the skylines and built environments, acknowledging its fragility and impermanence. Sue is interested ultimately in our place in the world: where and what we call home and how the physical and changing nature of that impacts on us over time. Sue’s practice is both a form of visual storytelling and material activism. It challenges the lifecycle of textiles and invites viewers to reconsider what we throw away—physically and metaphorically. In transforming waste into art, Sue explores the tension between consumption and decay, beauty and ruin, our environment and the fibres from which it is built.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697133381326-REF0U9DJCVNUXL4H4XCH/image00003.jpeg</image:loc>
      <image:title>Sue Reddish</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697133386426-8WFVK2Z32YIDNNEOF7SA/image00004.jpeg</image:loc>
      <image:title>Sue Reddish</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754500641069-P7C2GQTBVM2SMNSGA4Y7/ReddishS_Undercurrent_2024.jpg</image:loc>
      <image:title>Sue Reddish</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754500632510-WWHNP5R6LGBLPLUW2UK8/ReddishS_Overview+1_+2024.jpg</image:loc>
      <image:title>Sue Reddish</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754500632849-JCE4M8BEJ7OOT3UXA0OT/ReddishS_Overview+2_+2024.jpg</image:loc>
      <image:title>Sue Reddish</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754500639581-L4F2TO9TJCKID50ZXURU/ReddishS_Overview+3_+2024.jpg</image:loc>
      <image:title>Sue Reddish</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/viviennebeaumont</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1726137364855-HCV8CBQ8IMF7Y9HOCFO3/Detail+Seeds%2C+flowers+and+flowing+hair_edited-1.jpg</image:loc>
      <image:title>Vivienne Beaumont - Vivienne Beaumont</image:title>
      <image:caption>Shropshire, UK Vivienne Beaumont's figurative textile art uses machine embroidery and print to explore personal and universal narratives. Drawing on mythological themes, symbolism, and archetypal imagery, her work explores universal feelings and cultural memory. "My figurative textile art shares my inner world through emotionally charged imagery. My narratives are inspired by femininity, relationships, and the cyclical nature of life."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1726137364855-HCV8CBQ8IMF7Y9HOCFO3/Detail+Seeds%2C+flowers+and+flowing+hair_edited-1.jpg</image:loc>
      <image:title>Vivienne Beaumont - Vivienne Beaumont</image:title>
      <image:caption>Shropshire, UK Vivienne Beaumont's figurative textile art uses machine embroidery and print to explore personal and universal narratives. Drawing on mythological themes, symbolism, and archetypal imagery, her work explores universal feelings and cultural memory. "My figurative textile art shares my inner world through emotionally charged imagery. My narratives are inspired by femininity, relationships, and the cyclical nature of life."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697133558961-T62Y9H50PGPKDE7LDR5P/Pricked+Awake+2022.jpeg</image:loc>
      <image:title>Vivienne Beaumont</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697133559369-GVNWFS1SV71MO22K96P6/Seeds%2C+flowers+and+flowing+hair_edited-2.jpeg</image:loc>
      <image:title>Vivienne Beaumont</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1697133560612-MKDMP15OX4V33RNWUI66/Thread+of+Life.jpeg</image:loc>
      <image:title>Vivienne Beaumont</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/2024-exhibition</loc>
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    <priority>0.75</priority>
    <lastmod>2025-08-31</lastmod>
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  <url>
    <loc>https://www.prismtextiles.co.uk/2025-exhibition</loc>
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      <image:title>2025 EXHIBITION</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1750066282979-3NSMWQXHA40YQ08S78XP/IMG_1624.jpg</image:loc>
      <image:title>2025 EXHIBITION</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1750066644135-DJWDDXWVU15YUJ9NHSNH/IMG_1789.jpg</image:loc>
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  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/alex-duncan</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/f58fef36-7b15-43fe-930d-3cef36a6521f/%282%29DuncanA_Red%7EOrange+detail_2025.jpg</image:loc>
      <image:title>Alex Duncan - Alex Duncan</image:title>
      <image:caption>Innerleithen, Scotland Alex is fascinated by the possibilities provided by the infinite range of materials available to the contemporary artist, and loves experimenting with new materials. Her work frequently takes inspiration from the materials to hand, which often dictate how a piece may develop. She works in both two and three dimensions, using natural fibres and found objects, as well as home dyed fabric and thread and anything else that she finds in her studio, put together with hand stitching. She enjoys the process of tackling an abstract idea and working through it to develop a visual approach.   On the other hand she also enjoys making figurative pieces based on landscape, and accepts commissions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/f58fef36-7b15-43fe-930d-3cef36a6521f/%282%29DuncanA_Red%7EOrange+detail_2025.jpg</image:loc>
      <image:title>Alex Duncan - Alex Duncan</image:title>
      <image:caption>Innerleithen, Scotland Alex is fascinated by the possibilities provided by the infinite range of materials available to the contemporary artist, and loves experimenting with new materials. Her work frequently takes inspiration from the materials to hand, which often dictate how a piece may develop. She works in both two and three dimensions, using natural fibres and found objects, as well as home dyed fabric and thread and anything else that she finds in her studio, put together with hand stitching. She enjoys the process of tackling an abstract idea and working through it to develop a visual approach.   On the other hand she also enjoys making figurative pieces based on landscape, and accepts commissions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754477039471-Q1TFMW5GHNQ4D9K7WN8K/%281%29DuncanA_Blue%7EGreen+detail_2024.jpg</image:loc>
      <image:title>Alex Duncan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754477039643-8QPUV60W4RHK9PNULV67/DuncanA_Ancestors+detail_2022.jpg</image:loc>
      <image:title>Alex Duncan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754477043025-HFADSNO5AD1H22XTBLA6/DuncanA_Disintegration+No1_2024.jpg</image:loc>
      <image:title>Alex Duncan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754477042184-ELPY2140QM7ZXDGJ2NBA/DuncanA_Juxtaposition+No+15_+2023.jpg</image:loc>
      <image:title>Alex Duncan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754477043787-GJF7395ET9570FIKF1LX/DuncanA_Juxtapositions+No+8%7E2023.jpg</image:loc>
      <image:title>Alex Duncan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754477045158-BEO8EV7L891BLT3IFIJF/DuncanA_Wee+Beastie+No+2_+2021.jpg</image:loc>
      <image:title>Alex Duncan</image:title>
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  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/jayne-everiss</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/d80caf2a-576c-4fea-a541-eaf5385fad28/Everiss+J+shadows+2023.jpg</image:loc>
      <image:title>Jayne Everiss - Jayne Everiss</image:title>
      <image:caption>Leeds, West Yorkshire, UK Jayne is an artist educator, teaching children and adults in the pursuit of creativity across a range of disciplines. She has a background in kiln-formed glass but evolved into working more with textile processes and developing her practice using printmaking. Explorations of layers, negative space, structure and balance all form key elements of Jayne’s work. She uses captured shadows of plant forms to evoke a sense of place and the passing of time as well as curating her own personal symbolism to add greater meaning in her work. Jayne is currently playing with further layering of differently printed surfaces, embellishment and collage for personal aesthetics and continued expression of ideas around the self, society and our place in the world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/d80caf2a-576c-4fea-a541-eaf5385fad28/Everiss+J+shadows+2023.jpg</image:loc>
      <image:title>Jayne Everiss - Jayne Everiss</image:title>
      <image:caption>Leeds, West Yorkshire, UK Jayne is an artist educator, teaching children and adults in the pursuit of creativity across a range of disciplines. She has a background in kiln-formed glass but evolved into working more with textile processes and developing her practice using printmaking. Explorations of layers, negative space, structure and balance all form key elements of Jayne’s work. She uses captured shadows of plant forms to evoke a sense of place and the passing of time as well as curating her own personal symbolism to add greater meaning in her work. Jayne is currently playing with further layering of differently printed surfaces, embellishment and collage for personal aesthetics and continued expression of ideas around the self, society and our place in the world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754478226661-GE7CQ4ODTIXA43EC588M/Everiss+J+2024.jpg</image:loc>
      <image:title>Jayne Everiss</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754478223674-RX0HQD0OSCCOT5TIVI7K/Everiss+J+2023.jpg</image:loc>
      <image:title>Jayne Everiss</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754478229747-EJJ0RX4N50VAPO57D3GZ/Everiss+J+shadows+II+2023.jpg</image:loc>
      <image:title>Jayne Everiss</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/mary-gray</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/b8b7ddb4-c0d8-4e8d-92df-80a83a46aadb/GrayM_Tail+ends+1_2025.jpeg</image:loc>
      <image:title>Mary Gray - Mary Gray</image:title>
      <image:caption>Milford, Surrey, UK Mary likes to explore the nature of objects through drawing and using reductive, pared back interpretations, extracting the essence of the line. This is often depicted in screen print with hand stitch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/b8b7ddb4-c0d8-4e8d-92df-80a83a46aadb/GrayM_Tail+ends+1_2025.jpeg</image:loc>
      <image:title>Mary Gray - Mary Gray</image:title>
      <image:caption>Milford, Surrey, UK Mary likes to explore the nature of objects through drawing and using reductive, pared back interpretations, extracting the essence of the line. This is often depicted in screen print with hand stitch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754479442784-909S37ZIVPNRO68XWYWQ/GrayM_Disrupted+Line+1_2022.png</image:loc>
      <image:title>Mary Gray</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754479438169-AR4ESPFUX8RIJCTG1HOF/GrayM_Disrupted+Line+2_2022.png</image:loc>
      <image:title>Mary Gray</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754479442029-UW8HG2KN11NHEWEE5S96/GrayM_Disrupted+Line+3_2022.jpeg</image:loc>
      <image:title>Mary Gray</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754479450092-U171JBY3IJK821A7HSPA/GrayM_Tail+Ends+2_2025.jpeg</image:loc>
      <image:title>Mary Gray</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1587474252096-2R4I1W01H76V5GYNVHYN/GrayM+The+Swimmer%2C+detail.jpg</image:loc>
      <image:title>Mary Gray</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754479451693-DUHPQ58F294OTKJO7UJP/GrayM_Tail+Ends+3_2025.jpeg</image:loc>
      <image:title>Mary Gray</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/helen-oleary</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/2c48a38f-59bb-4a0e-ae99-b7765521c495/OLearyH+Dress+in+cabinet+.jpg</image:loc>
      <image:title>Helen O'Leary - Helen O’Leary</image:title>
      <image:caption>St Leonards on Sea, East Sussex, UK Sewing is in my blood - it is this and parts of my family history and experience that inﬂuence my work. After working in knitwear and fashion I returned to university to study art but escape textiles it wasn’t to be and my textile work is now my art. Inspiration comes from overheard conversations, country walks, just staring at the sea. Rummaging through old pieces of lace is heaven for me. Galleries of old pictures and dusty junk shops and museums are my idea of a great day out. Fine lace knittng with silver plated copper wire is the basis of much of my work along with worn rubbed and dyed ﬁne silk fabric. I complete my work with its presentation to add to its story.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/2c48a38f-59bb-4a0e-ae99-b7765521c495/OLearyH+Dress+in+cabinet+.jpg</image:loc>
      <image:title>Helen O'Leary - Helen O’Leary</image:title>
      <image:caption>St Leonards on Sea, East Sussex, UK Sewing is in my blood - it is this and parts of my family history and experience that inﬂuence my work. After working in knitwear and fashion I returned to university to study art but escape textiles it wasn’t to be and my textile work is now my art. Inspiration comes from overheard conversations, country walks, just staring at the sea. Rummaging through old pieces of lace is heaven for me. Galleries of old pictures and dusty junk shops and museums are my idea of a great day out. Fine lace knittng with silver plated copper wire is the basis of much of my work along with worn rubbed and dyed ﬁne silk fabric. I complete my work with its presentation to add to its story.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498243432-7LA8K0PCHITYZ2H1Q9R3/OLearyH+3+torsos.jpg</image:loc>
      <image:title>Helen O'Leary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498244249-8G9ZJUVE1EZC44GY8L6M/OLearyH+Boutees.jpg</image:loc>
      <image:title>Helen O'Leary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498244600-T730V7CAF4X6BSGOA3SI/OLearyH+Dress+on+door.jpg</image:loc>
      <image:title>Helen O'Leary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498245528-VIP3WI9UIDY4SP7CIEWR/OLearyH+Wire+dress.jpg</image:loc>
      <image:title>Helen O'Leary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498245970-GFD0TYIFLY8LZMM5PM7B/OLearyH+Wire+gloves.jpg</image:loc>
      <image:title>Helen O'Leary</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754498246774-A4GDPLI9JGWRRAUKQNM0/OLearyH-Wire-Gloves-detail-.jpg</image:loc>
      <image:title>Helen O'Leary</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.prismtextiles.co.uk/molly-williams</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/6db59842-1ed3-417f-8972-74d3030930c3/WilliamsM_Digital+Imprisonment_2015.jpg</image:loc>
      <image:title>Molly Williams - Molly Williams</image:title>
      <image:caption>Ludlow, Shropshire, UK Molly is a studio-based textile artist whose creativity is inspired by her Shropshire home and the movement and emotive posture of the human form. Her sculptures reflect her thoughts and feelings as individual personality and form materialise from physical and mental effort. Natural dyes, found wood, metal objects, and ceramic are sometimes included in both her 2D and 3D work.  Molly’s interest lies in the research and development of a project aimed at creating innovative and unique work for both her art and design practice as well as for bespoke commissions. She has a keen interest in the historical development of textiles. By exploring the rich history of textiles, Molly incorporates elements from various periods, weaving tradition and innovation into her designs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/6db59842-1ed3-417f-8972-74d3030930c3/WilliamsM_Digital+Imprisonment_2015.jpg</image:loc>
      <image:title>Molly Williams - Molly Williams</image:title>
      <image:caption>Ludlow, Shropshire, UK Molly is a studio-based textile artist whose creativity is inspired by her Shropshire home and the movement and emotive posture of the human form. Her sculptures reflect her thoughts and feelings as individual personality and form materialise from physical and mental effort. Natural dyes, found wood, metal objects, and ceramic are sometimes included in both her 2D and 3D work.  Molly’s interest lies in the research and development of a project aimed at creating innovative and unique work for both her art and design practice as well as for bespoke commissions. She has a keen interest in the historical development of textiles. By exploring the rich history of textiles, Molly incorporates elements from various periods, weaving tradition and innovation into her designs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561957247-DT2HG4K5U3YWKH5USRKV/WiliamsM_Caught+in+th+web_2015.jpg</image:loc>
      <image:title>Molly Williams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561966629-TYSCIKC1ZTQCMTJCL8CH/WiliamsM_Sense+of+Place_2024+.jpg</image:loc>
      <image:title>Molly Williams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561969260-YNDG10PEH8QOVAAMJA5Z/WilliamsM+Iznik+Jars+2019.jpg</image:loc>
      <image:title>Molly Williams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561980716-NYODRFVADKQJSZ90BHW9/WilliamsM_In+the+scape+2_2022.jpg</image:loc>
      <image:title>Molly Williams</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1754561982395-Z8S43IXI90IXWUG1PUNN/WilliamsM_Last+Thoughts_2025.jpg</image:loc>
      <image:title>Molly Williams</image:title>
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    <image:image>
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      <image:title>Molly Williams</image:title>
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  <url>
    <loc>https://www.prismtextiles.co.uk/wendy-greene</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/ea209339-5c6e-46e4-8ae3-9c434059adad/GreeneW+ItsASecret+2022.jpg</image:loc>
      <image:title>Wendy Greene - Wendy Greene</image:title>
      <image:caption>Billericay, Essex, UK Wendy Greene wishes her audience to be entertained by her work.  Ideas can spring from snippets of overheard conversations or full blown family dramas.  As a contrast, the glimpse of a flower in the garden or the song of a bird at dawn can be inspirational.  One idea leads to another. Words are as important as images in Wendy’s work.  She employs both hand and machine stitching but the use of colour is probably the most important element to be considered. She wishes to lift the spirits of the observer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/ea209339-5c6e-46e4-8ae3-9c434059adad/GreeneW+ItsASecret+2022.jpg</image:loc>
      <image:title>Wendy Greene - Wendy Greene</image:title>
      <image:caption>Billericay, Essex, UK Wendy Greene wishes her audience to be entertained by her work.  Ideas can spring from snippets of overheard conversations or full blown family dramas.  As a contrast, the glimpse of a flower in the garden or the song of a bird at dawn can be inspirational.  One idea leads to another. Words are as important as images in Wendy’s work.  She employs both hand and machine stitching but the use of colour is probably the most important element to be considered. She wishes to lift the spirits of the observer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755009097338-FH6MFAWE7LTIKYQ88B3W/GreeneW+AFlashOfBlue+2025.jpg</image:loc>
      <image:title>Wendy Greene</image:title>
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    <image:image>
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      <image:title>Wendy Greene</image:title>
    </image:image>
    <image:image>
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      <image:title>Wendy Greene</image:title>
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  <url>
    <loc>https://www.prismtextiles.co.uk/jo-smith</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/fcbc7979-9bf7-48b9-8006-1e6bcf253008/image+1.jpg</image:loc>
      <image:title>Jo Smith - Jo Smith</image:title>
      <image:caption>North-east Lincolnshire, UK My lifelong relationship with stitch and cloth began with simple sewing projects as a child, evolved into fashion design in adolescence, eventually led to embroidery and is now a contemporary textile practice. It could easily morph further as I continue to grow and learn as an artist and seek out new techniques. I see textiles as something with very few boundaries and endless exciting possibilities, it melds so seamlessly with other media. Stitch is very much at the heart of my work, using a wide range of materials with both free machine embroidery and hand embroidery to produce contemporary textile pieces that are often narrative in nature. The work dictates the materials and the process depending on the topics or events that I am exploring and the stories that are being told. As a result, sculpture, print, collage, installation, animation, found objects, vintage materials, animal bones, clay, plaster, old photographs and even torn out windows etc. have all played a part in my work over the years. Often work is triggered by something small and seemingly insignificant, like a mouse brought in by the cat or a house whose history I yearned to know. There is nearly always a story…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/fcbc7979-9bf7-48b9-8006-1e6bcf253008/image+1.jpg</image:loc>
      <image:title>Jo Smith - Jo Smith</image:title>
      <image:caption>North-east Lincolnshire, UK My lifelong relationship with stitch and cloth began with simple sewing projects as a child, evolved into fashion design in adolescence, eventually led to embroidery and is now a contemporary textile practice. It could easily morph further as I continue to grow and learn as an artist and seek out new techniques. I see textiles as something with very few boundaries and endless exciting possibilities, it melds so seamlessly with other media. Stitch is very much at the heart of my work, using a wide range of materials with both free machine embroidery and hand embroidery to produce contemporary textile pieces that are often narrative in nature. The work dictates the materials and the process depending on the topics or events that I am exploring and the stories that are being told. As a result, sculpture, print, collage, installation, animation, found objects, vintage materials, animal bones, clay, plaster, old photographs and even torn out windows etc. have all played a part in my work over the years. Often work is triggered by something small and seemingly insignificant, like a mouse brought in by the cat or a house whose history I yearned to know. There is nearly always a story…</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755849822930-QFH7Z56XO2DCMXV4C5EL/image+3.jpg</image:loc>
      <image:title>Jo Smith</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d81fa7222e09d651dd819d2/1755849823273-V3S4JNJ0CWH2CTKK33CQ/image+6.jpg</image:loc>
      <image:title>Jo Smith</image:title>
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    <image:image>
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      <image:title>Jo Smith</image:title>
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    <image:image>
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      <image:title>Jo Smith</image:title>
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    <image:image>
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      <image:title>Jo Smith</image:title>
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    <image:image>
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      <image:title>Jo Smith</image:title>
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  <url>
    <loc>https://www.prismtextiles.co.uk/home</loc>
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    <lastmod>2026-04-03</lastmod>
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  <url>
    <loc>https://www.prismtextiles.co.uk/2020-exhibition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-15</lastmod>
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  <url>
    <loc>https://www.prismtextiles.co.uk/2026-exhibition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-25</lastmod>
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